From jitr-owner  Sun Nov  1 00:16:04 1998
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From: "Bilal Rana" <brana@callisto.uwinnipeg.ca>
To: "Jitr-digest" <jitr@postmodern.com>
Subject: opposite to patriarchy?  title?
Date: Sun, 1 Nov 1998 02:17:13 -0600
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hello all,

i recall that approximately a year or so ago during a discussion over the
Greer quote on UM, someone suggested that the opposite to patriarchy is not
fraternity either.  They also cited a book as the source for their ideas.

Can the person who posted that message perhaps name that book again.
I've long since lost that email.

It would be much appreciated

Thank You very much

p.s. if someone else on the list remembers what that book recommendation
was, please mail me.  :)


From jitr-owner  Sun Nov  1 00:22:21 1998
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Message-ID: <19981101003233.22831.qmail@hotmail.com>
From: "Ben Adams" <bengriffin@hotmail.com>
To: jitr@postmodern.com
Subject: TRIBUTE!!
Date: Sat, 31 Oct 1998 16:32:30 PST
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I had this message all ready to send last night, and then my Internet 
connection got all screwy.  Luckily I saved the message, so here goes...

Hello everyone.  I've compiled a complete list of all the songs people 
have requested to cover for the tribute, and I'm afraid we won't be able 
to accept any more, because we probably won't be able to fit all these 
on one CD as it is (we have 19 now, though it is a 74 minute disc)...  
For that reason I think we need to be very selective about exactly which 
songs we use; i.e. I don't think we should use any songs that Sinéad was 
only covering herself.  If anyone disagrees, feel free to express your 
viewpoint.  Also, I think we should just allow one song per person, 
because the room on the disc will be quite limited.  BUT if anyone wants 
to record more than one they can send it to whoever compiles it (more on 
that at the end of this message), and then the best one will be used!  
With those things in mind, here is the revised and updated list of what 
everyone has asked to do, or is willing to do:

NAME + E-MAIL + POSSIBLE CONTRIBUTION
*****************************************************
*****************************************************
PICTURE SLEEVE:

Johnny
johnny@netspace.com.mx
graphic design

Ana
heroine@wgn.net
Sinéad painting
*****************************************************
*****************************************************
SONGS:
*****************************************************
rudy
ROUXDEIGH@aol.com
(prefer to do something simply a capella)
>>I AM STRETCHED ON YOUR GRAVE
>>THIS IS A REBEL SONG a capella or on acoustic guitar
>>I DO NOT WANT WHAT I HAVEN'T GOT
*****************************************************
Holli
hmm@minn.net
>>MY DARLING CHILD sing/alone. harp
*****************************************************
Johnny
johnny@netspace.com.mx
>>one song for her that i performed and recorded before [what is it?]
*****************************************************
Bruno/Sophie

Bruno
bautin@club-internet.fr
>>PETIT POULET, the french part

Sophie
Sophie.Connetable@u-bourgogne.fr
>>PETIT POULET, the english part
*****************************************************
Sophie
Sophie.Connetable@u-bourgogne.fr
>>THE EMPORER'S NEW CLOTHES
>>A PERFECT INDIAN
>>YOU MADE ME THE THIEF OF YOUR HEART
*****************************************************
Mélissa mguay@ptm.ca
>>JUST LIKE U SAID IT WOULD B
>>DONALD-O
*****************************************************
shannon
Wir113@aol.com
>>MY SPECIAL CHILD solo or with piano (would need some guidance on how 
to find the sheet music)
*****************************************************
DJO
DJO27@aol.com
>>THE LAST DAY OF OUR ACQUAINTANCE
*****************************************************
Chris
newskria@horiz.com.br
>>I AM STRETCHED ON YOUR GRAVE (a capella)
>>YOU CAUSE AS MUCH SORROW
>>THE LAST DAY OF OUR ACQUAINTANCE
*****************************************************
daniel
soz96cno@studserv.uni-leipzig.de
in a rock band, accompained with semi-acoustic guitar and vocals, 
arrange it my way
>>A PERFECT INDIAN
*****************************************************
Tigris
TigrisRi@aol.com
>>DRINK BEFORE THE WAR
>>BLACK BOYS ON MOPEDS
*****************************************************
Ben
bengriffin@hotmail.com
>>TROY
*****************************************************
Jeff
mandinka@home.com
acoustic versions
>>THIS IS A REBEL SONG
>>THE EMPORER'S NEW CLOTHES
>>REDEMPTION SONG
>>PETIT POULET
>>NOTHING COMPARES 2 U
*****************************************************
caesar
Caesar76@aol.com
>>THE LAST DAY OF OUR ACQUAINTANCE
>>BLACK BOYS ON MOPEDS
maybe someone would like to sing along to my recording because i'm not a 
great singer, but i play the guitar pretty good
*****************************************************
Viera
novakova@golem.gymzv.sk
>>ALL BABIES
>>THIS IS TO MOTHER YOU
*****************************************************
Mandy
mandyg@RotaryWatches.com
>>JOHN I LOVE YOU
>>ON RAGLAN ROAD
>>SHE MOVED THROUGH THE FAIR
>>DONALD O
>>I'M NOT YOUR BABY (Who is willing to do the "Bono" vox and duet with 
me??)
>>STILL LISTENING
*****************************************************
lindsay (& others??)
Lndsy@aol.com
>>IN THIS HEART
*****************************************************
Deniz
denizceb@artemis.efes.net.tr
>>TINY GRIEF SONG a capella
*****************************************************
Jason/Jim
holechek@csulb.edu
>>at this point I've not selected a song.  I plan to have vocals, elec. 
and acoustic guitars, bass, drum synth, and keyboards.
*****************************************************
*****************************************************

AND here is a simplified listing of all the songs with all the people 
who've said they'd be willing to do them...  So they need to contact 
each other (all the e-mails are listed above) and decide for sure who 
will do what.  I put the "covers of covers" at the bottom, and I think 
we should reject them, because they're not written by Sinéad (I'm not 
sure if I'm Not Your Baby was co-written by her, but I don't think it 
was--I think she just sang on it...)

I Am Stretched On Your Grave
  RUDY, CHRIS
This IS A Rebel Song
  RUDY, JEFF
I Do Not Want What I Haven't Got
  RUDY
My Darling Child
  HOLLI
Petit Poulet
  BRUNO/SOPHIE, JEFF
The Emporer's New Clothes
  SOPHIE, JEFF
A Perfect Indian
  SOPHIE, DANIEL
Just Like U Said It Would B
  MELISSA
My Special Child
  SHANNON
The Last Day of Our Acquaintance
  DJO, CHRIS, CAESAR
You Cause As Much Sorrow
  CHRIS
Drink Before the War
  TIGRIS
Black Boys On Mopeds
  TIGRIS, CAESAR
Troy
  BEN
All Babies
  VIERA
This Is To Mother You
  VIERA
John I Love You
  MANDY
Still Listening
  MANDY
In This Heart
  LINDSAY
Tiny Grief Song
  DENIZ

THESE I DON'T THINK WE SHOULD USE, because Sinéad didn't write them:

  You Made Me The Thief Of Your Heart
    SOPHIE
  Donald-O
    MELISSA, MANDY
  Redemption Song
    JEFF
  Nothing Compares 2 U
    JEFF
  On Raglan Road
    MANDY
  She Moved Through The Fair
    MANDY
  I'm Not Your Baby
    MANDY

And if anyone cares, here's what I would like to see everyone do:

Rudy: This IS A Rebel Song
Holli: My Darling Child
Johnny: ???
Bruno/Sophie: Petit Poulet
Mélissa: Just Like U Said It Would B
Shannon: My Special Child
DJO: The Last Day of Our Acquaintance
Chris: You Cause As Much Sorrow
Daniel: A Perfect Indian
Tigris: Drink Before The War
Ben: Troy
Jeff: The Emporer's New Clothes
Caesar: Black Boys On Mopeds
Viera: All Babies
Mandy: Still Listening
Lindsay: In This Heart
Deniz: Tiny Grief Song
Jason/Jim: ???

Well, that's just me looking at the figures and seeing what everyone 
offered to do, but I think there may still be debate over who does a 
song such as Last Day Of Our Acquaintance...  So this is just an idea of 
how it could be, but please communicate with each other and then let me 
know what you've decided.

Just a couple comments:  I really hope Mandy does Still Listening--this 
is an old classic that actually few people have heard, because it was 
only released on a single.  But it's a great song.  And I'm VERY glad 
Viera would do All Babies; PLEASE do that instead of This Is To Mother 
You (which is also a great song, but All Babies deserves some special 
attention)... I think All Babies is one of the best songs Sinéad has 
ever written.  At first I thought it was quite odd, and now I think it's 
so powerful and beautiful.  So this is a way of bringing out a great 
song that's often overlooked!  That's why I'd also love to hear You 
Cause As Much Sorrow on this.  I'm also trying to convince Holli to do a 
very calm, melodic Fire On Babylon with harp (!), but of course that's 
up to her!  I think this album needs Fire On Babylon somewhere!  (I used 
to not like FOB, but now after hearing it LIVE and the Eternal 
Recurrence Remix I've come to appreciate it more deeply... great song.)

I really hope everyone will fit onto the CD.  If not I'm afraid the only 
fair thing would be to include the people who responded first... or does 
anyone have a better idea??  We gave several days to respond...  I'm 
thrilled that so many people want to be involved, but I'm also sad to 
see that we might not all fit.  BUT I think it might just work...  Some 
songs may end up being quite short (e.g. Tiny Grief Song), so let's hope 
it will work!!  I'm sure we'll find a way!  Faith and Courage, just like 
it says on Sinéad's mantlepiece in her home!!

Tonight I talked to my friend about recording it onto CD, and I'll find 
more info. next week, but for $75 an hour (don't gasp yet) I could get a 
guy to dub all the songs onto a CD AND use a mixer or something to 
equalize the volume of all the songs, so it would be a very 
professional, high-quality recording.  And I think if I get the whole 
thing well-organized, it could all be done in 2 or 3 hours.  So the 
maximum would probably be $200 or so.  And this may sound strange, but 
what if everyone who contributes pitched in to pay for the production?  
I think it would only end up being between $10 and $15 per person, and 
it would be part of our "Thank You" to Sinéad.  I know that sounds 
demanding to ask people who are already contributing talent to 
contribute money too, but I can't think of anything else... and I think 
we all agree that we should get the best sound possible from this.  And 
I agree with Ross that we should just call it "a demo" and sell it for 
ONLY the cost of a disc and the shipping (and the cost of reproducing 
the art for the sleeve).  So part of my justification for saying all the 
performers could pitch in is that way it's definitely NOT a 
profit-producing venture, and we're basically just paying to put our 
"demos" onto a disc and then letting other people copy them onto discs 
they paid for--but we wouldn't get any profit for doing the songs.  I 
hope this idea doesn't offend anyone, and please remember at this point 
it's "just an idea..."  And if you have a better one, PLEASE post it!  
But I personally feel that if Sinéad has impacted our lives a great 
deal, $10 or $15 wouldn't be a huge donation for telling her Thank You 
and showing each other our interpretations of her music--and I wouldn't 
be at all surprised if Our Lady herself ended up with a copy...  and I'm 
sure she'd be flattered.  So please respond to all this, everyone who 
wants to get involved...

By the way, if someone on this list would provide this service for free 
(someone who has the knowledge and access to equipment--not just a 
regular CD-burner), that would be the best solution!  Please contact me 
if you can do this, I would be tempted to worship you if you could do it 
for free...  And of course I would be very happy to organize all the 
tapes and then send you one big package with all the tapes and 
instructions on the order of the songs, etc.

Also, I'm excited to say Johnny has been doing some wonderful things to 
design the cover, and if anyone has any contributions or ideas for him, 
then contact him directly (his e-mail is listed above).  I think he 
might be looking for peoples' pictures or something--maybe he can 
explain this... of course for now the important thing is deciding how 
we're going to approach this financially, choosing our songs, and then 
recording them!!  I'll post info. when I find out about this guy who 
records professional CDs--who knows, maybe I'll be able to cut a good 
deal with him; I've been known to be good at that.  If we could get it 
all recorded for $100 that, I think, would be unbelievable.  Anyway, 
I'll tell you when I find out.

I can't believe I'm writing so much when I know I should be studying.  
Take care everyone, and thank you many times over for everyones' 
contributions!!

#Ben

P.S. The other night I had this great dream about "The Land of Gospel 
Oak."  It was a beautiful island with calm waters, and I swam from the 
waters onto the land, and then I walked around on this amazing, calm, 
green landscape, and I heard Sinéad from far away, singing something 
very soothing, but I couldn't see her.  The funny thing is that in the 
dream it was really called The Land of Gospel Oak!  I've had lots of 
Sinéad dreams over the years, in many of which I've met her (this dream 
came true for me in August 1997!)  I'm curious to know other peoples' 
Sinéad dreams...

From jitr-owner  Sun Nov  1 00:23:34 1998
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From: "Bilal Rana" <brana@callisto.uwinnipeg.ca>
To: "Jitr-digest" <jitr@postmodern.com>
Subject: This IS a Rebel Song
Date: Sun, 1 Nov 1998 02:25:08 -0600
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hello jitr,

I was discussing This IS a Rebel song with one me friends.  I asked her what
her reaction was to the extreme imagery in the opening of the song:

"I love you my hard Englishman
Your rage is like a fist in my womb."

Her response totally caught me by surprise.  She said:

"My response?  'Damn you Peter.  Damn You!' "

HA!

later,

bilal  :)

p.s. fer those who perhaps didn't get it, me friend was referring to Peter
Gabriel not pursuing a relationship with Sinead.


From jitr-owner  Sun Nov  1 09:46:42 1998
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From: "Ben Adams" <bengriffin@hotmail.com>
To: jitr@postmodern.com
Subject: tribute : In This Heart
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Just to let "y'all" know--Lindsay won't be doing In This Heart (great 
idea, but it probably won't work out), so if someone who had another 
song wants to do this instead, they can (just let me know)...  And I 
think it would be great if In This Heart were on the album somewhere, 
because I have a particular love for that song.  But that's just me.
#Ben

>ben-
>just want to let you know i'm not going to do in this heart. i'm soooo 
sorry
>for saying i was and now backing out. there is just no way i'm gonna do 
it by
>myself and it would be really hard to get more than one voice on a 
recording
>with out them being actually present. so thank you for including me on 
the
>list but hopefully this will help to make more room for the others
>
>lindsay =)

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From jitr-owner  Sun Nov  1 13:36:46 1998
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From: "Mars-L" <bobbink@telebyte.nl>
To: "Jitr-digest" <jitr@postmodern.com>
Subject: Sinead wanted to be a prostitute ????
Date: Sun, 1 Nov 1998 22:35:14 +0100
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Hello,

In a dutch-magazine (VARA-gids) I wrote an article about a famous (dutch)
pop-journalist named "Jip Goldsteijn". He is writing reviews already since
(or even before) Woodstock, has interviewed Elvis, Beatles, Jagger several
times and more of such big or even bigger (if possible) names. And he wrote
several detailed books.
In this interview he mentions the next (new to me) thing;

......."Sometimes I receive christmas-cards from artists. Sinead O'Connor
did send them to me for years. With the notice that she still isn't a
prostitute. I interviewed her when she was very young, about 18, and I found
out that she once was thinking about becoming a prostitute. We had a serious
discussion about that. That's why I received those cards"......

Anyone ever heard about this ??
To be honest I wasn't really surprised by it. According to my knowledge this
period in her live (when she was 18) wasn't her best period.

I was hoping to find this article on Internet (the one when she was 18) but
I could not even found anything on the keywords "goldsteijn".

For the dutch; Aankomende woensdag is er een interview met hem te zien op
Nederland1 in TeeVee Studio van 23.48-00.23 Naar ik mag aannemen is
bovenstaande misschien een citaat uit dit programma.

--- Mars-L ------------------------------------------------------------
Co-editor of the Sinead O'Connor Mainpage
http://sinead-oconnor.com
--- bobbink@telebyte.nl ------------------------------------------



From jitr-owner  Sun Nov  1 19:26:00 1998
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From: "Zhanet B. Turarbekova" <Turarbekova@amb.kz>
To: Jitr-digest <jitr@postmodern.com>,
        Bilal Rana
	 <brana@callisto.uwinnipeg.ca>
Subject: RE: This IS a Rebel Song
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hi all

actually I'm not surprised some of my friends and even my MOM thinks =
tha
same about PG well I find this ward particularly with deep meaning.
with love and peace
Janet

------------------------------------------------------------------------=

------------------------
Zhanet B. Turarbekova
Almaty Merchant Bank
tel: (3272)503040 ext. 1219                       "fight the real
enemy!"
fax: (3272) 501995                                    SINEAD O'CONNOR



> ----------
> From: 	Bilal Rana[SMTP:brana@callisto.uwinnipeg.ca]
> Sent: 	1 =CE=CF=D1=C2=D2=D1 1998 =C7. 14:25
> To: 	Jitr-digest
> Subject: 	This IS a Rebel Song
>=20
> hello jitr,
>=20
> I was discussing This IS a Rebel song with one me friends.  I asked
> her what
> her reaction was to the extreme imagery in the opening of the song:
>=20
> "I love you my hard Englishman
> Your rage is like a fist in my womb."
>=20
> Her response totally caught me by surprise.  She said:
>=20
> "My response?  'Damn you Peter.  Damn You!' "
>=20
> HA!
>=20
> later,
>=20
> bilal  :)
>=20
> p.s. fer those who perhaps didn't get it, me friend was referring to
> Peter
> Gabriel not pursuing a relationship with Sinead.
>=20

From jitr-owner  Sun Nov  1 23:51:33 1998
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From: "jo" <J.K.Semlyen@newcastle.ac.uk>
To: jo <J.K.Semlyen@newcastle.ac.uk>,
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.deniz 
i apologise for appearing  "one-sided"  but i felt really annoyed by 
the suggestion of changing lyrics. I believe altering lyrics is 
altering the meaning of the song which exists to represent the 
artist's views/feelings and attitudes. For example, would you smooth 
out the strokes of a Van Gogh to make it more comfortable on the eye. 
Any appreciation of say, sinead o'connor's music, includes 
appreciation of  the lyrical content, melody and the way that it is 
presented vocally. In recording a version of the song with changed 
lyricsthat alter the very meaning of the song would, for me, produce 
an article so far from the original that it would bear no resemblance 
whatsoever and I would wonder why bother at all.
**jo**



> Date:          Fri, 30 Oct 1998 12:42:53 +0200
> From:          Deniz Cebe <denizceb@artemis.efes.net.tr>
> To:            jo <J.K.Semlyen@newcastle.ac.uk>
> Cc:            jitr@postmodern.com
> Subject:       Re: Tribute Album / Lyric Changes

> dear jo,
> when you are saying "don't do it", i think you should state your reasons for
> that.
> don't forget, the key is discussion, not one-sided comments.
> always with love,
> deniz
> 
> jo wrote:
> 
> > um
> > i think i was saying
> > DON'T DO IT
> >
> > **jo**
> >
> > l> Date:          Thu,
> > 29 Oct 1998 20:21:47 +0200
> > > From:          Deniz Cebe <denizceb@artemis.efes.net.tr>
> > > To:            Jo Semlyen <J.K.Semlyen@newcastle.ac.uk>
> > > Subject:       Re: Tribute Album / Lyric Changes
> >
> > > I'm afraid I couldn't understand what you meant. Can you please be more
> > > open?
> > > Always with love,
> > > Deniz
> > >
> > > Jo Semlyen wrote:
> > >
> > > > mmm
> > > > thought provoking after all
> > > >
> > > > deniz
> > > > DON'T EVEN GO THERE
> > > >
> > > > **jo**
> > > >
> > > > On Thu, 29 Oct 1998, Deniz Cebe wrote:
> > > >
> > > > > I've been thinking about my version of the song for two days and I
> > > > > decided to make some changes. What I mean is about lyrics, the music
> > > > > will stay
> > > > > the same. I want to make it into a song of love and thanks rather than
> > > > > pain.
> > >
> > >
> > >
> > >
> > >
> 
> 
> 
> 
> 

From jitr-owner  Mon Nov  2 00:32:04 1998
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From: "kai chai" <secretmanta@hotmail.com>
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Subject: dave/sinead/natalie
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hi jitr pple,

chanced upon this story abt dave stewart collaborating with natalie 
imbruglia and sinead at:
cgi.pathfinder.com/ew/daily/0%2C2514%2C523%2C00.html

there's a small mention abt how natalie and sinead are getting alone 
fine, which explains why both appeared for dave stewart's gig on chris 
evans show.

	 	 E n t e r t a i n m e n t  W e e k l y  O n l i n e 	h o m e 


 News 	Posted:  
Oct 23, 1998, 1:00 a.m.  
Dave's Raves 
What do Natalie Imbruglia and Sinead O'Connor have in common? 
by Tom Sinclair  

Natalie Imbruglia
Dave Stewart is teaming up with Australian singer Natalie Imbruglia to 
cowrite and coproduce her next album. Stewart, who recently released 
his sixth solo effort, "Sly-Fi," says he met Imbruglia by chance six 
or seven months ago in a London restaurant. "She sat down at the table 
next to me and we started talking, and she ended up coming to my flat 
and staying until about two in the morning." The two got it on -- 
creatively, that is. "We started singing and playing the acoustic 
guitar, and we sort of hit it off. We arranged to work on a song 
together, and that turned into five songs, and that turned into going 
on holiday together, which in turn became a long-lasting 
¿professionalÁ relationship." 
Stewart says the pair will continue to collaborate with an eye toward 
entering the studio next spring, when he also plans to begin directing 
his first feature-length film, "Honest," which he describes as "a 
romantic black comedy in the 'Harold and Maude' tradition." The fecund 
singer-songwriter is currently writing and producing tunes with 
another comely young songstress, Sinéad O'Connor, whom he reports 
"gets on quite well with Natalie." Hmmm. Maybe he should have called 
his new al

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From jitr-owner  Mon Nov  2 00:57:46 1998
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From: Mandy Green <mandyg@RotaryWatches.com>
To: "'Gogobooty3@aol.com'" <Gogobooty3@aol.com>, jitr@postmodern.com
Subject: RE: SIGN ON!!!
Date: Mon, 2 Nov 1998 08:52:31 -0000 
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Er, well, um aren't you going to share it then?????
Mandy - confused !

-----Original Message-----
From:	Gogobooty3@aol.com [SMTP:Gogobooty3@aol.com]
Sent:	Saturday, October 31, 1998 1:32 AM
To:	jitr@postmodern.com
Subject:	SIGN ON!!!

i have BIG NEWS!!!

From jitr-owner  Mon Nov  2 00:59:22 1998
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From: Mandy Green <mandyg@RotaryWatches.com>
To: "'Charlie Baltimore'" <kak2395@is4.nyu.edu>, jitr@postmodern.com
Subject: RE: Go Go Go GARBAGE!!!  (No Sinead content)
Date: Mon, 2 Nov 1998 08:54:12 -0000 
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Ditto the French band AIR who played an amazing gig at London's Drury
Lane Theatre last night.  What a cool band!!
Mandy

-----Original Message-----
From:	Charlie Baltimore [SMTP:kak2395@is4.nyu.edu]
Sent:	Saturday, October 31, 1998 8:53 PM
To:	jitr@postmodern.com
Subject:	Go Go Go GARBAGE!!!  (No Sinead content)

I just HAD to share how AMAZING Garbage's concert was last night!  It
was
so fucking groovy.  Any Garbage fans in the house?  To anyone who's
interested, I'll send a review/set list.

Kevin K.

"I thought I tasted of too many cigarettes,
But you tasted of wine"
   
     

From jitr-owner  Mon Nov  2 01:05:45 1998
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From: holechek@csulb.edu
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my first choice of songs for this album would be Black Boys on Mopeds, but since that doesn't seem to be available why don't you tentatively put down Three Babies for now.  I'm pretty sure this is what we will do (unless Caesar would like to give me the chance to Black Boys :P)  Also there is a slight chance that we may do Just Call Me Joe, so you might put that down as a secondary possibility.  We should make a definate choice in the next couple days.

By the way, what is the time table going to be like on this?  I was hoping we would have a couple months to get our songs in...is that possible or are we in a hurry for any reason?  Is it acceptable to add our own flavor and/or interpretation of the song we're doing, besides changing the actual lyrics? 

Thank you,

Jason and Jim Holechek

From jitr-owner  Mon Nov  2 01:08:54 1998
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From: Mandy Green <mandyg@RotaryWatches.com>
To: "'Bilal Rana'" <brana@callisto.uwinnipeg.ca>,
        Jitr-digest
	 <jitr@postmodern.com>
Subject: RE: This IS a Rebel Song
Date: Mon, 2 Nov 1998 09:03:40 -0000 
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Dear Bilal

I doubt this interpretation very much - Sinead is well over her problems
with Peter and would hardly rehash old ground in music recorded in 1997
- 7 years is a long time to bear a grudge....besides, she's already
explained the meaning behind the metaphorical lyrics in untold
interviews upon GO's release.

Mandy

-----Original Message-----
From:	Bilal Rana [SMTP:brana@callisto.uwinnipeg.ca]
Sent:	Sunday, November 01, 1998 8:25 AM
To:	Jitr-digest
Subject:	This IS a Rebel Song

hello jitr,

I was discussing This IS a Rebel song with one me friends.  I asked her
what
her reaction was to the extreme imagery in the opening of the song:

"I love you my hard Englishman
Your rage is like a fist in my womb."

Her response totally caught me by surprise.  She said:

"My response?  'Damn you Peter.  Damn You!' "

HA!

later,

bilal  :)

p.s. fer those who perhaps didn't get it, me friend was referring to
Peter
Gabriel not pursuing a relationship with Sinead.

From jitr-owner  Mon Nov  2 02:13:34 1998
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Date: Sun, 01 Nov 1998 12:17:49 +0000
From: Ross Martin <spartacus@ndirect.co.uk>
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Subject: Re: TRIBUTE
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I think I might have said this before, so apologies if I'm repeating
myself; but unless you know what you're dealing with it's very hard to
compile an album from songs you haven't heard: alright, you know the
songs, but not the performances. What happens if the one sanctioned
version of a song turns out to be truly excruciating? 

Perhaps it would be best to simply leave the doors open for ANY
contributions up to a deadline and then just pick the best version. That
should be a deadline for completed recordings, not promises.  With the
best will in the world, we've all got lives and some promised versions
might not get done. 

I admit to a little self interest here. I wasn't sure if I would try
anything but I've been experimenting with an interesting Indian
influenced version of Stretched On Your Grave and am now fairly
confident of completing it. I didn't offer anything because I wanted to
see if I  (A) could and (B) would have the time to do anything
worthwhile. Others might be in the same situation of wanting to look
before they jump ( in the river? :-P).

One other thing: how many copies are we talking about here? I mean is
the idea to ask somebody with a CD burner to do a production run? Or
have you considered contacting a duplication plant and enquiring about
the cost of a limited run? Might be cheaper to do. I don't know the cost
of a CD-R blank but short run duplication in the U.K. seems to run from
about 150 pounds ( about 250 US dollars) upwards for 100 CDs. It's
probably a lot cheaper to do in the States (CDs are cheaper there
anyway). If you did it on an advance order basis, so that everyone who
wants a copy has already sent in their money then it shouldn't be too
big a problem: apart from distribution which, if we're talking around
100 copies is a very big problem. That's a serious mailshot for one
person to handle.

I could probably arrange the mastering of a CD over here for free, but
definitely don't have the time to compile the songs and the playlist, so
it would have to be from a finished tape.  The problem with that would
be that unless it was a digital tape (DAT) then it would be a second
generation analogue cassette which would not be a satisfactory medium to
produce any kind of CD from! So the question is : who's got a good
quality DAT machine and the time to compile an album?

Regards,
Ross



From jitr-owner  Mon Nov  2 02:48:49 1998
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From: johnny@netspace.com.mx (Juan Manuel Garcia)
Subject: Sinead at Glastonbury Festival 
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Hi all,
Finally I've recorded on VHS all the concert Glastonbury Festival (23 June
1995) including Sinead that performed the only one her song "the last day
of our acquaintance" in best quality, if are u interested to get a copy of
this concert, let me know.

Johnny



From jitr-owner  Mon Nov  2 08:13:42 1998
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From: "Bilal Rana" <brana@callisto.uwinnipeg.ca>
To: "Mandy Green" <mandyg@RotaryWatches.com>,
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Subject: Re: This IS a Rebel Song
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hello Mandy,

hehe, yeah, i totally knew that.

i just was caught by surprise by the sheer outlandishness of my friends
suggestion.  i thought it was pretty hilarious and just thought to share.  I
think my friend knows too and she's just making a joke.

later.

bilal

-----Original Message-----
From: Mandy Green <mandyg@RotaryWatches.com>
To: 'Bilal Rana' <brana@callisto.uwinnipeg.ca>; Jitr-digest
<jitr@postmodern.com>
Date: Monday, November 02, 1998 3:10 AM
Subject: RE: This IS a Rebel Song


>Dear Bilal
>
>I doubt this interpretation very much - Sinead is well over her problems
>with Peter and would hardly rehash old ground in music recorded in 1997
>- 7 years is a long time to bear a grudge....besides, she's already
>explained the meaning behind the metaphorical lyrics in untold
>interviews upon GO's release.
>
>Mandy
>
>-----Original Message-----
>From: Bilal Rana [SMTP:brana@callisto.uwinnipeg.ca]
>Sent: Sunday, November 01, 1998 8:25 AM
>To: Jitr-digest
>Subject: This IS a Rebel Song
>
>hello jitr,
>
>I was discussing This IS a Rebel song with one me friends.  I asked her
>what
>her reaction was to the extreme imagery in the opening of the song:
>
>"I love you my hard Englishman
>Your rage is like a fist in my womb."
>
>Her response totally caught me by surprise.  She said:
>
>"My response?  'Damn you Peter.  Damn You!' "
>
>HA!
>
>later,
>
>bilal  :)
>
>p.s. fer those who perhaps didn't get it, me friend was referring to
>Peter
>Gabriel not pursuing a relationship with Sinead.
>


From jitr-owner  Mon Nov  2 08:25:59 1998
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From: Mandy Green <mandyg@RotaryWatches.com>
To: "'Bilal Rana'" <brana@callisto.uwinnipeg.ca>,
        Mandy Green
	 <mandyg@RotaryWatches.com>,
        Jitr-digest <jitr@postmodern.com>
Subject: RE: This IS a Rebel Song
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	Oh - I'm so serious sometimes - I SHOULD LIGHTEN UP ;-)


-----Original Message-----
From:	Bilal Rana [SMTP:brana@callisto.uwinnipeg.ca]
Sent:	Monday, November 02, 1998 4:14 PM
To:	Mandy Green; Jitr-digest
Subject:	Re: This IS a Rebel Song

hello Mandy,

hehe, yeah, i totally knew that.

i just was caught by surprise by the sheer outlandishness of my friends
suggestion.  i thought it was pretty hilarious and just thought to
share.  I
think my friend knows too and she's just making a joke.

later.

bilal

-----Original Message-----
From: Mandy Green <mandyg@RotaryWatches.com>
To: 'Bilal Rana' <brana@callisto.uwinnipeg.ca>; Jitr-digest
<jitr@postmodern.com>
Date: Monday, November 02, 1998 3:10 AM
Subject: RE: This IS a Rebel Song


>Dear Bilal
>
>I doubt this interpretation very much - Sinead is well over her
problems
>with Peter and would hardly rehash old ground in music recorded in 1997
>- 7 years is a long time to bear a grudge....besides, she's already
>explained the meaning behind the metaphorical lyrics in untold
>interviews upon GO's release.
>
>Mandy
>
>-----Original Message-----
>From: Bilal Rana [SMTP:brana@callisto.uwinnipeg.ca]
>Sent: Sunday, November 01, 1998 8:25 AM
>To: Jitr-digest
>Subject: This IS a Rebel Song
>
>hello jitr,
>
>I was discussing This IS a Rebel song with one me friends.  I asked her
>what
>her reaction was to the extreme imagery in the opening of the song:
>
>"I love you my hard Englishman
>Your rage is like a fist in my womb."
>
>Her response totally caught me by surprise.  She said:
>
>"My response?  'Damn you Peter.  Damn You!' "
>
>HA!
>
>later,
>
>bilal  :)
>
>p.s. fer those who perhaps didn't get it, me friend was referring to
>Peter
>Gabriel not pursuing a relationship with Sinead.
>

From jitr-owner  Mon Nov  2 10:28:49 1998
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Date: Mon, 02 Nov 1998 10:31:49 -0800
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From: Rick Schmidt <ricks@synopsys.com>
Subject: Re: Tribute Album / Lyric Changes
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I agree with all the thoughts about _not_ changing lyrics and I want to add
this: 'Thank You For Hearing Me' is _already_ about love and thanks (and
healing). I
can't imagine any lyric changes that would make that more clear.


Rick


>> > > >
>> > > > On Thu, 29 Oct 1998, Deniz Cebe wrote:
>> > > >
>> > > > > I've been thinking about my version of the song for two days and I
>> > > > > decided to make some changes. What I mean is about lyrics, the
music
>> > > > > will stay
>> > > > > the same. I want to make it into a song of love and thanks
rather than
>> > > > > pain.
>> > >
>


-----------------------------------------------------------

"Once you've gotten the message you can hang up the phone"
                Alan Watts on drugs

-----------------------------------------------------------

From jitr-owner  Mon Nov  2 11:17:49 1998
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Reply-To: <icobo@sprynet.com>
From: "Isabel Cobo" <icobo@sprynet.com>
To: <jitr@postmodern.com>
Subject: Tribute request
Date: Mon, 2 Nov 1998 13:14:35 -0600
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Hello everybody!
(Big Fat Wave)

Well, I've not really spoken out a whole lot on the list, but like I told
Ben this is a chance I don't think I should pass up... Anyway, I would like
to enter my request to cover Fire On Babylon for the tribute album. Does
anybody know if the album is full yet? Is anybody else noivous about
singing??? 

Adios,

Isabel

From jitr-owner  Mon Nov  2 11:38:58 1998
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From: "Ben Adams" <bengriffin@hotmail.com>
To: jitr@postmodern.com
Subject: changing lyrics
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I don't want to get involved in a big war about changing lyrics, but 
just thought I'd put in a small comment on the "pro-change" side.  Think 
about what Sinéad sang during Emporer's in 1997 (and 1998 too?)...

"You asked if I'm scared and I said
HELL NO"

That's quite a change from the old "and I said so"--opposite, in fact.

My point is that art is often quite precisely about paradox and 
contradictions, especially in the case of Sinéad, who says "I love you" 
and "You're still a liar" to the same person--a more recent example 
would be "I love you my hard Englishman, your rage is like a fist in my 
womb".  Feelings about a person or situation, or even a song, may either 
be contradictory all at once or change over time... the point being that 
art can be very volatile.  Some people are very comfortable with an 
artist changing his/her own work, but don't think anyone else should be 
allowed to do this...  I will just say that Sinéad is the queen of 
covers which are VERY different from the originals... even if she 
doesn't change the lyrics, she's been known to change almost everything 
else about a song, including adding more lyrics (cases in point: 
Sacrifice, Success Has Made, Don't Cry For Me, House of the Rising Sun, 
All Apologies, Danny Boy, etc.)  Why would it be so unkosher to change 
the words of a song when every other aspect of it can be changed too?

I'm just saying that it's dangerous to define absolute rules in art 
(i.e. no-one should change anyone else's lyrics), because art so often 
relies on the very breaking of those rules.  I'm not saying that I have 
done or would do this myself (I probably wouldn't, but who knows?)--only 
that I have no problem with someone else doing it.

Just my humble opinion!
Luvs & kisses,
#Ben

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From jitr-owner  Mon Nov  2 11:57:09 1998
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From: "Ben Adams" <bengriffin@hotmail.com>
To: jitr@postmodern.com
Subject: tribute
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What does everyone think about this (see below)?  I think it may be a 
very good idea, but I'd like to hear other opinions.  If everyone does 
all the songs they're interested in, we can then choose the most 
interesting version of each song.

>unless you know what you're dealing with it's very hard to
>compile an album from songs you haven't heard: alright, you know the
>songs, but not the performances. What happens if the one sanctioned
>version of a song turns out to be truly excruciating? 
>
>Perhaps it would be best to simply leave the doors open for ANY
>contributions up to a deadline and then just pick the best version. 
That
>should be a deadline for completed recordings, not promises.  With the
>best will in the world, we've all got lives and some promised versions
>might not get done. 

...
>have you considered contacting a duplication plant and enquiring about
>the cost of a limited run?

I've thought about that too.  I just have no clue how many we'll want to 
make.  CD-Rs cost $4 in the US, I think, and are probably cheaper in 
bulk.  So maybe a small run from a plant would be better--that way we 
could have something printed on the disc too!

>I could probably arrange the mastering of a CD over here for free, but
>definitely don't have the time to compile the songs and the playlist, 
so
>it would have to be from a finished tape.  The problem with that would
>be that unless it was a digital tape (DAT) then it would be a second
>generation analogue cassette which would not be a satisfactory medium 
to
>produce any kind of CD from! So the question is : who's got a good
>quality DAT machine and the time to compile an album?

I will do this if I can get access to a good DAT machine.  I'm VERY 
happy that you're willing to master it, Ross; thank you many times over.  
Does anyone have a good DAT machine, or should I look around?  (I'll 
probably look around anyway...)

For now, the big question is, should we just all record our best 
versions of all the songs we'd like to do, and then the best ones will 
be included?  Not that it's a big competition, but some interpretations 
may be more interesting than others (and we don't really have that many 
songs that more than one person asked for)...  What's the verdict?

#Ben

______________________________________________________
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From jitr-owner  Mon Nov  2 15:03:27 1998
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Reply-To: <hmm@minn.net>
From: "Rob & Holli Marshall" <hmm@minn.net>
To: "'Jitr'" <jitr@postmodern.com>
Subject: STA -Cover Title
Date: Mon, 2 Nov 1998 17:04:32 -0600
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What about what we are....
JITR

?????????????????

Love, Peace, and Harmony,
Holli

       \\\|///
     \\  - -  //
      ( @  @ )
---oOOo-(_)-oOOo--------------------------------------
- Holli Marshall's "Triumph Over Tragedy"
Mint Green Ribbon Campaign for the Awareness of Abuse
  Email: hmm@minn.net
Website: http://www1.minn.net/~hmm 
------------Oooo--------------------------------------
      oooO  (   )
     (   )   ) /
      \ (   (_/
       \_)


From jitr-owner  Mon Nov  2 16:01:21 1998
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From: "Mars-L" <bobbink@telebyte.nl>
To: "Jitr-digest" <jitr@postmodern.com>
Subject: Sinead Newsgroup
Date: Tue, 3 Nov 1998 00:59:46 +0100
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Hello,

Most of you know because it's beeen mentioned about a year ago already.
But for the people who joined since then; There exists a Sinead-newsgroup.
Once in a while someone is selling Sinead stuff through it. Not a lot
postings (thank god). But worth to visit once in a while.
(Drop a note if you get there)

it can be found at;

alt.music.sinaed

NOTICE THE SINAED SPELLING !!!!!


--- Mars-L ------------------------------------------------------------
Co-editor of the Sinead O'Connor Mainpage
http://sinead-oconnor.com
--- bobbink@telebyte.nl ------------------------------------------


From jitr-owner  Mon Nov  2 18:38:44 1998
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From: "kai chai" <secretmanta@hotmail.com>
To: bengriffin@hotmail.com
Cc: jitr@postmodern.com
Subject: Re: changing lyrics
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hi jitr pple,

i agree totally with what ben's said. i don't think there shd be any 
restriction as to what one can and can't do with a song. it's 
precisely in the spirit of creativity from which all great artists 
draw their inspiration. what's important at the end of the day is that   
there's due acknowledgement and that, yes, the product is something to 
behold. ie. who gives a hoot -- pardon my language -- when a "faithful 
interpretation" turns out to be, er, crap?

just my two pence,
kai chai.


>I don't want to get involved in a big war about changing lyrics, 
but=20
>just thought I'd put in a small comment on the "pro-change" side.  
Think=20
>about what Sin=E9ad sang during Emporer's in 1997 (and 1998 too?)...
>
>"You asked if I'm scared and I said
>HELL NO"
>
>That's quite a change from the old "and I said so"--opposite, in 
fact.
>
>My point is that art is often quite precisely about paradox and=20
>contradictions, especially in the case of Sin=E9ad, who says "I love 
you"=
>=20
>and "You're still a liar" to the same person--a more recent 
example=20
>would be "I love you my hard Englishman, your rage is like a fist in 
my=20
>womb".  Feelings about a person or situation, or even a song, may 
either=20
>be contradictory all at once or change over time... the point being 
that=20
>art can be very volatile.  Some people are very comfortable with 
an=20
>artist changing his/her own work, but don't think anyone else should 
be=20
>allowed to do this...  I will just say that Sin=E9ad is the queen 
of=20
>covers which are VERY different from the originals... even if she=20
>doesn't change the lyrics, she's been known to change almost 
everything=20
>else about a song, including adding more lyrics (cases in point:=20
>Sacrifice, Success Has Made, Don't Cry For Me, House of the Rising 
Sun,=20
>All Apologies, Danny Boy, etc.)  Why would it be so unkosher to 
change=20
>the words of a song when every other aspect of it can be changed too?
>
>I'm just saying that it's dangerous to define absolute rules in 
art=20
>(i.e. no-one should change anyone else's lyrics), because art so 
often=20
>relies on the very breaking of those rules.  I'm not saying that I 
have=20
>done or would do this myself (I probably wouldn't, but who 
knows?)--only=20
>that I have no problem with someone else doing it.
>
>Just my humble opinion!
>Luvs & kisses,
>#Ben
>
>______________________________________________________
>Get Your Private, Free Email at

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From jitr-owner  Tue Nov  3 03:56:37 1998
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From: "Mars-L" <bobbink@telebyte.nl>
To: "Jitr-digest" <jitr@postmodern.com>
Subject: tribute cd
Date: Tue, 3 Nov 1998 12:54:38 +0100
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Hello,

I don't wanna to interfere with the tribute cd, but why don't you make it
yourselfs a lot easier.
Let everyone record as much songs as he/she wants. Make MP3 or RealAudio
files of them. Place them on a homepage all together and let visitors choose
which songs are best for about 2 months. Burn the Top10-15 on a cd, and
ready is your CD-R. I doubt you will be able to release this cd officially.
So let someone make a cd-r of it, it's sound-quality will (when donme a good
job) be the same as a standard cd. Only it's a lot cheaper. Design a nice
inlay, make a nice label on the cd. And ready is the "Jumpers" cd.

Just an idea.

--- Mars-L ------------------------------------------------------------
Co-editor of the Sinead O'Connor Mainpage
http://sinead-oconnor.com
--- bobbink@telebyte.nl ------------------------------------------


From jitr-owner  Tue Nov  3 06:20:56 1998
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From: "Mars-L" <bobbink@telebyte.nl>
To: "Jitr-digest" <jitr@postmodern.com>
Subject: Updated trading list
Date: Tue, 3 Nov 1998 15:17:38 +0100
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Hello,

If someone is interested in trading (or eventually buying) Sinead
audio/video tapes I've updated my online list, which can be found on;
http://www.sinead-oconnor.com/m/my-video-audio.htm the video's are all in
PAL system, so won't play on NTSC-system.

--- Mars-L ------------------------------------------------------------
Co-editor of the Sinead O'Connor Mainpage
http://sinead-oconnor.com
--- bobbink@telebyte.nl ------------------------------------------


From jitr-owner  Tue Nov  3 14:29:04 1998
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From: "Bruno" <bautin@club-internet.fr>
To: "jitr" <jitr@postmodern.com>
Subject: New album ???
Date: Tue, 3 Nov 1998 23:31:51 +0100
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A new Sinead album is announced in France for Sony music !!!!!
This is handed by Marc-Henri.
As soon as we have other news , I let you know !!
Bruno's Page: http://www.mygale.org/02/autin
Où est le Roi perdu ?


From jitr-owner  Tue Nov  3 15:35:41 1998
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Date: 02 Nov 1998 14:36:36 -0600
From: Paul Kuehl <Paul.Kuehl@aexp.com>
To: jitr@postmodern.com (Return requested)
Subject: The CD
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Not to rain on anyone's parade, but I have been on many of these lists
that have talked this same idea and nothing ever gets done due to all the 
little pieces that are maybe not that important to the success of getting this
CD pressed (i.e., changing of words, blah, blah, blah.).  

My suggestion, everyone who is interested in recording, to just do it.  Then 
send them to whoever wants to puts this together (it sounds like several
people could do this).  Press and distribute due to everyone's interest.

I'm assuming you will get too many recordings, but therefore you can weed
through the repititions, poor quality recordings, etc., and compile the best 
version.  Maybe even take the complete list of submissions, list the song
and performer including the sound quality (based on a five star system)
and post them on this list.  People could vote.  

Someone just needs to be the point person, and everyone else can 
privately contact them with their concerns.  

I know I sound like a miserable jerk, but I feel as though we will talk and
talk and talk and talk and talk until nothing gets done (this opinion is 
based solely on my experience with other lists).  

I'm interested on continuing to stay on this list, but not if it all has to do 
with tiny informalities regarding a CD that may never be pressed.

Sorry if I upset anyone, but that's my two cent take on it....

Hope everyone had a great weekend...

Paul

From jitr-owner  Tue Nov  3 16:51:54 1998
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From: "Mars-L" <bobbink@telebyte.nl>
To: "Jitr-digest" <jitr@postmodern.com>
Subject: Tribute Mailing List
Date: Wed, 4 Nov 1998 01:28:39 +0100
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Hello,

Not bashing but might it be an idea if you set up an alternate-mailing list
for the Tribute cd. Lots of people don't wanna read the messages about the
disc. There are over 300 subscribers, and about 10-15 are working on the CD.
It would keep the JITR a little smaller for the other 285 subscribers. Just
post the main info about it. (When you're done for instance, so people can
order the disc, which would make the disc cheaper, the more the cheaper.)

--- Mars-L ------------------------------------------------------------
Co-editor of the Sinead O'Connor Mainpage
http://sinead-oconnor.com
--- bobbink@telebyte.nl ------------------------------------------


From jitr-owner  Tue Nov  3 17:06:59 1998
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From: "Mars-L" <bobbink@telebyte.nl>
To: "Jitr-digest" <jitr@postmodern.com>
Subject: Happy to be here ONLINE
Date: Wed, 4 Nov 1998 02:05:33 +0100
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Hello,

If you wanna see Sinead with the black wig, performing live with Dave
Stewart on the song "Happy to be here", it's online now. You need real video
and a fast computer (at least 28k8)
Goto; http://www.davestewart.com/nojavcubfr.html select the headphone. Then
on the left menu you choose "See it on Sly Fi TV 2 now!
Click here for the latest events and live pictures" Fill in the form (just
fake a name and address) and there you go.........Sinead with wig.

After the song ended don't wait for more, there's just some video-artwork.

--- Mars-L ------------------------------------------------------------
Co-editor of the Sinead O'Connor Mainpage
http://sinead-oconnor.com
--- bobbink@telebyte.nl ------------------------------------------


From jitr-owner  Tue Nov  3 21:34:42 1998
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From: "Roman Szendrey" <roman@szendrey.com>
To: "Mars-L" <bobbink@telebyte.nl>,
        "JITR Postings" <jitr@server.postmodern.com>
Subject: RE: Tribute Mailing List
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very good idea, marcel!

roman

> -----Original Message-----
> From: owner-jitr@postmodern.com [mailto:owner-jitr@postmodern.com]On
> Behalf Of Mars-L
> Sent: Wednesday, November 04, 1998 1:29 AM
> To: Jitr-digest
> Subject: Tribute Mailing List
>
>
> Hello,
>
> Not bashing but might it be an idea if you set up an alternate-mailing list
> for the Tribute cd. Lots of people don't wanna read the messages about the
> disc. There are over 300 subscribers, and about 10-15 are working
> on the CD.
> It would keep the JITR a little smaller for the other 285 subscribers. Just
> post the main info about it. (When you're done for instance, so people can
> order the disc, which would make the disc cheaper, the more the cheaper.)
>
> --- Mars-L ------------------------------------------------------------
> Co-editor of the Sinead O'Connor Mainpage
> http://sinead-oconnor.com
> --- bobbink@telebyte.nl ------------------------------------------
>
>


From jitr-owner  Wed Nov  4 00:06:03 1998
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From: Michel Noppert <MNoppert@ICGroup.nl>
To: "'Roman Szendrey'" <roman@szendrey.com>
Cc: "JITR (E-mail)" <jitr@postmodern.com>
Subject: RE: Tribute Mailing List
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INDEED A VERY GOOD IDEA !!!!

Michel
	
> -----Original Message-----
> From:	Roman Szendrey [SMTP:roman@szendrey.com]
> Sent:	woensdag 4 november 1998 6:35
> To:	Mars-L; JITR Postings
> Subject:	RE: Tribute Mailing List
> 
> very good idea, marcel!
> 
> roman
> 
> > -----Original Message-----
> > From: owner-jitr@postmodern.com [mailto:owner-jitr@postmodern.com]On
> > Behalf Of Mars-L
> > Sent: Wednesday, November 04, 1998 1:29 AM
> > To: Jitr-digest
> > Subject: Tribute Mailing List
> >
> >
> > Hello,
> >
> > Not bashing but might it be an idea if you set up an
> alternate-mailing list
> > for the Tribute cd. Lots of people don't wanna read the messages
> about the
> > disc. There are over 300 subscribers, and about 10-15 are working
> > on the CD.
> > It would keep the JITR a little smaller for the other 285
> subscribers. Just
> > post the main info about it. (When you're done for instance, so
> people can
> > order the disc, which would make the disc cheaper, the more the
> cheaper.)
> >
> > --- Mars-L
> ------------------------------------------------------------
> > Co-editor of the Sinead O'Connor Mainpage
> > http://sinead-oconnor.com
> > --- bobbink@telebyte.nl ------------------------------------------
> >
> >

From jitr-owner  Wed Nov  4 10:23:08 1998
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From: "Bruno" <bautin@club-internet.fr>
To: "jitr" <jitr@postmodern.com>
Subject: Sunhouse  in Concert
Date: Wed, 4 Nov 1998 19:25:25 +0100
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I saw the group today on TV( Canal +) , they played "Monkey dead". They are
in Concert the 6th of  november in Paris. If I have time and money (and
place !!) I may go and see them..

Bruno's Page: http://www.mygale.org/02/autin
Où est le Roi perdu ?


From jitr-owner  Wed Nov  4 11:51:51 1998
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From: "Ben Adams" <bengriffin@hotmail.com>
To: jitr@postmodern.com
Subject: solution : tribute mailing group
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Sorry to everyone who hasn't wanted to read all the messages about the 
tribute album.  Those of us working on it need to simply create a 
grouping of e-mail addresses in our e-mail programs so we only e-mail 
each other.

I use Hotmail, so I'll explain how it works for that, but I can't give 
advice for any other e-mail program.  For Hotmail, you simply click on 
"Addresses," then on the section where it says Groups, click on 
"Create."  Then you enter all the e-mail addresses of everyone who wants 
to be involved--and a nickname (e.g. Sinéad Tribute).  Then you click 
"OK."  The rest is simple: any time you want to post a message for the 
tribute group, just click on "Addresses" and then "Sinéad Tribute" (or 
whatever nickname you made up), and then you have all the addresses 
entered into a blank message, all ready for you to write and send!

And for anyone who's not really involved but is interested in 'listening 
in' on what's going on, just e-mail me and I'll include your e-mail 
address too.  Except for the people who've specifically told me they no 
longer want to be involved, I'll make a list of everyone who has offered 
to contribute in some way up to now, and then I'll add the e-mails of 
anyone who writes to me in the next few days requesting to be included 
in the discussion.  Then I will e-mail everyone involved so we can all 
create a 'group' on our e-mail programs.

After we do this we can make more specific decisions about the project.  
Fair enough?

#Ben

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From jitr-owner  Wed Nov  4 14:19:49 1998
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Date: Thu, 05 Nov 1998 08:52:55 +1030
From: Dark <dark@portal.net.au>
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To: Sinead List <jitr@server.postmodern.com>
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Hi Guys,

               I thought I'd share something with you all, as Sinéad
touched another heart again yesterday...mine!  (Not that she doesn't
already)  I have been after the two CDs.... Gospel Oak and The Sea Of
Dreams for so long now.  I live in Australia and it seems most
mainstream music stores just can't get their acts together.  I ordered
the CDs as imports and have been waiting for months for them to arrive.
I decided to go on-line and order them there, as I was tired of the
music store telling me that they had re-ordered again for the fourth
time etc etc blah blah blah.

 Anyhow, I went on-line to the Music Boulevard site and ordered them
there.  Within 5 days, they arrived, in mint condition and in my hot
little hands.  I should have gone there ages ago, and I am sure I won't
be buying CDs at music stores here anymore as the price they quoted me
for Gospel Oak, was $24:95Aust.  Even with choosing the more expensive
of delivery & shipping options, I saved money.

 Don't groan ok... but I am a survivor of child abuse, so not only do I
like Sinéad's music for the gifted artist that she is, but I get a lot
of solace from hearing her own healing journey through her music.  Her
music touches a place deep inside of me in an inexplicable way.  I know
it does everyone of course for many different reasons, but a fellow
abuse survivor singing her rage, sorrow, pain and her triumphs and joys
as you are feeling those very same things, is something that is
difficult to articulate.

 Yesterday was one of those awful days where I woke up wondering if it
may have been better if I hadn't.  Things had been going ok and then
boom, chaos hits again (in the form of the aftermath of a difficult
therapy the day before).  The feeling of climbing a mountain and
thinking you are up it, or at least getting there and then sliding down
again and then hearing that throught creeping in, that screams
incessantly "Fuck it all!"  Well, it gets tiring.

 Skip ahead some several hours later to about 11am.  I'm sitting on the
couch practicing breathing...in between a deep breath, I'm saying "Fuck
it all" and wondering about the madness in all this, when the doorbell
rings and there is the delivery man with my CDs.  So I scrawl a
signature, grab them with a  smile so big that my face hurts and before
he is even in his truck again, I have Gospel Oak in my CD player.

 Hearing "This Is To Mother You" as I sat there on the couch, cradling a
cushion, and hearing her words of love and affirmation for herself was
exactly what I needed at exactly the perfect time.  I sat transfixed, a
tear trickled down as I took a breath in (a proper one this time) and
the "Fuck it all" message quieted.

 Thank you Sinéad, for even though at times I do know that I am enough
for myself... it helps to have a gentle reminder :o)

Thanks Guys for listening,
Maria

punky.mtx.au


From jitr-owner  Wed Nov  4 14:29:53 1998
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From: Dark <dark@portal.net.au>
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Oh btw.....

 The Sea Of Dreams..... wow!!  I have heard Dreaming Of The Bones via
RealAudio sound wav... but ohhhh ... to hear it on CD player, with the
sound up and the bass on full.... now THAT is an experience!!!

Regards :o)
Maria
http://punky.mtx.net/


From jitr-owner  Wed Nov  4 16:35:15 1998
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To what address should I send the consultation bill?

From jitr-owner  Wed Nov  4 16:59:33 1998
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Date: Thu, 05 Nov 1998 11:32:40 +1030
From: Dark <dark@portal.net.au>
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Hi Guys,
               I apologize if my previous e-mail offended anyone... I
was merely saying that I had a bad day, thoughts don't kill you, you
know?

 Anyway.... cya ...take care and be :o)
Maria


From jitr-owner  Thu Nov  5 09:10:33 1998
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Date: Thu, 05 Nov 1998 09:09:54 -0800
To: jitr@postmodern.com
From: "Michael O'Rorke" <mororke@hsx.com>
Subject: Re: jitr-digest V4 #317
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I am not a performer, but i really would love to have a copy of the tribute
CD when it is done.  What can I do to insure I will not be forgotten?
Thanks!!!=20

Michael

At 01:00 AM 11/5/98 -0800, you wrote:
>
>jitr-digest         Thursday, November 5 1998         Volume 04 : Number=
 317
>
>
>
>In this issue:
>
>        Sunhouse  in Concert
>        solution : tribute mailing group
>        VBG
>        P.S.
>        Re: VBG
>        Tad bit Sinead unrelated
>
>See the end of the digest for information on subscribing to the jitr
>or jitr-digest mailing lists and on how to retrieve back issues.
>
>----------------------------------------------------------------------
>
>Date: Wed, 4 Nov 1998 19:25:25 +0100
>From: "Bruno" <bautin@club-internet.fr>
>Subject: Sunhouse  in Concert
>
>I saw the group today on TV( Canal +) , they played "Monkey dead". They are
>in Concert the 6th of  november in Paris. If I have time and money (and
>place !!) I may go and see them..
>
>Bruno's Page: http://www.mygale.org/02/autin
>O=F9 est le Roi perdu ?
>
>------------------------------
>
>Date: Wed, 04 Nov 1998 11:51:16 PST
>From: "Ben Adams" <bengriffin@hotmail.com>
>Subject: solution : tribute mailing group
>
>Sorry to everyone who hasn't wanted to read all the messages about the=20
>tribute album.  Those of us working on it need to simply create a=20
>grouping of e-mail addresses in our e-mail programs so we only e-mail=20
>each other.
>
>I use Hotmail, so I'll explain how it works for that, but I can't give=20
>advice for any other e-mail program.  For Hotmail, you simply click on=20
>"Addresses," then on the section where it says Groups, click on=20
>"Create."  Then you enter all the e-mail addresses of everyone who wants=20
>to be involved--and a nickname (e.g. Sin=E9ad Tribute).  Then you click=20
>"OK."  The rest is simple: any time you want to post a message for the=20
>tribute group, just click on "Addresses" and then "Sin=E9ad Tribute" (or=20
>whatever nickname you made up), and then you have all the addresses=20
>entered into a blank message, all ready for you to write and send!
>
>And for anyone who's not really involved but is interested in 'listening=20
>in' on what's going on, just e-mail me and I'll include your e-mail=20
>address too.  Except for the people who've specifically told me they no=20
>longer want to be involved, I'll make a list of everyone who has offered=20
>to contribute in some way up to now, and then I'll add the e-mails of=20
>anyone who writes to me in the next few days requesting to be included=20
>in the discussion.  Then I will e-mail everyone involved so we can all=20
>create a 'group' on our e-mail programs.
>
>After we do this we can make more specific decisions about the project. =20
>Fair enough?
>
>#Ben
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>
>------------------------------
>
>Date: Thu, 05 Nov 1998 08:52:55 +1030
>From: Dark <dark@portal.net.au>
>Subject: VBG
>
>Hi Guys,
>
>               I thought I'd share something with you all, as Sin=E9ad
>touched another heart again yesterday...mine!  (Not that she doesn't
>already)  I have been after the two CDs.... Gospel Oak and The Sea Of
>Dreams for so long now.  I live in Australia and it seems most
>mainstream music stores just can't get their acts together.  I ordered

>the CDs as imports and have been waiting for months for them to arrive.
>I decided to go on-line and order them there, as I was tired of the
>music store telling me that they had re-ordered again for the fourth
>time etc etc blah blah blah.
>
> Anyhow, I went on-line to the Music Boulevard site and ordered them
>there.  Within 5 days, they arrived, in mint condition and in my hot
>little hands.  I should have gone there ages ago, and I am sure I won't
>be buying CDs at music stores here anymore as the price they quoted me
>for Gospel Oak, was $24:95Aust.  Even with choosing the more expensive
>of delivery & shipping options, I saved money.
>
> Don't groan ok... but I am a survivor of child abuse, so not only do I
>like Sin=E9ad's music for the gifted artist that she is, but I get a lot
>of solace from hearing her own healing journey through her music.  Her
>music touches a place deep inside of me in an inexplicable way.  I know
>it does everyone of course for many different reasons, but a fellow
>abuse survivor singing her rage, sorrow, pain and her triumphs and joys
>as you are feeling those very same things, is something that is
>difficult to articulate.
>
> Yesterday was one of those awful days where I woke up wondering if it
>may have been better if I hadn't.  Things had been going ok and then
>boom, chaos hits again (in the form of the aftermath of a difficult
>therapy the day before).  The feeling of climbing a mountain and
>thinking you are up it, or at least getting there and then sliding down
>again and then hearing that throught creeping in, that screams
>incessantly "Fuck it all!"  Well, it gets tiring.
>
> Skip ahead some several hours later to about 11am.  I'm sitting on the
>couch practicing breathing...in between a deep breath, I'm saying "Fuck
>it all" and wondering about the madness in all this, when the doorbell
>rings and there is the delivery man with my CDs.  So I scrawl a
>signature, grab them with a  smile so big that my face hurts and before
>he is even in his truck again, I have Gospel Oak in my CD player.
>
> Hearing "This Is To Mother You" as I sat there on the couch, cradling a
>cushion, and hearing her words of love and affirmation for herself was
>exactly what I needed at exactly the perfect time.  I sat transfixed, a
>tear trickled down as I took a breath in (a proper one this time) and
>the "Fuck it all" message quieted.
>
> Thank you Sin=E9ad, for even though at times I do know that I am enough
>for myself... it helps to have a gentle reminder :o)
>
>Thanks Guys for listening,
>Maria
>
>punky.mtx.au
>
>------------------------------
>
>Date: Thu, 05 Nov 1998 09:03:00 +1030
>From: Dark <dark@portal.net.au>
>Subject: P.S.
>
>Oh btw.....
>
> The Sea Of Dreams..... wow!!  I have heard Dreaming Of The Bones via
>RealAudio sound wav... but ohhhh ... to hear it on CD player, with the
>sound up and the bass on full.... now THAT is an experience!!!
>
>Regards :o)
>Maria
>http://punky.mtx.net/
>
>------------------------------
>
>Date: Wed, 4 Nov 1998 19:33:38 EST
>From: Papioanou@aol.com
>Subject: Re: VBG
>

>To what address should I send the consultation bill?
>
>------------------------------
>
>Date: Thu, 05 Nov 1998 11:32:40 +1030
>From: Dark <dark@portal.net.au>
>Subject: Tad bit Sinead unrelated
>
>Hi Guys,
>               I apologize if my previous e-mail offended anyone... I
>was merely saying that I had a bad day, thoughts don't kill you, you
>know?
>
> Anyway.... cya ...take care and be :o)
>Maria
>
>------------------------------
>
>End of jitr-digest V4 #317
>**************************
>
>To unsubscribe from jitr-digest, send the following command
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>
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>
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>
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>=20
Michael O'Rorke
Hollywood Stock Exchange=20
225 Arizona Ave., Suite 250=20
Santa Monica, CA 90401=20
Phone: 310.458.1029=20
Fax: 310.458.7595=20
mororke@hsx.com=20
<http://www.hsx.com/>http://www.hsx.com=20
"It's Your Hollywood"




From jitr-owner  Thu Nov  5 10:00:09 1998
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From: "Bruno" <bautin@club-internet.fr>
To: "jitr" <jitr@postmodern.com>
Subject: My CD recorder is fixed !!
Date: Thu, 5 Nov 1998 18:59:44 +0100
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The store gave me another brand new CD recorder ;-))
I f you are interested by CDr  with all the songs you search , let me
know...
Bruno's Page: http://www.mygale.org/02/autin
Où est le Roi perdu ?


From jitr-owner  Thu Nov  5 12:33:59 1998
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From: "Bruno" <bautin@club-internet.fr>
To: "jitr" <jitr@postmodern.com>
Subject: Chiquita : the 30th of november
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Hope Floats




Sinead O'Connor covers Abba for Omagh.


 U2, Sinead and Van Morrison turn out for bombing victim tribute album

Nothing can repair the damage caused from the most devastating bombing in
Northern Ireland's recent history, but affected citizens can find some
solace in efforts to alleviate the pain. To date, more than $1.5 million has
been raised for the Omagh bombing victims; the leaders of Ireland's peace
discussions -- John Hume and David Trimble -- were recently named as this
year's Nobel Peace Prize recipients; and, now, the biggest names in Irish
music -- U2, Sinead O'Connor, Boyzone, Van Morrison and Ash among them --
have come together to contribute songs to an Omagh tribute album.
Set for a November 30 release in the U.K. and Ireland, Across the Bridge of
Hope features a plethora of artists who have donated their songs and time to
this memorial for the victims of the Aug. 15 bombing. Some previously
released songs on the collection include U2's "Please," Boyzone's "Words,"
Ash's "I'm Gonna Fall," the Corrs' "What Can I Do?" and the Divine Comedy's
"Sunrise." In addition, new age artist Enya contributed a new version on
"Silent Night," and Van Morrison recorded a special acoustic version of "The
Healing Game," which features the Chieftains' Paddy Moloney.

O'Connor contributes the album's first single -- an adaptation of Abba's
lighthearted "Chiquitita." "She took what was a pop piece and brought it
down-tempo to the place where you realize what a fantastic song it is," says
Ross Graham, the album's coordinator.

Graham said that numerous English and American artists wanted to take part
in the project, however, the Northern Irish businessman decided to showcase
only Irish artists for integrity's sake. "The songs [from English musicians]
didn't seem to be close enough emotionally to the context of the record,"
Graham says. "[American artist] James Taylor sent in a song called 'From
Belfast to Boston' that was written about Northern Ireland and the Irish
question: How can we resolve the conflict and animosity between the two
communities?"



Bruno's Page: http://www.mygale.org/02/autin
Où est le Roi perdu ?


From jitr-owner  Thu Nov  5 12:35:53 1998
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From: "Bruno" <bautin@club-internet.fr>
To: "jitr" <jitr@postmodern.com>
Subject: whole article
Date: Thu, 5 Nov 1998 21:38:51 +0100
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Sorry a part of the article was missing..



Hope Floats




Sinead O'Connor covers Abba for Omagh.


 U2, Sinead and Van Morrison turn out for bombing victim tribute album

Nothing can repair the damage caused from the most devastating bombing in
Northern Ireland's recent history, but affected citizens can find some
solace in efforts to alleviate the pain. To date, more than $1.5 million has
been raised for the Omagh bombing victims; the leaders of Ireland's peace
discussions -- John Hume and David Trimble -- were recently named as this
year's Nobel Peace Prize recipients; and, now, the biggest names in Irish
music -- U2, Sinead O'Connor, Boyzone, Van Morrison and Ash among them --
have come together to contribute songs to an Omagh tribute album.
Set for a November 30 release in the U.K. and Ireland, Across the Bridge of
Hope features a plethora of artists who have donated their songs and time to
this memorial for the victims of the Aug. 15 bombing. Some previously
released songs on the collection include U2's "Please," Boyzone's "Words,"
Ash's "I'm Gonna Fall," the Corrs' "What Can I Do?" and the Divine Comedy's
"Sunrise." In addition, new age artist Enya contributed a new version on
"Silent Night," and Van Morrison recorded a special acoustic version of "The
Healing Game," which features the Chieftains' Paddy Moloney.

O'Connor contributes the album's first single -- an adaptation of Abba's
lighthearted "Chiquitita." "She took what was a pop piece and brought it
down-tempo to the place where you realize what a fantastic song it is," says
Ross Graham, the album's coordinator.

Graham said that numerous English and American artists wanted to take part
in the project, however, the Northern Irish businessman decided to showcase
only Irish artists for integrity's sake. "The songs [from English musicians]
didn't seem to be close enough emotionally to the context of the record,"
Graham says. "[American artist] James Taylor sent in a song called 'From
Belfast to Boston' that was written about Northern Ireland and the Irish
question: How can we resolve the conflict and animosity between the two
communities?"

Taylor's song was initially considered for the compilation, but the
organizers decided it belongs on a special U.S. version of Across the Bridge
of Hope, tentatively set for a St. Patrick's Day (March 17, 1999) release.
Nanci Griffith also discussed donating a song to the U.S. collection, Graham
says.

The album is further augmented by two poems read by actor Liam Neeson.
Seamus Heaney, Ireland's Nobel Laureate in Poetry, handpicked the first,
"The Cure at Troy." The second poem, from which the album borrows its name,
was penned by twelve-year-old Sean McLaughlin shortly before he was killed
by in the bombing. It reads: "Orange and green it does not matter/United
now, don't shatter our dream/Scatter the seeds of peace over our land/So we
can travel, hand in hand/Across the bridge of hope."

All proceeds from the album will benefit the Omagh Memorial Trust, which was
created to assist the families of the bomb's victims as well as any future
memorials and related charities.

ARI BENDERSKY
(November 2, 1998)



Bruno's Page: http://www.mygale.org/02/autin
Où est le Roi perdu ?


From jitr-owner  Fri Nov  6 01:38:06 1998
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From: johnny@netspace.com.mx (Juan Manuel Garcia)
Subject: Video "this is a rebel song"
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Hello JITR,

i'm desesperate to looking for a copy of video "this is a rebel song", i
can view in both formats VHS American NTSC or European PAL, please let me
know if u have it.

Thanks!!!!
Johnny



From jitr-owner  Fri Nov  6 02:00:59 1998
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	id <WBXF6P8R>; Fri, 6 Nov 1998 16:02:17 +0600
Message-ID: <9E1A73CFA562D21188D900203575A300015A89@MERCHANT>
From: "Zhanet B. Turarbekova" <Turarbekova@amb.kz>
To: jitr <jitr@postmodern.com>
Subject: trade
Date: Fri, 6 Nov 1998 16:02:16 +0600
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Hello good ppl of jitr,

well I was advised that if I want to trade the tape that I've made at
Fleadh Festival this summer I have to do it now:)

The quality of the tape is pretty good it lasts for about 30 min and I
think all the songs that Sinead was performed are on the tape.

So I'd like to trade it but I don't know what can I have for it:)))
If anyone interested and can offer something pls mail me privately:)
thank you for hearing me!

------------------------------------------------------------------------
------------------------
Zhanet B. Turarbekova
Almaty Merchant Bank
International Division
tel: (3272)503040 ext. 1219                       "fight the real
enemy!"
fax: (3272) 501995                                    SINEAD O'CONNOR





From jitr-owner  Fri Nov  6 21:12:19 1998
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From: "Ben Adams" <bengriffin@hotmail.com>
To: jitr@postmodern.com
Subject: Special Child UK - thin, thick??
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Can someone tell me: was the UK edition of My Special Child released in 
a SLIM cd-case or in a regular one???

Thank you... I know it seems like a dumb question, but I need to know 
this.

#Ben

______________________________________________________
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From jitr-owner  Sat Nov  7 12:27:43 1998
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Hello jitr, I just heard that Sinead has a new song on the "you've Got Mail"
soundtrack, a cover of a Harry Nillson song. This soundtrack is due out
sometime in late November. Does anyone know the name of the song and which of
Harry's lp's it comes from? Kevin

From jitr-owner  Sat Nov  7 17:13:25 1998
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From: "Mars-L" <bobbink@telebyte.nl>
To: "Jitr-digest" <jitr@postmodern.com>
Subject: Completely Unreleased Tape
Date: Sun, 8 Nov 1998 02:10:54 +0100
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Hello,

Someone asked me to dub all unreleased songs on tape. To my wonder it all
fitted exactly on one tape......
I've used my "main" sources to make the tape, which makes the quality better
then I ever made them before (remember some RealAudio files on the old
homepage). This doesn't mean the quality is of cd quality, simply because
some songs are recorded by audience, copies of copies, 3rd generation video
copies or whatever. But I doubt you will find the songs in a better quality.
The quality differs from reasonable to good. I didn't record it with DOLBY
or shit like that, simply because I hate that. It doesn't only fade the hiss
away, but also a lot of other original sounds are faded away by DOLBY.

If you're also interested in this Chrome 90 minute tape;  I can send you a
copy of it for $6 in Europe or $7 outside Europe. POSTAGE INCLUDED. This way
I make $1 profit (if the $ finally stops lowering it's value), of which I
can buy/trade new live (1997/1998) tapes.

Here's a list plus details about the songs All 25 songs contain Sinead on
lead vocals unless mentioned otherwise;

1) AVE MARIA (01:25)
taken from the Hush A Bye Baby Movie, entirely different to the released
version. Different music, different lyrics. Not the complete song (which is
so far unavailable), but enough to start liking it. A.k.a. The Angelus Bells

2) CHIQUITITA (02:30)
An ABBA cover recorded some weeks ago on the UK-BBC Ben Elton Show. Entire
songs.

3) FACTORY GIRL (03:00)
Traditional song Recorded in 1995 from Italian TV (RAI DUE) from a live
concert. Entire song

4)  SONG WITH NO NAME (02:15)
Shane McGowan cover. Recorded from a TV-Special about Shane McGowan. Studio
song, without audience. Entire song.

5) WAR (03:00)
Bob Marley cover. Recorded from Saturday Night Live, but not the airing
version, this is the try-out version. The song is more quiet, as the aired
version, where she became rawer during the song. She sings much clearer and
the song lasts longer. Entire song.

6) YOU'D BE SURPRISED (00:50)
Cover of....... (at least also done by Marilyn Monroe). Taken from a studio
recording session, from a tv-special entitled "Coffee and Cigarettes". This
is a small part of the song, incomplete, but all that's available.

7) GET UP, STAND UP (06:45)
Bob Marley cover. Recorded from a concert in Chili (the Amnesty
International concert in 1991). Sinead sings as a member of a huge choir.
She has a small solo in it.

8) WHERE'S A WOMAN TO GO (04:15)
Performed by Dusty Springfield in 1995 from UK-TV BBC "Jools Holland".
Sinead is a member of the backing choir. You can barely hear her. But
because I have a video of it I'm sure she sings ;-))))

9) DREAM A LITTLE DREAM (01:35)
Recorded from a 1995 Israelian TV from a concert registration performed in
Jerusalem.

10) ROISIN DUBH (01:11)
Traditional song, taken from a video about Irish history (The Long Journey
Home). From 1997, not a complete song with over dubs, but all what's
available.

11) EVERYTHING COMES FROM YOU (00:30)
Taken from the CD-ROM X-Plora of Peter Gabriel. This song was meant for a
new CD on his label. But never got released. Incomplete song (but all there
is, to my knowledge)

12)  DANNY BOY (01:45)
Traditional song A version of 1996. Taken from a tv-special about this
specific song. This version is very different to the released version which
can be found on Davy Spillane's album. (Personally I prefer this earlier
version, not as slow as the released on).

13) I AM NOT YOUR BABY (04:25)
An alternate version of this song. A really finished version, but different
to the released version. This one was aired once on US radio, and is taken
from Internet.  Quieter/softer version. Complete song

14) DONALD O (03:25)
Traditional song. Taken from a bootleg (Lion In The Cage) unreleased song as
performed during some concerts in 1990. Complete song.

15) BLACK IS THE COLOR (03:40)
Taken from a bootleg (Lion In The Cage) unreleased song as performed during
some concerts in 1990. Complete song.

16) THE BIG MUSIC (03:54)
A song of The Waterboys, taken from one of their concerts from 1985 (!!!)
where Sinead did the backing vocals. Complete song.

17) SOMETIMES I FEEL (LIKE A MOTHERLESS CHILD) (06:25)
A very passionate song. Performed in 1990 on at least one concert, sounds
like she's improvising the entire song. Complete song.

18) SWEET VIOLETS (01:15)
An funny, laughable song. Done in 1995 in London. Sounds like a
children-song. (Old MacDonald like) Complete song.

19) BEAUTIFUL BUNDORAN (00:23)
Snippet taken from the movie "The Butcher Boy". Not the complete song, but
all what's included in the movie.

20) THE HAND THAT ROCKS THE CRADLE (04:45)
A cover of a The Smiths song (?) performed several times on concerts in
1988. Complete song.

21) ANARCHIE GORDON (07:20)
Performed several times during her 1990 tour. Complete song

22) CAN'T DO A THING ABOUT IT (05:50)
A song by ??? during the celebration of the 50th aniversary of Roger
Daltrey. Sinead sings backing vocals.

23) BABY O'RILEY (07:10)
A song by the Chieftains & others during the celebration of the 50th
aniversary of Roger Daltrey. Sinead sings clearly backing vocals.

24) AFTER THE FIRE (04:50)
A song by the Chieftains & others during the celebration of the 50th
aniversary of Roger Daltrey. Sinead sings clearly backing vocals.

25) SAVAGE EARTH HEART (07.25)
A 1986 (!!!) live song by The Waterboys, where Sinead performs/yells the
backing vocals. Worst quality, that's why it's at the end of the tape, it's
also abridged about 90 seconds before it's end.

If you're also interested in this Chrome 90 minute tape; I can send you a
copy of it for $6 in Europe or $7 outside Europe. POSTAGE INCLUDED. This way
I make $1 profit, of which I can buy/trade new live (1997/1998) tapes.

--- Mars-L ------------------------------------------------------------
Co-editor of the Sinead O'Connor Mainpage
http://sinead-oconnor.com
--- bobbink@telebyte.nl ------------------------------------------


From jitr-owner  Sat Nov  7 19:00:54 1998
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Subject: Re: Completely Unreleased Tape
Date: Sat, 7 Nov 1998 19:01:03 -0800
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Mars-L said:

>If you're also interested in this Chrome 90 minute tape;  I can send you a
>copy of it for $6 in Europe or $7 outside Europe. POSTAGE INCLUDED. This way
>I make $1 profit (if the $ finally stops lowering it's value), of which I
>can buy/trade new live (1997/1998) tapes.

I realize you're doing this innocently and are well-intentioned, but 
doesn't it strike you wrong that you're making money off Sinead's music 
without her permission or even knowledge?



-Mick

From jitr-owner  Sat Nov  7 19:17:18 1998
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From: "Christiane R. Albuquerque" <newskria@horiz.com.br>
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Subject: Re: Completely Unreleased Tape
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Mitchell J Laurren-Ring wrote:
> 
> Mars-L said:
> 
> >If you're also interested in this Chrome 90 minute tape;  I can send you a
> >copy of it for $6 in Europe or $7 outside Europe. POSTAGE INCLUDED. This way
> >I make $1 profit (if the $ finally stops lowering it's value), of which I
> >can buy/trade new live (1997/1998) tapes.
> 
> I realize you're doing this innocently and are well-intentioned, but
> doesn't it strike you wrong that you're making money off Sinead's music
> without her permission or even knowledge?
> 
> -Mick

I don't think so.... he's helping HER making money since he's making her
work known, and since these songs aren't in albums or can't be found
he's not avoiding her from making money (i.e., people won't buy the tape
instead of an album). Besides, if $1 is to make money.... This is not
have profit, it's just a small reward for the trouble he has in copying
these things... which are great, btw (I have them)...

Chris
-- 
************************************************************************
"clue number two was the look that you wore
n' that's when I knew, it was a pretty good sign
that something was wrong up on cloud number nine"
					(BA)
************************************************************************
http://members.wbs.net/homepages/k/r/i/krikaa.html  
The Reason I Wear Black! THE Keith Scott's page: 
http://keithscott.bryanadams.net OR http://www.gold.com.br/~newskria

From jitr-owner  Sat Nov  7 19:21:03 1998
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Subject: Re: Completely Unreleased Tape
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Christiane R. Albuquerque said:

>I don't think so.... he's helping HER making money since he's making her
>work known, and since these songs aren't in albums or can't be found
>he's not avoiding her from making money (i.e., people won't buy the tape
>instead of an album).

Well, that's an entirely different matter, but I did not say she was 
losing money from his efforts.

> Besides, if $1 is to make money.... This is not
>have profit, it's just a small reward for the trouble he has in copying
>these things... which are great, btw (I have them)...

I guess I'm just not used to that mentality. All the past tape trees that 
I have been involved in work for cost and cost alone. Nobody makes money. 
Everybody does it for the love of the music and the love of sharing the 
music.

Perhaps too idealistic...


-Mick

From jitr-owner  Sun Nov  8 00:47:27 1998
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From: "Roman Szendrey" <roman@szendrey.com>
To: "JITR Postings" <jitr@server.postmodern.com>
Subject: RE: Completely Unreleased Tape
Date: Sun, 8 Nov 1998 09:48:15 +0100
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> > Besides, if $1 is to make money.... This is not
> >have profit, it's just a small reward for the trouble he has in copying
> >these things... which are great, btw (I have them)...
>
> I guess I'm just not used to that mentality. All the past tape trees that
> I have been involved in work for cost and cost alone. Nobody makes money.
> Everybody does it for the love of the music and the love of sharing the
> music.
>
> Perhaps too idealistic...

maybe. ;-) marcel is just helping her fans getting songs she never released.
if you take the costs of a tape, the envelope + postage i doubt that he'll
get rich from it. at least *I* wouldn't do it for this amount. i'm sure that
marcel will send you the tape for free if you got something to trade (some of
the things he's been searching for year). :-)

bye

roman

--------------------------------------------------
roman szendrey (roman@szendrey.com)
http://www.szendrey.com/homepage.htm
http://www.sinead-oconnor.com
vienna / austria
--------------------------------------------------



From jitr-owner  Sun Nov  8 03:15:39 1998
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