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Date: Sat, 02 Jul 1994 19:03:05 -0400 (EDT)
From: MUSE@jhuvms.hcf.jhu.edu
Subject: new album/music etc.
To: jitr@presto.ig.com
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	As far as the new album goes, I had posted some lyrics to some new
songs of hers that she had been singing in public.  It's a good assumption that one of those (maybe slightly modified by now) would appear on a new record.
	That post with the lyrics to those two songs ought to be in the 
quarterly compiled archive by now (sometime in Feb or Mar, I think).

	She's also out now on yet someone else's album.  MANU DIBANGO is the
artist; can't remember the title right now.   She sings backup on four songs, 
 she's most prominent in Homeless (a cover of the Paul Simon song). There's 
also a reworking of Biko featuring Mr. G. also.  It's all pretty dancy world-
beat stuff -- quite lovely actually.

	Someone brought up other artists making reference to O'Connor (Wild
Colonials for one).  Here's another -- Insane Jane on a song called Empress of
Pop.  Mind you they really don't care for her one bit.

JOE 
                            -- Somebetterleftunnamedscientist

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Date: Mon, 04 Jul 1994 17:45:12 +0200
From: C.C.vanOostenDeBoer@med.ruu.nl
Subject: Evan Walsh's letter
To: jitr@presto.ig.com
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Hi, can someone mail me Evan's letter
that everybody liked so much?
I accidently deleted it before reading it.
I know, I'm a fool ! :)

Caroline
vanoosten@med.ruu.nl

From jitr-request@presto.ig.com Tue Jul  5 07:39:36 1994
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To: jitr@presto.ig.com
Date: Fri, 01 Jul 94 20:18:03 EDT
Subject: NAKED SINEAD!
Status: OR

Hey folks,

I just heard (two minutes ago) on the radio (here in San Francisco) that the
style of Sinead's new album will be similar to that of The Lion 'n' the
Cobra, and that she will appear naked on the album cover!

Reactions anybody? I just have to say, "Right on!"

-Z


/----------------------------------------------------------------------\
|    Ziad  O. Ezzat     |          V e r y S m a l l R o c k s         |
|  SnailShell@aol.com   |  For band and fan club information write to: |
|  San Jose State Univ  |      V S R f a n c l u b @ a o l . c o m     |
|----------------------------------------------------------------------|
|    "Do you waaaant to come back to my place?.....bouncy, bouncy!"    |
|                                     --A Hungarian Tourist            |
\----------------------------------------------------------------------/



From jitr-request@presto.ig.com Tue Jul  5 09:50:24 1994
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Date: Tue, 5 Jul 1994 09:42:24 -0700
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To: jitr@presto.ig.com
From: Kevin_Davison@sfu.ca
Subject: Re: NAKED SINEAD!
Status: OR

>Hey folks,
>
>I just heard (two minutes ago) on the radio (here in San Francisco) that the
>style of Sinead's new album will be similar to that of The Lion 'n' the
>Cobra, and that she will appear naked on the album cover!
>
>Reactions anybody? I just have to say, "Right on!"
>
Yes! I've always wanted to see her... "go back to her roots." I can't say
I've not enjoyed the intimate "I do not want..." or the jazzy stuff. It's
just that sometimes I think she's lost her "edge" or maybe she shifted it
toward political and public acts and away from her music itself. This is
great news! I can't wait to hear a sample. Does anyone know info about a
single release? September 12 is aproaching quickly.
Sinead has been on many other artist's albums lately. Does anyone have any
info about other artists/producers who may appear/work with her on this new
album?

Kevin


From jitr-request@presto.ig.com Tue Jul  5 11:57:58 1994
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From: foster@dolphin.upenn.edu (Christopher  Foster)
Posted-Date: Tue, 5 Jul 1994 14:50:37 -0400 (EDT)
Message-Id: <9407051850.AA19687@dolphin.upenn.edu>
Subject: Naked Sinead
To: jitr@presto.ig.com
Date: Tue, 5 Jul 1994 14:50:37 -0400 (EDT)
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>Hey folks,
>
>I just heard (two minutes ago) on the radio (here in San Francisco) that the
>style of Sinead's new album will be similar to that of The Lion 'n' the
>Cobra, and that she will appear naked on the album cover!




Ummm! Didn't PJ Harvey already do this??? Didn't Prince already do this???
Didn't Adam Clayton (U2) already do this???  I certainly hope like the
aforementioned artists that Sinead's next work will certainly be
noteworthy besides the nudity.


My $0.02

Chris

From jitr-request@presto.ig.com Tue Jul  5 12:58:06 1994
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Date: Tue, 05 Jul 1994 15:40:44 -0400 (EDT)
From: MUSE@jhuvms.hcf.jhu.edu
Subject: the new album cover
To: jitr@presto.ig.com
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	Melody Maker originally ran the story on the album cover. They've 
since retracted that statement after bewing notified by Sinead herself to the
contrary.
	Apparently, a "little scumbag" (from Melody Makeer??) was over at her
house, saw some pictures, assumed too much, and leaked (sold?) the story.
	According to Sinead, no cover art has been decided.  As far as the 
music is concerned-- there will be 10 originals and 3 cover songs.

JOE 
MUSE@JHUVMS.HCF.JHU.EDU    PS -- get yer head out the gutter please!

From jitr-request@presto.ig.com Tue Jul  5 14:53:49 1994
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Date: Mon, 04 Jul 1994 17:45:12 +0200
From: C.C.vanOostenDeBoer@med.ruu.nl
Subject: Evan Walsh's letter
To: jitr@presto.ig.com
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Hi, can someone mail me Evan's letter
that everybody liked so much?
I accidently deleted it before reading it.
I know, I'm a fool ! :)

Caroline
vanoosten@med.ruu.nl

From jitr-request@presto.ig.com Tue Jul  5 23:25:40 1994
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Date: Wed, 06 Jul 1994 08:16:32 +0200
From: C.C.vanOostenDeBoer@med.ruu.nl
Subject: Sinead naked denied
To: jitr@presto.ig.com
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Hi,

Hot Press, Ireland's music paper,in this week's issue
state that the rumours are unfounded.
(She will thus not appear naked... but who knows?)
She's working with Phil Coulter and has
also worked with Tim Simenon (Bomb the Bass), who
had previously worked with her on In the Name of the Father.
The album was recorded in Dublin and Amsterdam.
(Simenon was working in Amsterdam on his own record.)

Caroline

From jitr-request@presto.ig.com Wed Jul  6 08:57:51 1994
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To: jitr@presto.ig.com
Date: Wed, 06 Jul 94 11:50:22 EDT
Subject: Naked Sinead Revisited
Status: OR

Hey all, today's commentary is numbered for your reading enjoyment:

1. Sorry if I got anyone out of joint by announcing that I heard Sinead
is/maybe gonna be naked on the cover of "Universal Mother", but I didn't make
it up myself or anything! I'm just reporting what I heard on the radio on
Friday. Any Frisco people who heard the "Modern Rock Report" on Live 105
friday can back me up. Besides, a guy can dream can't he?  :)

2. Does anyone know what those three cover songs will be on the new album?

3. Has anybody (besides me) read "So Different: The Unauthorized Biography of
Sinead O'Connor"? I'm curious to know what you thought of it (especially that
*gorgeous* picture of her at 19 with the short black hair). Man, I gotta find
me an Irish girl.

4. Hey Steve, next time you go out stalking Sinead, gimme a call, I'll come
with you.  ;)

6. "There is NO rule six!"


-Z


     "Wake up and smell the cat food in your bank account"--TMBG
/----------------------------------------------------------------------\
|    Ziad  O. Ezzat     |          V e r y S m a l l R o c k s         |
|  SnailShell@aol.com   |  For band and fan club information write to: |
|  San Jose State Univ  |      V S R f a n c l u b @ a o l . c o m     |
|----------------------------------------------------------------------|
|    "Do you waaaant to come back to my place?.....bouncy, bouncy!"    |
|                                     --A Hungarian Tourist            |
\----------------------------------------------------------------------/




From jitr-request@presto.ig.com Wed Jul  6 17:12:13 1994
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From: David Byrne <dgb1@eden.rutgers.edu>
Message-Id: <199407070002.UAA00865@eden-backend.rutgers.edu>
Date: Wed, 06 Jul 94 20:02:41
To: jitr@presto.ig.com
Subject: Titles...
Status: OR

Hey All,

        What is the title of Sinead's new CD? Is it Universal Mother?

Dave

From jitr-request@presto.ig.com Thu Jul  7 07:27:24 1994
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Date: 7 Jul 1994 09:18:17 U
From: "ZastrowP" <ZastrowP@mac.ripon.edu>
Subject: Backwards Masking
To: "Sinead List" <jump-in-the-river@presto.ig.com>
Status: OR

I was listening to my "Emperor's New Clothes" CD single last night, and I
realized one of the remixes of "I Am Stretched On Your Grave" has some
backwards masking at the beginning of it.  I'm at work now, so I don't know
which one (Apple Brightness Mix, perhaps?), but does anyone know what she is
saying?

From jitr-request@presto.ig.com Thu Jul  7 10:32:51 1994
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From: "Timothy S. Brannan" <TBRANNAN@siucvmb.siu.edu>
To: jump-in-the-river@presto.ig.com
Subject: Backwards
Status: OR

The backward masking is on the "Apple Brightness Mix" of IaSoYG.
But I have had no success in deciphering it....
Tim.

/-----------------------------------------------------------------------\
|  Timothy S. Brannan           | BitNet  : tbrannan @ siucvmb          |
|  Southern Illinois University | Internet: tbrannan @ siucvmb.siu.edu  |
|  Carbondale, Il 62901         | Aol     : TBrannan @ Aol.Com          |
+-----------------------------------------------------------------------+
| "Get the hell out of my class before you infect someone with your     |
|  sickness.  You smell of death!" - Mr. Buzzcut                        |
\-----------------------------------------------------------------------/

From jitr-request@presto.ig.com Thu Jul  7 18:23:50 1994
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Date: Thu, 7 Jul 1994 21:16:43 -0400
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From: ac151@freenet.carleton.ca (David Clarke)
To: jump-in-the-river@presto.ig.com
Subject: Re: Backwards
Reply-To: ac151@freenet.carleton.ca
Status: OR

>
>The backward masking is on the "Apple Brightness Mix" of IaSoYG.
>But I have had no success in deciphering it....

Well, I just sampled the thing, put it into the computer and 
time reversed it  ... but to no avail.  If this thing is a simple
backward mask, then the original words are not spoken in
english (or french or german) - maybe chinese ?


--
-------------------------------  /'''  --------------------------------
David Clarke                     c-00             davec@rflab.ee.ubc.ca 
ac151@Freenet.carleton.ca           >  clarkec@sfu.ca  dacl@mtsa.ubc.ca
-------------------------------    -   --------------------------------

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Date: Thu,  7 Jul 1994 21:42:57 -0400 (EDT)
From: David James Burgbacher <db5a+@andrew.cmu.edu>
To: "Sinead List" <jump-in-the-river@presto.ig.com>,
        "ZastrowP" <ZastrowP@mac.ripon.edu>
Subject: Re: Backwards Masking
Cc: 
In-Reply-To: <9407071420.AA09322@presto.ig.com>
Status: OR

Excerpts from mail.sinead: 7-Jul-94 Backwards Masking by
"ZastrowP"@mac.ripon.edu 
> I was listening to my "Emperor's New Clothes" CD single last night, and I
> realized one of the remixes of "I Am Stretched On Your Grave" has some
> backwards masking at the beginning of it.  I'm at work now, so I don't know
> which one (Apple Brightness Mix, perhaps?), but does anyone know what she is
> saying?

Mystery Solved!!

     It's not Sinead speaking.  It's a sample from the TV show "Twin
Peaks."  The line is spoken by Laura Palmer during a dream sequence in
which some of the characters talk strangely.  She says "I feel like I
know her, but sometimes my arms bend back."  This is a clue to the
circumstances involving her murder, which was the focal point of the
show.  I've been told (though I cannot verify) that to achieve this
bizarre sound David Lynch had the actors speak each word of their lines
backwards.  He then flipped the recording and played it forwards.  Some
friends of mine have tried it with their computers; it sounds pretty
cool!

Dave

P.S.  It is the Applebrightness mix....
----------------------------------------------------------------------------
                                   "The critical question is who controls
David J. Burgbacher                the technology?  If we jump in and grab
5529 Ellsworth Ave. #5             it for ourselves, it can serve us.  If
Pittsburgh, PA  15232-1826         we sit back and let it be fed to us, then
(412) 621-3215                     it will be in someone else's hands."

                                                       --Peter Gabriel
----------------------------------------------------------------------------

From jitr-request@presto.ig.com Thu Jul  7 23:17:19 1994
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Date: Fri, 08 Jul 1994 02:10:39 -0400 (EDT)
From: WEEVIL@delphi.com
Subject: I WANT YOUR (HANDS ON ME)
To: jump-in-the-river@presto.ig.com
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I was wondering if anyone has the UK limited 12" or UK promo of the limited
12" for "I Want Your (Hands On Me)"?  The call-number is ENYXR 613 and it 
includes the mixes: "knee-trembler mix" and "hickey on me neck mix".
Also, does anyone have the GERMAN dj-only (mix club) 12" which has the
mix of "Nothing Compares 2 U" on it?
If so, would you be interested in selling any of them?

[Christopher Miller]
 weevil@delphi.com

From jitr-request@presto.ig.com Sat Jul  9 19:56:22 1994
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Date: Sat, 09 Jul 94 19:45:48 PST
From: "B.HEROD" <B.HEROD@ais1.usc.edu>
Subject: So Different
To: <jitr@presto.ig.com>
Message-Id: <13070994.23479977@AIS1.usc.edu>
Status: OR

 
Well, I read "So Different", by Dermott Hayes, I bought it in a Tower
Records here in Los Angeles.  While I found out some interesting things
about Sinead (as well as some *cool* pictures, she does look better with
hair, for those of you who haven't seen a picture of her with it).
 
I wonder, however, how necessary it is to have a book about someone
whose career in music was limited to two albums.  One normally would
expect to see one of these unauthorized biographies to turn up 
with an artist whose catalog is a bit larger than this.
 
I am not complaining about this, it's just that as a result of this
the book seemed to be big on pictures and sort of short on text; the
content seemed to be spread a little thin at times.
 
But I know of no other books about Sinead, and I think it was worth
the money, if only for the cool pictures inside.  I am not a ravenous
fanatic of Sinead, but I do like her music, and she does seem to stand
for some of the same things that I do, so that is why I bought it.  I
would recommend it to anybody else who wants to know more about her.
 
Bob Herod
 

-------

From jitr-request@presto.ig.com Mon Jul 11 19:17:31 1994
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From: David Byrne <dgb1@eden.rutgers.edu>
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Date: Mon, 11 Jul 94 22:04:46
To: "B.HEROD" <B.HEROD@ais1.usc.edu>
Subject: Re: So Different
Cc: jitr@presto.ig.com
Status: OR

Hey All,

        So Different was released, b/c Sinead was the topic of the 
town.Everybody had an opinion of her, thus marketing moved in & books, 
photos, interviews were unignorable.

        THERE IS AT LEAST ONE OTHER SINEAD BOOK OUT THERE!! I posted 
this last April or May. It's titled "Sinead: Her Life & Her Music" by 
Jimmy Gutterman. I bought the english version through Encore Books, I 
found a copy of it in Germany in german, then I hunted the english 
version down. Good luck searching & if you want more info like what pub. 
co et al, just let me know.

Dave

From jitr-request@presto.ig.com Mon Jul 11 22:18:14 1994
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From: Jeremy Corry <jcorry@erasure-sl.cc.emory.edu>
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Subject: Sinead on TV in US
Status: OR


Stuart just saw an announcement in rec.music.misc, which should be of
great interest to many on JITR.  There is a new program series on A&E,
called In Concert.  It is like ABC version of the same name, but longer.
It will be on for 2hrs. on Sept 1st.  Sinead and a few others will be
featured.  The first airing will be at 9pm, and it will be repeated at 1am.
I do not know if these are Eastern or Western times, or anywhere in
between, and I don't know what this will mean for those of you out there
without typical US cable TV service.  


If you have some access to A&E, look for Sinead!

Jeremy

I was going to include one of my Trent Reznor .sig quotes here, but
he recently said something nasty about Sinead, so I'll refrain.

From jitr-request@presto.ig.com Mon Jul 11 23:50:59 1994
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Date: Mon, 11 Jul 1994 23:44:31 -0700
From: mcb@remarque.berkeley.edu (Michael C. Berch)
Message-Id: <199407120644.XAA08286@remarque.berkeley.edu>
To: jitr@presto.ig.com
Subject: Re:  Sinead on TV in US
Status: OR

Jeremy Corry writes:
> I was going to include one of my Trent Reznor .sig quotes here, but
> he recently said something nasty about Sinead, so I'll refrain.

Hmmm... *do* tell us about it.  I've always been a NIN fan, but agree
that Trent Reznor rarely has anything *nice* to say about anybody...

--
Michael C. Berch
mcb@postmodern.com / mcb@remarque.berkeley.edu


From jitr-request@presto.ig.com Tue Jul 12 13:29:10 1994
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Date: Tue, 12 Jul 94 10:20:21 HST
From: BLAcK ANGeLS <bueno@uhunix.uhcc.hawaii.edu>
To: jitr@presto.ig.com
Subject: Chieftains and Friends/Van Morrison tributes
Message-Id: <CMM.0.90.2.774044421.bueno@uhunix3.uhcc.Hawaii.Edu>
Status: OR


If this has already appeared on JITR, please blame my short-term memory...

Sinead will play alongside the Chieftains on their next album, Chieftains and
Friends. The album also sports Sting singing in Gaelic (at least according to
alt.fan.sting) as well as appearances by others -- Elvis Costello the only
other name I remember off the top of my head.

Also previously mentioned: Sinead will contribute a track to a Van Morrison
tribute album, No Prima Donna.


*************************************************************************
"My goal is to find a cure for irony and make a fool out of God"
-- The Waitresses
Greg Bueno                                   bueno@uhunix.uhcc.hawaii.edu
*************************************************************************


From jitr-request@presto.ig.com Wed Jul 13 19:56:34 1994
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Subject: Reznor on Sinead; Songs we could have heard...
Status: OR

REZNOR ON SINEAD:
	I was asked about Trent Reznor's comment about Sinead.  You can see
it for yourself, if you like, by checking out the new magazine AXCESS.  It is a
cool music and computer culture mag, like Mondo 2000, only accessible.

>From Vol II No 2 page 63:
	Trent was asked about Tori Amos:   "I really liked her first album,
which is not the kind of thing I'd normally listen to.  Someone had given it to
me and said that it sounded like Sinead O'Connor.  I fucking can't stand Sinead
O'Connor, so I ignored it..."

SONGS WE COULD HAVE HEARD:
Today, our megacommercial alternative station 99X played the first single from
Jah Wobble's new album.  If I recall correctly, it was a rather minimal, vocal-
heavy song.  The lead vocals were sung by Dolores O'Riordan.  IMHO the song was
written with Sinead specifically in mind for the vocals.  Sung by Dolores, it
was an okay song, better than most on the radio, but not a very strong
composition.  She was doing her usual Sinead copied/inspired/imitated style.
I felt she sang it like it was a paid job, rather than something she really had
her heart in.  She didn't pull me into the song or make me feel any emotions.
I was trying to imagine Sinead singing it, and I felt that she really could
have taken the sparse song, and embellished it with her vocal and emotional
intensity to make it a very arresting song.

Wishfully thinking,
Jeremy

"Racing turtles, the grapefruit is winning."  Tori Amos

From jitr-request@presto.ig.com Thu Jul 14 01:03:25 1994
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Date: Thu, 14 Jul 1994 00:54:12 -0700 (PDT)
From: Jack B Huynh <jhuy@garnet.berkeley.edu>
Subject: Re: Reznor on Sinead; Songs we could have heard...
To: Jeremy Corry <jcorry@erasure-sl.cc.emory.edu>
Cc: jitr@presto.ig.com
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Status: OR

Hi everyone,

anyone interested in creating a home page for sinead? I love to do it, 
but i have my hands full at the moment with the cocteau twins home page. 
However, if someone would like to give me a hand, i wouldn't mind doing a 
page for good old lovable sinead.



jack b huynh
jhuy@garnet.berkeley.edu
-Cocteau Twins Home Page-
http://garnet.berkeley.edu:8080/


From jitr-request@presto.ig.com Thu Jul 14 11:29:48 1994
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Message-Id:  <14JUL94.15505296.0017.MUSIC@SLUMUS>
Date:        Thu, 14 Jul 94 14:21:24 EDT
From: "Fisher, Carlton D." <X7E0@SLUMUS.Berkeley.EDU>
To: <jump-in-the-river@presto.ig.com>
Subject: a greeting and whatever comes to mind
Status: OR

Hello!!!!

I am new to the list and feel that I need to make a posting to announce
myself so-- here I am.

I seem to have walked into a discussion of NIN's Sinead bashing remark
and am rather surprised to see Tori Amos being a part of it.  It seems
rather strange that Reznor actually likes _Little Earthquakes_
considering that it is not even close to his style.  (By the way, I
find Tori to be alot closer to Kate Bush in style than to Sinead.)  I
was surprised to see him guest vocaling on _Under the Pink_ ("Past the
Mission").  While I am very fond of both artists (Amos and Reznor) I
never think of the two as being anything alike.  Maybe I just listen to
them both with a different ear.  I know that I am in a different mood
when I am listening to Nine Inch Nails than when I am listening to Tori
Amos.

On the new Erasure album-- it's rather different from their normal
style isn't it.  Somehow the songs seem to be alot deeper than what is
customary for them (I'm thinking of "Sometimes" and "It Dosen't Have to
Be").  I really like the new style, but I'm not sure if I prefer it to
the old one.  I read an article where Vince Clarke mentioned that they
recorded the vocals first and then did the instrumentation, which is
the reverse of their normal recording style.  He also said that they
are seriously writing for another album that they hope to release by
the end of the year.  That's quite a change considering the gap between
_ABBA-esque_ and _I Say, I Say, I Say_(where did they ever get that
name?).

Has anyone heard the song "Honey" by Tori Amos?  It's on the
maxi-single for "Cornflake Girl".  It's a really dark song and very
beautiful (of course isn't all her music beautiful and dark?). Here's a
sample lyric--
"And you know I could leave your world
If she were the better girl.
So when we died
I tried to bribe
The undertaker.
Still not sure what you're doing
Or your reasons.
Your just do your stuff honey"

It's really a wonderful song and if you like Tori then I suggest that
you try to find it (the other songs on the maxi-single are "Sister
Janet" and "Daisy Dead Petal")

Well, I guess that's about it.  Signing off for now,

Carlton Fisher
"Why do we crucify ourselves?"- Tori Amos

From jitr-request@presto.ig.com Thu Jul 14 15:04:50 1994
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Date: Thu, 14 Jul 1994 17:44:05 -0400 (EDT)
From: Sam Warren <I_SW@zis.ziff.com>
Subject: a greeting and whatever comes to mind
To: jump-in-the-river@presto.ig.com
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Sorry to post this to the list.  I tried to reach Carlton directly, but I got a
message saying the address was wrong.  But maybe some other people here have
similar interests as well.

I was so surprised by your eclectic tastes.  I also like Tori Amos, NIN and
Sinead (+ a whole bunch more), but I never seem to find other people who like
them AND Erasure (!).  Regarding the new Erasure album:
 
>I really like the new style, but I'm not sure if I prefer it to
>the old one.  I read an article where Vince Clarke mentioned that they
>recorded the vocals first and then did the instrumentation, which is
>the reverse of their normal recording style.  He also said that they
>are seriously writing for another album that they hope to release by
>the end of the year.  That's quite a change considering the gap between
>_ABBA-esque_ and _I Say, I Say, I Say_(where did they ever get that
>name?).

I don't like the new album much at all.  I do enjoy "Because You're So Sweet,"
"Miracle," "Blues Away" and "Run To The Sun," but that's about it.

The name of the album comes from Vaudeville.  When two men were telling jokes,
one would often start the dialogue with a "catch phrase" like "Hello, hello,
hello" or "I say, I say, I say."  Andy is quoted in interviews as saying that
the title has nothing to do with the album's content.  They just thought it was
funny.

-Sam

From jitr-request@presto.ig.com Thu Jul 14 19:44:45 1994
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To: jump-in-the-river@presto.ig.com (Hop in the Brook)
Reply-To: jump-in-the-river@presto.ig.com
Subject: Re: a greeting and whatever comes to mind 
In-Reply-To: Carlton D Fisher's  message of "Thu, 14 Jul 1994 14:21:24 EDT."
             <14JUL94.15505296.0017.MUSIC@SLUMUS> 
Date: Thu, 14 Jul 1994 19:35:36 -0700
From: Jym Dyer <jym@remarque.berkeley.edu>
Status: OR

=o= Heck, I like Sinead, Tori Amos, and Erasure.  But NIN
works a lot better with Adrian Sherwood at the board.
    <_Jym_>

From jitr-request@presto.ig.com Thu Jul 14 23:43:59 1994
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From: bbreak@mit.edu
Subject: Re: a greeting and whatever comes to mind
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*-=-*-=-    ARE PROBABLY UNKIND&SALACIOUS RUMORS, SPREAD    *-=-*
*-=-*-=-     BY UNSCRUPULOUS D.J.'S.  THEY SHOULD IN NO     *-=-*
*-=-*-=-      WAY BE TAKEN AS CARDINAL TRUTH.  THANKS.      *-=-*
*-=-*-=-                                                    *-=-*
*-=-*-=-                         -The Management            *-=-*
*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*
*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*


Hearing this talk of Reznor, Amos, O'Connor, and so on brought back a bit
of evil celebrity gossip I heard a while back.  Basically, it went that
Tori Amos and Trent Reznor had each done guest work on the other's newest
album, and were now shacked up together.  Now, the image of the two of them
as a couple....
But then, there are similar themes of sexual hysteria in the artists' work,
despite the disparate musical styles.  Anyhow, I think it's entirely
scurrilous, but it amused me anyway.

-Ben Breakstone


From jitr-request@presto.ig.com Fri Jul 15 07:31:22 1994
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To: bbreak@mit.edu
Cc: jump-in-the-river@presto.ig.com
Subject: Re: a greeting and whatever comes to mind 
In-Reply-To: Your message of "Fri, 15 Jul 1994 02:34:25 EDT."
             <9407150634.AA17463@MIT.EDU> 
Date: Fri, 15 Jul 1994 10:02:37 -0400
From: Elizabeth Lear Newman <eliz@world.std.com>
Status: OR


Rumor:
>Tori Amos and Trent Reznor had each done guest work on the other's newest
>album, and were now shacked up together.  Now, the image of the two of them
>as a couple....
>Anyhow, I think it's entirely scurrilous, but it amused me anyway.

It is.  Tori is thinking of having a baby with her squeeze of many
years, Eric.  He goes on tour with her, and they seem to be quite
dedicated to each other.

If you're interested in Tori information, you too can join the mailing
list by sending a message to
  really-deep-thoughts-request@gradient.cis.upenn.edu 

							...eliz


From jitr-request@presto.ig.com Fri Jul 15 12:23:55 1994
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Date: Fri, 15 Jul 94 15:10:11 EDT
From: Greg Bossert <bossert@maurolycus.rutgers.edu>
To: jump-in-the-river@presto.ig.com
Subject: Re: a greeting and whatever comes to mind
In-Reply-To: Your message of Fri, 15 Jul 1994 10:02:37 -0400
Message-Id: <CMM-RU.1.4.774299411.bossert@maurolycus.rutgers.edu>
Status: OR

>>Tori Amos and Trent Reznor had each done guest work on the other's newest
>>album, and were now shacked up together.  Now, the image of the two of them
>>as a couple....
>>Anyhow, I think it's entirely scurrilous, but it amused me anyway.
>
>It is.  Tori is thinking of having a baby with her squeeze of many
>years, Eric.  He goes on tour with her, and they seem to be quite
>dedicated to each other.

i concur with eliz' opinion here, and the official rumours seem to
agree :)

nonetheless, Mr. Reznor does sing backup vocals on the IMrarelyHO
brilliant "Past the Mission" on Ms. Amos' most recent album.  pretty,
soft, mostly in-tune BVs.  much more strange and entertaining than
shacks.

-g


From jitr-request@presto.ig.com Fri Jul 15 15:50:40 1994
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Message-Id:  <15JUL94.19853049.0011.MUSIC@SLUMUS>
Date:        Fri, 15 Jul 94 18:22:56 EDT
From: "Fisher, Carlton D." <X7E0@SLUMUS.Berkeley.EDU>
To: <jump-in-the-river@presto.ig.com>
Subject: Tori Amos Dreams (nothing pervie)
Status: OR

On the Kate Bush listserv they are currently discussing dreams of her
majesty the cloudbuster, which I thought rather strange since I just
had a dream about Tori Amos last night.  I didn't want to bring it up
on Love-Hounds because they are so centered on Kate at the moment that
I didn't want to throw them off of their track just yet, but I thought
that I would mention it on here since she has been the topic of much
discussion (Tori and Trent Reznor? Think of the poor ill-adjusted
children that would result from that pairing!)

Anyway, on to my dream.  (This gets a little complicated and also mixes
in artists that one does not customarily think of when dwelling upon
Tori.)  I am at the ceremony for the MTV video music awards, which
coincidentally are being held in the gymnasium of my old high school.
I am accompanying Madonna, who is performing "Material Girl" onstage
(I'm one of the back-up dancers.)  Suddenly the music track fails and
Madonna has to sing a cappella.  She switchs into the Marlena Dietrich
inspired version of "Like A Virgin" that she did for _The Girlie Show_,
blushing with embarrassment all the way through it.  We are being
ushered offstage at the songs completion when a huge Grand Piano begins
to decend from the ceiling to the opening bars of "Crucify.  I stand on
the stage almost hypnotized, standing only a few feet from Tori as she
sings.  She's wearing ripped blue jeans and a white tank top and she's
died her hair black, but the roots are still red.  The crowd is pushing
toward her with excitement and she stops in mid song and politely asks
them to stay in their seats so she can finish the song.  Then she goes
right back into it where she left off.  When she's done the piano
raises back up into the ceiling and the crowd applauds wildly.  Then I
woke up.

So, that's my Tori Amos dream.  Does anyone have any dreams of their
own.

From jitr-request@presto.ig.com Fri Jul 15 16:05:44 1994
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Message-Id:  <15JUL94.20329297.0011.MUSIC@SLUMUS>
Date:        Fri, 15 Jul 94 18:49:24 EDT
From: "Fisher, Carlton D." <X7E0@SLUMUS.Berkeley.EDU>
To: <jump-in-the-river@presto.ig.com>
Subject: So you found a girl who thinks really deep thoughts
Status: OR

The e-mail system said I had given the wrong adress?  That's odd, but
then again we are working with computers here and they are less perfect
than we are.  At any rate, as far as I know my address is
"x7e0@slumus.bitnet".  As far as I know this has not changed, but they
are always doing something stupid to the computer system here at SLU so
who knows what may have happened.

So, I'm here with several thoughts questions comments and whatever.
One thing I was wondering, I have heard alot of mention of _The Lion
And The Cobra_ and _I Do Not Want What I Haven't Got_ on here, but I
haven't heard anything about _Am I Not Your Girl_.  To throw my two
cents in on it I thought that it was a mistake for Sinead to have done
those little chesnuts from big band hell.  One or two of them were
okay, but I really prefer her original material, and artists who do
entire albums of cover versions remind me of Michael Bolton and Natalie
Cole.  Sinead is a gifted and talented artist who really does not need
to bother with outdated material that isn't suited for her anguished
and emotional singing style.  On alot of the songs I thought that she
sounded tired and bored.  The material really held her back and kept
her from utilizing her talents to their fullest potential.  I, for one,
am eagerly awaiting an album of new material.

As for my tastes in music-- I have a wide range of musical tastes that
run from Vivaldi to Nirvana and cover most points in between.  However,
I mostly prefer alternative music.  Some of my favorites are
Eurythmics, Annie Lennox, The Cranberries, Sophie B. Hawkins, Kristen
Hersh, Kate Bush, Tori Amos, Blondie, Madonna, The Sundays, ABBA,
Erasure, Depeche Mode, Pet Shop Boys, Ofra Haza, Morrisey, The Smiths,
Nine Inch Nails, Enya, and of course Sinead (those are, by the way, in
no particular order and certainly not in order of preference.  I have
also probably omitted quite a few-- Sarah Mclachlan, Indigo Girls, it
just goes on and on and on.)

By the way, please send in your dreams about your favorite artists.  It
doesn't need to be anyone in particular-- this isn't _I Dream of Tori_.
That was just who I happened to have a dream about.

Anyway, I guess that's all for now.  Over and out.

Carlton
"This is not really happening.  You bet your life it is."-- Tori Amos

P.S. What does everyone think of Erasure's "Always".  My feelings are
mixed.

From jitr-request@presto.ig.com Fri Jul 15 17:48:22 1994
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Date: Fri, 15 Jul 94 14:40:13 HST
From: THE SHEEP MAN <bueno@uhunix.uhcc.hawaii.edu>
To: jitr@presto.ig.com
Subject: Re: So you found a girl who thinks really deep thoughts
In-Reply-To: Your message of Fri, 15 Jul 94 18:49:24 EDT
Message-Id: <CMM.0.90.2.774319213.bueno@uhunix3.uhcc.Hawaii.Edu>
Status: OR

> To throw my two
> cents in on it I thought that it was a mistake for Sinead to have done
> those little chesnuts from big band hell.  One or two of them were
> okay, but I really prefer her original material, and artists who do
> entire albums of cover versions remind me of Michael Bolton and Natalie
> Cole.

One of a musician's riskiest tasks is to reinterpret other people's music.
Some musicians make covers that are thoroughly personal, sometimes trans-
forming the original (Bill Frisell's "Have a Little Faith.")

Sinead's interpretations of these "chesnuts from big band hell" are very
personal. Granted, her voice is not suited for this music, but there lies
not only the risk but the originality. She does not mask the emotion of
her interpretations behind fancy musical melodrama (Bolton) or posthumous
gimmicks (Cole.) So maybe "Don't Cry for Me Argentina" doesn't compare
to Patti LuPone's take. Could LuPone sound as haunting as Sinead on
"Scarlet Ribbons?"

> Sinead is a gifted and talented artist who really does not need
> to bother with outdated material that isn't suited for her anguished
> and emotional singing style.

"Outdated material?" I personally might agree with you there, but the
songs Sinead covered have, over time, become standards. They are sung
nationwide in beginning voice classes and teaching studios. For a
person not born before 1955 (like me), they may seem outdated.

> The material really held her back and kept
> her from utilizing her talents to their fullest potential.

I think the mistake she made was using a big band. She -- or rather
her arrangers -- should have re-orchestrated the music to jive with
her singing. What I found difficult about AINYG was listening to
Sinead give a restrained interpretation of a song with horns blaring
behind her.

The material, however, did not hold her back. The only thing that can
hold back a performer is the performer him/herself. Sinead tried to
emulate her idol, Barbara Streisand, but she should have been herself.
It *is* possible to sing a Cole Porter song and still stamp your own
personality on it. It just depends on how far you transform that song.


*************************************************************************
"Dance. Yougottadance. Aslongasthemusicplays. Yougottadance."
-- The Sheep Man (from Haruki Murakami's "Dance Dance Dance")
Greg Bueno                                   bueno@uhunix.uhcc.hawaii.edu
*************************************************************************


From jitr-request@presto.ig.com Sat Jul 16 09:58:10 1994
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From: orit@black.bgu.ac.il (shaham orit)
Message-Id: <9407161742.AA23480@>
To: jitr@presto.ig.com
Subject: Universal Mother
Status: OR

Just heard that the new album will contain a cover of Nirvana's (Kurt
Cobain's) "All Apologies".  I suppose Sinead can really sympathize with
the late Cobain - like him, she's not completely balanced, and fame hasn't
helped any...  Three other songs on the album are about child abuse.


Now back to your regularly scheduled Tori Amos discussions.

Orit

From jitr-request@presto.ig.com Sat Jul 16 12:53:45 1994
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Date: Sat, 16 Jul 1994 12:43:00 -0700
From: mcb@netcom.com (Michael C. Berch)
Message-Id: <199407161943.MAA28536@netcom5.netcom.com>
To: x7e0%slumus.bitnet@presto.ig.com
Subject: Mailer administrivia
Cc: jitr@presto.ig.com
Status: OR

"Fisher, Carlton D." <X7E0@SLUMUS.Berkeley.EDU> writes:
> The e-mail system said I had given the wrong adress?  That's odd, but
> then again we are working with computers here and they are less perfect
> than we are.  At any rate, as far as I know my address is
> "x7e0@slumus.bitnet".  As far as I know this has not changed, but they
> are always doing something stupid to the computer system here at SLU so
> who knows what may have happened.

I left the "wrong" address at the top so you could see it... 

What is happening is that your system is sending out the mail with
the From: line of "From: <X7E0@SLUMUS>" with no domain, and when it
passes through various sites where people get mail (mine was forwarded
through Berkeley), the mailer will see the "naked" SLUMUS and treat it
as local, and canonicalize it with its own domain name. 

You need to tell your mail administrator about this -- the From: line
on your Internet messages should have a domain of some sort, even the
fake ".BITNET" domain if need be, although if SLUMUS does not have a
real domain name the correct thing is something like 
"From: <X7E0%SLUMUS.BITNET@VM.STLAWU.EDU>" which would allow everyone to
reply correctly.

I have copied this to the list as several people wrote me that they were
confused about sending replies to you.

--
Michael C. Berch 
Jump-in-the-River Moderator
jitr-request@presto.ig.com

From jitr-request@presto.ig.com Mon Jul 18 01:12:29 1994
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From: SnailShell@aol.com
X-Mailer: America Online Mailer
Sender: "SnailShell" <SnailShell@aol.com>
Message-Id: <9407180401.tn551884@aol.com>
To: jitr@presto.ig.com
Date: Mon, 18 Jul 94 04:01:57 EDT
Subject: Re: So you found a girl who thinks really deep thoughts
Status: OR

Greetings all,

> I think the mistake she made was using a big band. She -- or rather
> her arrangers -- should have re-orchestrated the music to jive with
> her singing. What I found difficult about AINYG was listening to
> Sinead give a restrained interpretation of a song with horns blaring
> behind her.

I agree completely. If she had revamped the songs to be closer to her own
style it would have been a little more interesting. Too many musicians make
the mistake of trying to sound just like the original when they cover songs,
where those who try to give the song as much of a personal touch as possible
usually put out better songs. 

Frente's version of Bizarre Love Triangle (even though it's overplayed out
here and I'm getting tired of it) sounds completely different from the
original, and it's a great cover. I think if anyone tried to match New
Order's style they would flop completely.

There are some other covers that give their originals a run for the money
too: Dinosaur Jr's "Just Like Heaven", DM's "Route 66", and my *favorite* The
Sisters of Mercy cover of the Stones' "Gimme Shelter", as well as a bunch
more that my cashew-sized brain can't recall right now. They really give a
new twist to great songs.

>> Sinead is a gifted and talented artist who really does not need
>> to bother with outdated material that isn't suited for her anguished
>> and emotional singing style.

I don't believe there is such thing as outdated music. I should hope that
people wouldn't call Sinead outdated in fifty years.

With peace 'n' love as always (and still looking for an Irish maiden),

-Ziad



/----------------------------------------------------------------------\
|    Ziad  O. Ezzat     |          V e r y S m a l l R o c k s         |
|  SnailShell@aol.com   |  For band and fan club information write to: |
|  San Jose State Univ  |      V S R f a n c l u b @ a o l . c o m     |
|----------------------------------------------------------------------|
|    "Do you waaaant to come back to my place?.....bouncy, bouncy!"    |
|                                     --A Hungarian Tourist            |
\----------------------------------------------------------------------/




From jitr-request@presto.ig.com Mon Jul 18 10:20:55 1994
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Sender: bbreak@po5.mit.edu
To: jitr@presto.ig.com
From: bbreak@mit.edu
Subject: Orchestrations
Status: OR


>I think the mistake she made was using a big band. She -- or rather
>her arrangers -- should have re-orchestrated the music to jive with
>her singing. What I found difficult about AINYG was listening to
>Sinead give a restrained interpretation of a song with horns blaring
>behind her.


I definitely agree that the biggest problem was the orchestrations. 
Overworked, maudlin, and just plain cheezy.  I couldn't help laughing as I
listened to the elevator-music-like strings of "Success has Made...", and
all the rest.  The mediocrity of the entire recording disappointed me
greatly.  And the material certainly could have been fantastic with
Sinead's voice-  just look at the track she did for "Red Hot & Blue."  Its
spare reworking of the Cole Porter classic was far & away the best track on
the album.  Such a pity.

-Ben Breakstone (bbreak@mit.edu)


From JITR@drew.drew.edu Mon Jul 18 12:37:26 1994
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Date: Mon, 18 Jul 1994 14:54:16 -0400 (EDT)
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unsubscribe

From jitr-request@presto.ig.com Tue Jul 19 01:18:16 1994
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Date: Tue, 19 Jul 1994 11:00:33 +0300 (EET DST)
From: "Mezhibovsky E." <c0779952@techst02.technion.ac.il>
Subject: Re: Universal Mother
To: shaham orit <orit@black.bgu.ac.il>
Cc: jitr@presto.ig.com
In-Reply-To: <9407161742.AA23480@>
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On Sat, 16 Jul 1994, shaham orit wrote:

> Just heard that the new album will contain a cover of Nirvana's (Kurt
> Cobain's) "All Apologies".  I suppose Sinead can really sympathize with
> the late Cobain - like him, she's not completely balanced, and fame hasn't
> helped any...  Three other songs on the album are about child abuse.
> 
> 
> Now back to your regularly scheduled Tori Amos discussions.
> 
> Orit
> 


   btw, in the same album , where is All Apologies Cobain sing...:

     I love you for what i am not
     I don't want what i have got...
     ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~   


    just to compare with Sinead's  I don't want what i havn't got...


hmmmm.

              DDD  EEEE M\ /M EEEE N\  N TTTTT EEEE DDD      77777
              D  D EE=  M M M EE=  N N N   T   EE=  D  D       77
              DDD  EEEE M   M EEEE N  \N   T   EEEE DDD       77
                                 
                                ... Who said don't look back ?
                                    Don't beleive 'em


From jitr-request@presto.ig.com Tue Jul 19 11:23:31 1994
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Date: Tue, 19 Jul 94 7:50:08 HST
From: THE RAT <bueno@uhunix.uhcc.hawaii.edu>
To: jitr@presto.ig.com
Subject: From Peter J. Howard and ICE...
Message-Id: <CMM.0.90.2.774640208.bueno@uhunix3.uhcc.Hawaii.Edu>
Status: OR


This month's issue of ICE CD Newsletter sports a cover story featuring Sinead
and other big artists with new releases due this fall. "All Apologies," as
jitr knows, will be on the album as will a cover of Phil Coulter's "Scorn Not
His Simplicity." Her son, Jake, sings on a track ("Am I A Human") as well.

According to ICE, "cover art for Universal Mother shows three images of
Sinead, one curled up in a fetal position, *sans* clothing." The article also
lists the tracks on the album.


*************************************************************************
"Dance. Yougottadance. Aslongasthemusicplays. Yougottadance."
-- The Sheep Man (from Haruki Murakami's "Dance Dance Dance")
Greg Bueno                                   bueno@uhunix.uhcc.hawaii.edu
*************************************************************************


From jitr-request@presto.ig.com Tue Jul 19 14:24:36 1994
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Date: Tue, 19 Jul 1994 16:12:44 -0500 (EST)
From: 00sagifford@bsuvc.bsu.edu
Subject: Bye for now
Sender: 00SAGIFFORD@bsuvc.bsu.edu
To: jitr@presto.ig.com
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Well, I am unsubscribing now, as I am moving this weekend, I plan to resub
when i reach my new place and get my new email address and all. My fiancee
should be having our baby this weekend, so right now things are pretty full for
me here. Name suggestions can be sent by reply to this account for now.

Money donations, etc... can be sent to 
steve gifford
1600 e. hillside dr. #4
bloomington, in 47401

;)

see you in the fall

From jitr-request@presto.ig.com Tue Jul 19 16:10:27 1994
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Message-Id:  <19JUL94.20457611.0009.MUSIC@SLUMUS>
Date:        Tue, 19 Jul 94 18:56:31 EDT
From: "Fisher, Carlton D." <X7E0@SLUMUS.Berkeley.EDU>
To: <jump-in-the-river@presto.ig.com>
Subject: All Apologies
Status: OR

I seemed to have stirred up a serpent's nest with my comments on _Am I
Not Your Girl_ I agree with the idea that the album would have been
much better if Sinead had adapted the songs to fit her style.  My anger
at the album lies in the fact that I was stung when I had been
expecting classic Sinead and wound up with her fronting Harry Connick
Jr.'s band.  All apologies.

On another note-- has Sinead ever worked with Kate Bush?  Being two of
the first visible alternative female artists to have had real success
(even thought there was a large gap between "Wuthering Heights" and
"Nothing Compares 2 U" [which she did about a million times better than
Prince ever even dreamed of]) it would seem almost natural for them to
have worked together at some point, even in concert.  Well, just
curious.

Carlton
x7e0@slumus.bitnet
"Boys get locked up in some prison.  Girls get locked up in some house.
It doesn't matter if it's a warden or a lover or a spouse-- your just
can't talk to them.  You just can't reason.  You just can't leave, and
you just can't please them."-- Ani Difranco "Out of Range"

From jitr-request@presto.ig.com Tue Jul 19 17:10:30 1994
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Date: Tue, 19 Jul 1994 16:58:29 -0700
From: Sam Li <samli@ocf.berkeley.edu>
Message-Id: <199407192358.AA11014@tsunami.berkeley.edu>
To: X7E0@SLUMUS.berkeley.edu, jump-in-the-river@presto.ig.com
Subject: Re:  All Apologies
Status: OR

>On another note-- has Sinead ever worked with Kate Bush?  Being two of
>the first visible alternative female artists to have had real success
>(even thought there was a large gap between "Wuthering Heights" and
>"Nothing Compares 2 U" [which she did about a million times better than
>Prince ever even dreamed of]) it would seem almost natural for them to
>have worked together at some point, even in concert.  Well, just
>curious.
>

I think it's probably because Kate Bush and Sinead come from totally
different perspectives. To me, it seems Sinead is more influenced
by punk and hip-hop than Bush. My impression of Kate Bush is one of a
flighty slick silk-smothered femme. It'd be like Amy Grant working with
Joan Jett. Or Wilson-Phillips with L7. Argh, I cant think of the proper
over-used cliche at the moment, so please bear with me.
Or am i missing something about Kate Bush?

But they do both have that peter gabriel connection dont they?

samli@ocf.berkeley.edu


From jitr-request@presto.ig.com Tue Jul 19 17:38:55 1994
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Date: Tue, 19 Jul 94 14:27:02 HST
From: THE RAT <bueno@uhunix.uhcc.hawaii.edu>
To: jump-in-the-river@presto.ig.com
Subject: Re: All Apologies
In-Reply-To: Your message of Tue, 19 Jul 1994 16:58:29 -0700
Message-Id: <CMM.0.90.2.774664022.bueno@uhunix3.uhcc.Hawaii.Edu>
Status: OR

> >On another note-- has Sinead ever worked with Kate Bush?  Being two of
> >the first visible alternative female artists to have had real success
[deleted stuff]
> >it would seem almost natural for them to
> >have worked together at some point, even in concert.  Well, just
> >curious.

Critics love to peg (or rather, have pegged) Sinead and Kate into the
same ilk because they defied the MTV Cookie Cutter Femme Image dominated
by the likes of Madonna.

> It'd be like Amy Grant working with
> Joan Jett. Or Wilson-Phillips with L7. Argh, I cant think of the proper
> over-used cliche at the moment, so please bear with me.

Musically, such a combination would produce *interesting* results to say
the least. Could you imagine Sinead backed by the Trio Bulgarka?

p.s. Any Bulgarian women choir fans out there?


*************************************************************************
"Dance. Yougottadance. Aslongasthemusicplays. Yougottadance."
-- The Sheep Man (from Haruki Murakami's "Dance Dance Dance")
Greg Bueno                                   bueno@uhunix.uhcc.hawaii.edu
*************************************************************************


From jitr-request@presto.ig.com Tue Jul 19 18:51:16 1994
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From: David Byrne <dgb1@eden.rutgers.edu>
Message-Id: <199407200142.VAA11435@eden-backend.rutgers.edu>
Date: Tue, 19 Jul 94 21:42:57 0000
To: jitr@presto.ig.com
Subject: AINYG, L&C, Cobain
Status: OR

Hey All,

        First off, I do like some big band music & I thought Sinead did 
a wonderful job with Am I not your girl. It was not til yesterday that I 
really appreciated Success... I always thought Why don't you do right, I 
wanna be loved by you, Argentina & Black Coffee to be the best off the 
CD, by the dynamics & the power of her voice in Success is beyond 
impressive. As far as covers of older jazzy styled songs, are there any 
Madonna fans out there? If so, you MUST know of her gorgeous cover of 
Peggy Lee's "Fever". It's not jazzy at all, rather HI NRG at it's 
finest!! Imagine if Sinead did a total reorganization of some of those 
older songs? Oye.

        Also, I think that Lion & the Cobra is Sinead's best CD. All of 
the songs are triumphant (well maybe except for Just Like U said it 
would B & Hands on Me). There's everything there & she seems so young, 
curious & inexperienced at some unparticular parts that it's almost 
powerful. Troy, Drink before the war & Jackie are simply unforgetable in 
my book. So, I am looking forward to her new CD which will be a lot like 
L&C. I think her cover of All Apologies will be infamous! Actually, that 
is the only Nirvana song I like, b/c Cobain's voice was so retched (when 
was the last time you heard that word!?!?!).

Enjoy & One last question... do you think Chrysalis will release All 
Apologies as a feautre single??

Dave


From jitr-request@presto.ig.com Wed Jul 20 00:45:47 1994
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From: Matthias Radestock <mr3@doc.ic.ac.uk>
Date: Wed, 20 Jul 94 08:36:35 BST
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To: jitr@presto.ig.com
Subject: Re: Naked Sinead
Status: OR

The discussion about the album cover for UM brought back to my mind that
some music journal (it was RS, I think) showed a naked Sinead about 1 and a
half years ago. If I recall it correctly it was an ad for one of her singles.
I was a bit worried when I heard about it because I couldn't imagine Sinead
in a Madonna-like exposing picture. However, it turned out to be completely
different - nakedness not as a means for exposing sexuality but rather
weakness.
 
Anyone else remembers this?

Matthias.



From jitr-request@presto.ig.com Wed Jul 20 01:17:14 1994
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Date: Wed, 20 Jul 1994 01:07:17 -0700 (PDT)
From: Jack B Huynh <jhuy@garnet.berkeley.edu>
Subject: Re: Naked Sinead
To: Matthias Radestock <mr3@doc.ic.ac.uk>
Cc: jitr@presto.ig.com
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Status: OR

Yeah, in SPIN magazine, I think she posed naked next to some statue. It 
was definitely more of a 'weakness' pose, but she still looked cute. = )


jack b huynh
jhuy@garnet.berkeley.edu
-Cocteau Twins Home Page-
http://garnet.berkeley.edu:8080/


From jitr-request@presto.ig.com Wed Jul 20 09:35:48 1994
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Date: Wed, 20 Jul 1994 12:22:51 -0400 (EDT)
From: Sam Warren <I_SW@zis.ziff.com>
Subject: Re: All Apologies
To: jump-in-the-river@presto.ig.com
Message-Id: <01HEXG29KN8EBMAJVM@arnor.zis.ziff.com>
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Status: OR

>I think it's probably because Kate Bush and Sinead come from totally
>different perspectives. To me, it seems Sinead is more influenced
>by punk and hip-hop than Bush. My impression of Kate Bush is one of a
>flighty slick silk-smothered femme. It'd be like Amy Grant working with
>Joan Jett. Or Wilson-Phillips with L7. Argh, I cant think of the proper
>over-used cliche at the moment, so please bear with me.
>Or am i missing something about Kate Bush?

In my opinion, you sure are.  Kate has *extremely* little to do with flighty
attitudes, slickness, or silk.  If all you've heard by her is "Wuthering
Heights," maybe I understand where your ideas came from.  But did you ever hear
_The Dreaming_?  Or _Hounds of Love_?  Kate's music is nothing if not diverse. 
So while she might be at home with a ballad (like "Moments of Pleasure" from
her latest album), I'd hardly classify her slower-tempo songs with those of
Wilson-Phillips or Amy Grant.  And Kate's lyrics are quite intriguing, at times
I would even say "profound."  It really sounds to me like you haven't heard
much of Kate's material.

But would I put her in a category with Sinead?  No, I don't think so.  They're
both female, rock/alternative-based, Irish (Kate's family, not her residence) 
and they both have strong voices.  I would agree that Sinead is more influenced
by punk and hip-hop (whoever mixed Kate's "Shoe Dance" really missed the boat
on hip-hop), but they both have interests in Irish fiddle music.

If they were to work on a project together, I would be interested, but I
wouldn't necassarily push them in that direction if I should meet either one. 
I used to like TAFKAP (The Artist Formerly Known As Prince), but I found his
work with Kate Bush (on _The Red Shoes_) *much* to my disliking.  So I don't
often wish for dream duets, because they can sometimes be painfully realized.

-Sam
But they do both have that peter gabriel connection dont they?

samli@ocf.berkeley.edu


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Date:        Wed, 20 Jul 94 13:27:50 EDT
From: "Fisher, Carlton D." <X7E0@SLUMUS.Berkeley.EDU>
To: <jump-in-the-river@presto.ig.com>
Subject: flavors elvis never intended
Status: OR

All this talk about artists trying uncustomary musical styles has made
me start to think of some kind of Tropicana Twister add collides with
the Rolling Stone who's who.  You already know my opinion of _Am I Not
Your Girl_ (and what an unpopular opinion it is!), but now I've decided
to start sounding off on some of the other odd combos we've been
talking about on here.

"Fever"-- I am a die hard Madonna fan.  I have spent a great deal of
time and money tracking down collectibles and imports of Her Mistress
Dita, but "Fever" really rubs me the wrong way.  The vocal is rather
emotionless and the backing track is obnoxiously repetitive.  I prefer
the version that she did in concert for _The Girlie Show_, but beyond
that it just doesn't seem like one of her stronger tracks.  _Erotica_
as an album is uneven with only a few bright moments.  One thing that
is kind of neat, though, is the _I'm Breathless_ album (anyone remeber
that should-have-been-a-flop movie _Dick Tracy_?).  Whereas Sinead
tried her hand at big band music, Madonna went for the Twenies torch
singer approach.  Surprisingly it works.  Why?  Because Madonna still
applied her same style to the songs that she did.  While they were all
original songs written in a tweties style, she did not change her vocal
style to sound like a waifish potential rape victim.  Her vocals, while
being sexy and seductive still hold onto that same dominance that she
clings to in alot of her music.  If Sinead had re-arranged the songs on
AINYG to fit her regular vocal stylization then it would have been a
truly amazing album.  (Let me throw in here that, even though Madonna
made it work, _I'm Breathless_ get's boring after awhile.)

Kate Bush--  Since they haven't worked together, I started thinking of
some of the songs that Kate does that Sinead could probably do a
spectacular cover of.  One that I think would really work with Sinead's
personality and presence is "Running Up The Hill (A Deal With God)".
It has alot of that anger and fire in it that Sinead really runs with
in alot of her music.  Sinead, if your listening, here's a suggestion.
(By the way, Kate alternates between that waifish femme fatal persona
and a stronger angrier one that is also capable of the great degrees of
sadness that Sinead is.  To hear the latter personae check out _The
Hounds of Love_, _The Dreaming_, or the two b-side compilation disks in
the _This Woman's Work_ boxed set.  Also of interest might be _The
Sensual World_ which is much more feminine in nature of _The Red Shoes_
which is a very beautiful album that covers religion, sex, loss, and
love.)

Carlton
x7e0@slumus.bitnet

From jitr-request@presto.ig.com Wed Jul 20 11:18:22 1994
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Date: Wed, 20 Jul 1994 11:09:28 -0700
From: Sam Li <samli@ocf.berkeley.edu>
Message-Id: <199407201809.AA15187@tsunami.berkeley.edu>
To: jitr@presto.ig.com, mr3@doc.ic.ac.uk
Subject: Re: Naked Sinead
Status: OR

>From: Matthias Radestock <mr3@doc.ic.ac.uk>
>Date: Wed, 20 Jul 94 08:36:35 BST
>To: jitr@presto.ig.com
>Subject: Re: Naked Sinead
>
>The discussion about the album cover for UM brought back to my mind that
>some music journal (it was RS, I think) showed a naked Sinead about 1 and a
>half years ago. If I recall it correctly it was an ad for one of her singles.
>I was a bit worried when I heard about it because I couldn't imagine Sinead
>in a Madonna-like exposing picture. However, it turned out to be completely
>different - nakedness not as a means for exposing sexuality but rather
>weakness.
> 
>Anyone else remembers this?
>
>Matthias.
>

Rolling Stone Issue 642, October 29, 1992 is the issue i have: Sinead on the
cover. On page 51, she's naked, curled up, sort of sitting, vulnerable but
with a guardian angel statue in bluish light. In the article, she expresses
compassion for Mike Tyson.  Is this the one of which you are speaking? 

--sam
samli@ocf.berkeley.edu

p.s.
I heard someone of Wilson-Phillips recently died a heroin related-death,
a la GG Allin, Pfaff, Cobain, and that woman from 7-year bitch. I also
heard pavement broke up. Heh -- anyone confirm or vehemently deny my
vicious rumors? Oh, nevermind.


From jitr-request@presto.ig.com Wed Jul 20 11:21:23 1994
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Date: Wed, 20 Jul 94 13:02:13 CST
From: "Timothy S. Brannan" <TBRANNAN@siucvmb.siu.edu>
To: jump-in-the-river@presto.ig.com
Subject: RE: Flavors Elvis never intended
Status: OR

A while back I read an interview with Sting and he mentioned Sinead.
He had said that he had really liked her music and that she reminded him of him
self in his younger angrier days.

I always thought that a duet with Sting and Sinead would be nice; maybe
"Wrapped around your finger".


For those of you who are curious I have this great picture (GIF and JPEG) of
Sting, Sinead and Peter Gabriel from a 1992 Rolling Stone.
If someone nice out there will remind where the archive home is then I will
post it.

Also if anyone knows of a boot with Sting and Sinead then PLEASE let me know.

Thanks.

Tim
/-----------------------------------------------------------------------\
|  Timothy S. Brannan           | BitNet  : tbrannan @ siucvmb          |
|  Southern Illinois University | Internet: tbrannan @ siucvmb.siu.edu  |
|  Carbondale, Il 62901         | Aol     : TBrannan @ Aol.Com          |
+-----------------------------------------------------------------------+
| "I know that the spades are the swords of the soldiers, I know the    |
| clubs are weapons of war. I know that diamonds mean money for this    |
| art.  But that's not the shape of my heart."  - Sting                 |
\-----------------------------------------------------------------------/

From jitr-request@presto.ig.com Wed Jul 20 11:35:18 1994
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Date: Wed, 20 Jul 94 8:24:20 HST
From: THE RAT <bueno@uhunix.uhcc.hawaii.edu>
To: jitr@presto.ig.com
Subject: Re: flavors elvis never intended
In-Reply-To: Your message of Wed, 20 Jul 94 13:27:50 EDT
Message-Id: <CMM.0.90.2.774728660.bueno@uhunix3.uhcc.Hawaii.Edu>
Status: OR

> All this talk about artists trying uncustomary musical styles has made
> me start to think of some kind of Tropicana Twister add collides with
> the Rolling Stone who's who.

Or the Bud Dry commercial in which you can "mix anything." (Full contact
golf, anyone?)

> One thing that
> is kind of neat, though, is the _I'm Breathless_ album (anyone remeber
> that should-have-been-a-flop movie _Dick Tracy_?).  Whereas Sinead
> tried her hand at big band music, Madonna went for the Twenies torch
> singer approach.  Surprisingly it works.  Why?  Because Madonna still
> applied her same style to the songs that she did.

Really? I thought it was because Stephen Sondheim wrote three tracks. :-)
Actually, the reason why it worked was because Madonna planned and executed
a *concept* (tied in with a heavy marketing scheme.) The sexiness of
"Breatheless" is deliberate since the album, in a way, fits the character of
Breathless Malone. (Or should that be Mahone? Please refer to the Pogues to
get the joke :-) Sinead's covers, though flawed, are sincere.

What I'd really like to see is Sinead team up with Enya again. Or Stephen
Sondheim.

*************************************************************************
"Dance. Yougottadance. Aslongasthemusicplays. Yougottadance."
-- The Sheep Man (from Haruki Murakami's "Dance Dance Dance")
Greg Bueno                                   bueno@uhunix.uhcc.hawaii.edu
*************************************************************************
(who would really like to see Sinead sing Sondheim's "No One Is Alone...")

From jitr-request@presto.ig.com Wed Jul 20 12:13:56 1994
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Date: Wed, 20 Jul 1994 12:03:16 -0700
From: mcb@netcom.com (Michael C. Berch)
Message-Id: <199407201903.MAA22402@netcom13.netcom.com>
To: jitr@presto.ig.com
Subject: Stuff for the JITR archive
Cc: TBRANNAN@siucvmb.siu.edu
Status: OR

Timothy S. Brannan writes:
> For those of you who are curious I have this great picture (GIF and JPEG) of
> Sting, Sinead and Peter Gabriel from a 1992 Rolling Stone.
> If someone nice out there will remind where the archive home is then I will
> post it.

All material for the archives should be mailed to me at the list
request address, jitr-request@presto.ig.com.  For images, uuencoded
GIF or JPEG is best.  Stuff cannot be uploaded directly.

The archive is available by anonymous FTP on net.bio.net in directory
misc/jitr.  Below is a listing of the current contents.  As you can
see, image files are currently stored as both GIF and JPEG, which is
sort of wasteful; unless there are overwhelmingly vociferous
objections, I plan to keep the JPEGs only in the future.  If you need
help in finding JPEG image-handling software, look in the newsgroup
alt.binaries.pictures.utilities (software for PCs and Macs is posted
there) or in alt.answers for the JPEG FAQ.  I use JPEGView on the Mac
and xv on UNIX workstations for JPEG stuff, and cjpeg/djpeg for
conversion.

--
Michael C. Berch 
Jump-in-the-River Moderator
Sinead stuff: jitr-request@presto.ig.com
In real life: mcb@postmodern.com / mcb@netcom.com

From jitr-request@presto.ig.com Wed Jul 20 12:17:57 1994
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Date: Wed, 20 Jul 94 8:48:06 HST
From: HIRAKU MAKIMURA <bueno@uhunix.uhcc.hawaii.edu>
To: jump-in-the-river@presto.ig.com
Subject: Sinead duets with [insert name here]
In-Reply-To: Your message of Wed, 20 Jul 94 13:02:13 CST
Message-Id: <CMM.0.90.2.774730086.bueno@uhunix3.uhcc.Hawaii.Edu>
Status: OR

>A while back I read an interview with Sting and he mentioned Sinead.
>He had said that he had really liked her music and that she reminded him of him
>self in his younger angrier days.

I think that was 1991 interview around the time of his Soul Cages album.
His interviewer quoted him as saying back in 1982, "If I had to choose between
friends and success, I'd most definitely choose success." (Or something like
that.)

>I always thought that a duet with Sting and Sinead would be nice; maybe
>"Wrapped around your finger".

How about "Children's Crusade" with a quotation of "Black Boys on Mopeds?"
:-)

BTW, How did her duet with Willie Nelson sound?


*************************************************************************
"Dance. Yougottadance. Aslongasthemusicplays. Yougottadance."
-- The Sheep Man (from Haruki Murakami's "Dance Dance Dance")
Greg Bueno                                   bueno@uhunix.uhcc.hawaii.edu
*************************************************************************


From jitr-request@presto.ig.com Thu Jul 21 07:38:43 1994
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Subject: DUET STING / SINEAD
To: ALLMUSIC@american.edu, JITR@presto.ig.com, BUENO@uhunix.uhcc.hawaii.edu
From: john van der vuurst  <J.V@elc3.cv.com>
Trace-To: J.V@elc3.cv.com
Date: Thu, 21 Jul 1994 16:14:16 +0200
Message-Id: <774785969.M19026@Relay.CV.COM>
Status: OR

Hi, Haruki,

I would not dislike the idea of Sting and Sinead having a duet together,
I rather like the idea to be honest. The both have got something
dramatic in their songs. Like you mentioned "Black boys on mopeds"
(Margreth T. on TV, Shocked by the deaths that took place in Beijing,
 Seems strange that she should be offended, the same orders are given
 by her.....Police who killed black boys on mopeds...) and "Children's
Cruisade" (of which I know some lines but not the complete text)

Why don't we form a group to bring the two of them together, in
a kind of Jamsession!?!

John van der Vuurst

----------------------+-----------------------------------+--------------------
                      |  ComputerVision   Building 70     |  J.V@ELC1.CV.COM
  John van der Vuurst |  P.O. Box 75025   1117 ZN         |  J.V@ELC3.CV.COM
                      |  Schiphol-east    The Netherlands |
----------------------+-----------------------------------+--------------------
            System Operations Support  MIS  J.W. van der Vuurst jr.
   TEL: ++31-(0)20-6033265 or ++31-(0)20-6033263  FAX: ++31-(0)20-6480650
-------------------------------------------------------------------------------
            I'm full of good itentions, like I never was before
  It's too late for preventions, but I do not think it's too late for the cure
             (Sinead O'Connor : I do not want what I haven't got)
------------------------------------------------------------------------------

Date: Wed, 20 Jul 94 8:48:06 HST
From: HIRAKU MAKIMURA <bueno@uhunix.uhcc.hawaii.edu>
To: jump-in-the-river@presto.ig.com

>A while back I read an interview with Sting and he mentioned Sinead.
>He had said that he had really liked her music and that she reminded him of him
>self in his younger angrier days.

I think that was 1991 interview around the time of his Soul Cages album.
His interviewer quoted him as saying back in 1982, "If I had to choose between
friends and success, I'd most definitely choose success." (Or something like
that.)

>I always thought that a duet with Sting and Sinead would be nice; maybe
>"Wrapped around your finger".

How about "Children's Crusade" with a quotation of "Black Boys on Mopeds?"
:-)

BTW, How did her duet with Willie Nelson sound?


*************************************************************************
"Dance. Yougottadance. Aslongasthemusicplays. Yougottadance."
-- The Sheep Man (from Haruki Murakami's "Dance Dance Dance")
Greg Bueno                                   bueno@uhunix.uhcc.hawaii.edu
*************************************************************************


From jitr-request@presto.ig.com Mon Jul 25 10:31:06 1994
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From: mryan@cosi.stockton.edu
Date: Mon, 25 Jul 94 13:24:48 EDT
To: jitr@presto.ig.com
Message-Id: <memo.144603@cosi.stockton.edu>
Subject: Ani DiFranco
Status: OR


This is to Carlton!!!
Your address would not work!

Ani DiFranco is awesome!
Anyone who listens to Ani and Sinead are pretty neat-o in my book!

Anyone who has never heard of Ani she is a woman from Buffalo NY, her lyrics
are wonderful and daring and exciting and unique and very woman oriented and
awesome and i can just go on!!

Ani does a lot of folk festivals, but unfortunately I have not been able
to see her. She has her own record label called Righteous Babe Records and
if you call the label you might get to hear her voice on the answering 
machine.  I did!! I was so excited! 

She is about 22 or 23 I think, maybe a bit older, and she recorded her first
album and made her own label when she was only nineteen!
My friend told me that she was an orphan and had a very hard life.

She is definately an artist to look up and listen to!
So look out for her and be aware, she will definately blow your mind!!

                                    peace
                                    love
                                       oonagh
                                         the irish maiden

"your bones have been my bed frame and your
 flesh has been my pillow..."
                   
                               Ani DiFranco

"trying to fight gravity
 on a planet that insists..."
                           Ani DiFranco

"the old woman behind the pink curtains
 and the closed door, on the first floor, 
 she is listening through the air shaft
 to see how long our swan song can last..."
                                       Ani DiFranco

 

From jitr-request@presto.ig.com Mon Jul 25 21:38:40 1994
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Date: Mon, 25 Jul 1994 21:25:26 -0700 (MST)
From: "Stephanie Dawn Straley" <45651@ef.gc.maricopa.edu>
To: jitr@presto.ig.com
Subject: Single Sinead???
Status: OR

After hearing of the article in ICE Newsletter, I went to Tower Records to
look at a copy myself.
They mentioned that John Reynolds helped out on the album, and they
referred to him as "her husband"  as far as I knew they were divorced
quite a while ago.  Has she been remarried or was this an uninformed
author???  Also, one of the songs on UM is titled "John I Love"

From B.HEROD@ais1.usc.edu Mon Jul 25 23:13:50 1994
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Date: Mon, 25 Jul 94 23:12:48 PST
From: "B.HEROD" <B.HEROD@ais1.usc.edu>
Subject: Sinead duets
To: <JITR-REQUEST@presto.ig.com>
Message-Id: <194072594.27578690@AIS1.usc.edu>
Status: OR

 
How about a duet between Sinead O'Connor and Stan Ridgway.  It's just
crazy enough to work!
 

-------

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From: THE RAT <bueno@uhunix.uhcc.hawaii.edu>
To: jitr@presto.ig.com
In-Real-Life: Greg Bueno
Subject: Sinead's vocal technique?
Message-Id: <CMM.0.90.2.775247105.bueno@uhunix3.uhcc.Hawaii.Edu>
Status: OR

I haven't touched my cassette collection in over a year. So I was quite
shocked to realize my brother had stolen my copy of "I Do Not Want..."
After stealing it back (he left it in his car), I played it. As I listened,
something alarmed me about Sinead's vocal technique.

Sinead has a very hazardous habit of gasping for her breaths. This is not
a good thing for the vocal chords. My voice teacher last semester said gasping
puts 50 lbs of pressure on the larynx. Now, imagine doing an entire tour
with that habit...

I hope Sinead has rectified this. It'd be our loss if something were to happen
to her voice, no? :-(


=========================================================================
"It's not my fault!" -- Various
Greg Bueno                                   bueno@uhunix.uhcc.hawaii.edu
=========================================================================


From MarcMarc@aol.com Wed Jul 27 05:00:11 1994
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To: jitr-request@presto.ig.com
Date: Wed, 27 Jul 94 07:58:22 EDT
Subject: Re: Sinead's vocal technique?
Status: OR

> Sinead has a very hazardous habit of gasping for her breaths. This is not
> a good thing for the vocal chords. My voice teacher last semester said
gasping
> puts 50 lbs of pressure on the larynx. Now, imagine doing an entire tour
> with that habit...

I agree... and it's a vocal technique I've personally never cared much for.

Marc


From jitr-request@presto.ig.com Wed Jul 27 12:44:09 1994
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From: orit@indigo.bgu.ac.il
Message-Id: <9407271806.AA28888@bengus>
To: jitr@presto.ig.com
Subject: Re:  Sinead's vocal technique?
Status: OR

Greg wrote

>As I listened,
>something alarmed me about Sinead's vocal technique.
>
>Sinead has a very hazardous habit of gasping for her breaths. This is not
>a good thing for the vocal chords. My voice teacher last semester said gasping
>puts 50 lbs of pressure on the larynx. Now, imagine doing an entire tour
>with that habit...
>
>I hope Sinead has rectified this. It'd be our loss if something were to happen
>to her voice, no? :-(

Well, she did say she was going to study opera or something.  Did she?

BTW, I'm even more worried about her smoking.  Don't want to hear her
as Marianne Faithful...

Orit

