From jitr-request@presto.ig.com Tue Jun  1 10:49:16 1993
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To: jitr
Subject: Re: Sinead in the Guardian 
In-Reply-To: Your message of Fri, 28 May 93 12:34:50 +0000.
             <"frigate.do.343:28.04.93.11.35.03"@doc.ic.ac.uk> 
Date: Tue, 01 Jun 93 11:49:49 -0400
From: jmd@bear.com
Status: OR



In your message you write:
    
    <stuff about speaking to sinead omitted>

Matthias, you might want to ask yourself what the purpose of this
communication which you desire is --  what needs does it serve?  I
doubt that there is anything new which she is likely to tell you
which has not already appeared in print.  My guess is that this
communication has a lot more to do with your own desires.  Why  
is it important for you to speak with her?  If it is just to be 
able to say "I met Sinead", or ask questions which have been asked
a thousand times, then I would urge you to leave the woman alone.
That's what she requests, and if you truly honor her, then you will
honor her request.


					Josh
					AKA Spidey!!!

--
You don't hunt ducks with a turnip! 

 /\ \  / /\  Josh Diamond                                          jmd@bear.com
//\\ .. //\\ AKA Spidey!!!                        ...!ctr.columbia.edu!ursa!jmd
//\((  ))/\\
/  < `' >  \                                              Do whatever it takes.

From jitr-request@presto.ig.com Wed Jun  2 02:26:58 1993
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To: jitr
Subject: Something's going wrong
Date: Wed, 02 Jun 93 10:23:46 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.410:02.05.93.09.24.11"@doc.ic.ac.uk>
Status: OR


Some of my mails to JITR have mysteriously disappeared or arrived in the
wrong order. So let me summarize the content again:
1. I won't make any attempts to meet her other than at the concert on
Saturday.
2. I met her on Monday at the PG concert. I had asked one of the staff to
tell her that I want to talk to her about her beliefs and nothing but her
beliefs. It would have been very easy for her to refuse. BUT SHE
DIDN'T. It was her entirely her own decision. The questions I asked had
not been asked before (at least none of them was answered in any
interview). I explained my point of view to her. I didn't wanted to bother
her for too long (there was a party about to start).
3. She knows that I will be in Dublin next Saturday. There are many
questions left. I will ask her to give me an address where I can send
letters to, so I don't have to bother her any more. Most of the questions
are better discussed in writing anyway.
4. I mentioned JITR (I didn't had the time to explain the details to her).
As I expected she referred to her management. I told her that it is
difficult to talk to these people and asked her to pass my business card
to them and to tell them to take the matter serious. She promised to do
that, although I'm not sure whether she really will - she seemed to be
rather fed up with anything concerning media/publicity. Thanks God I
didn't start the conversation with this subject.
Anyway, could somebody
write a sort of introduction to the Internet/News-Groups/Mailing-Lists and
explain what JITR is all about? It has to be understood by people who
haven't got a clue about computing. Try to explain what advantages it
would bring if we received regulary updated information from them, that we
can hold surveys etc. Be careful not to restrict the whole thing to her
music. And make sure that it doesn't look as if we idolized her.
I haven't got the time to do this. I've got other things to do until
Saturday :-)

I know that some of you will be jealous. Furthermore, if I want to get
anywhere I can't reveal all I know. It's exactly because I don't want to
cause her embarassment by making things public she didn't wanted to. I hope
you will understand this. Anyway, the very fact that I write this mail
should show you that I will keep you up to date. I just won't tell you all
the details. OK? I have to consider my next steps very carfully. I
wouldn't trust people I have talked to for just 5 minutes. And so will
she. So there is still a long way to go. I've already got more than I
expected though.


Matthias


---------------------------------------------------------------
Matthias Radestock	rade@freia.inf.tu-dresden.de
			mr3@doc.ic.ac.uk
---------------------------------------------------------------

PS: She's got her head shaved again.

From jitr-request@presto.ig.com Wed Jun  2 02:26:58 1993
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To: jitr
Subject: Something's going wrong
Date: Wed, 02 Jun 93 10:23:46 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.410:02.05.93.09.24.11"@doc.ic.ac.uk>
Status: OR


Some of my mails to JITR have mysteriously disappeared or arrived in the
wrong order. So let me summarize the content again:
1. I won't make any attempts to meet her other than at the concert on
Saturday.
2. I met her on Monday at the PG concert. I had asked one of the staff to
tell her that I want to talk to her about her beliefs and nothing but her
beliefs. It would have been very easy for her to refuse. BUT SHE
DIDN'T. It was her entirely her own decision. The questions I asked had
not been asked before (at least none of them was answered in any
interview). I explained my point of view to her. I didn't wanted to bother
her for too long (there was a party about to start).
3. She knows that I will be in Dublin next Saturday. There are many
questions left. I will ask her to give me an address where I can send
letters to, so I don't have to bother her any more. Most of the questions
are better discussed in writing anyway.
4. I mentioned JITR (I didn't had the time to explain the details to her).
As I expected she referred to her management. I told her that it is
difficult to talk to these people and asked her to pass my business card
to them and to tell them to take the matter serious. She promised to do
that, although I'm not sure whether she really will - she seemed to be
rather fed up with anything concerning media/publicity. Thanks God I
didn't start the conversation with this subject.
Anyway, could somebody
write a sort of introduction to the Internet/News-Groups/Mailing-Lists and
explain what JITR is all about? It has to be understood by people who
haven't got a clue about computing. Try to explain what advantages it
would bring if we received regulary updated information from them, that we
can hold surveys etc. Be careful not to restrict the whole thing to her
music. And make sure that it doesn't look as if we idolized her.
I haven't got the time to do this. I've got other things to do until
Saturday :-)

I know that some of you will be jealous. Furthermore, if I want to get
anywhere I can't reveal all I know. It's exactly because I don't want to
cause her embarassment by making things public she didn't wanted to. I hope
you will understand this. Anyway, the very fact that I write this mail
should show you that I will keep you up to date. I just won't tell you all
the details. OK? I have to consider my next steps very carfully. I
wouldn't trust people I have talked to for just 5 minutes. And so will
she. So there is still a long way to go. I've already got more than I
expected though.


Matthias


---------------------------------------------------------------
Matthias Radestock	rade@freia.inf.tu-dresden.de
			mr3@doc.ic.ac.uk
---------------------------------------------------------------

PS: She's got her head shaved again.

From jitr-request@presto.ig.com Wed Jun  2 05:53:45 1993
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Date: Wed, 2 Jun 93 05:51:53 -0700
From: slf@netcom.com (Sharon Fisher)
Message-Id: <9306021251.AA16904@netcom2.netcom.com>
To: mr3@doc.ic.ac.uk
Cc: jitr
In-Reply-To: Matthias Radestock's message of Wed, 02 Jun 93 10:23:46 +0100 <"frigate.do.410:02.05.93.09.24.11"@doc.ic.ac.uk>
Subject: Something's going wrong
Status: OR


   2. I met her on Monday at the PG concert. I had asked one of the staff to
   tell her that I want to talk to her about her beliefs and nothing but her
   beliefs. It would have been very easy for her to refuse. BUT SHE
   DIDN'T. It was her entirely her own decision. 

That seems like an appropriate way to gain her attention.

The questions I asked had
   not been asked before (at least none of them was answered in any
   interview). I explained my point of view to her. I didn't wanted to bother
   her for too long (there was a party about to start).

Uh, not to mention the fact that she probably does have other things
to do with her time.

   3. She knows that I will be in Dublin next Saturday. There are many
   questions left. I will ask her to give me an address where I can send
   letters to, so I don't have to bother her any more. Most of the questions
   are better discussed in writing anyway.

Good luck.

   4. I mentioned JITR (I didn't had the time to explain the details to her).
   As I expected she referred to her management. I told her that it is
   difficult to talk to these people and asked her to pass my business card
   to them and to tell them to take the matter serious. She promised to do
   that, although I'm not sure whether she really will - she seemed to be
   rather fed up with anything concerning media/publicity. 

I'm not terrbly surprised; she hasn't been treated kindly by the media lately.

   I know that some of you will be jealous. 

If you're chalking up the previous outcry about your messages to
'jealousy,' I think you're badly off base. 

Furthermore, if I want to get
   anywhere I can't reveal all I know. It's exactly because I don't want to
   cause her embarassment by making things public she didn't wanted to. I hope
   you will understand this. Anyway, the very fact that I write this mail
   should show you that I will keep you up to date. I just won't tell you all
   the details. 

Yeah, yeah, yeah. 

But at the same time you expect members of the list to write up an
introduction to the Internet for you, presumably just so we can go to
our graves satisfied that Sinead Read Our Words, Oh My!

   PS: She's got her head shaved again.

Not surprising; if she's having a concert she may feel that she had
to.  Oh well.

From jitr-request@presto.ig.com Wed Jun  2 06:36:31 1993
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To: jitr
Subject: Letter
Date: Wed, 02 Jun 93 14:31:18 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.221:02.05.93.13.31.44"@doc.ic.ac.uk>
Status: OR


In case I didn't expresss myself clear enough in my previous mail:

The letter I would like somebody of the list to write is for her
management and not for her. Having them on our side could improve the very
nature of this list considerably. If you think we don't need and don't
want any support from them let me know and I'll forget the whole thing.


Matthias

---------------------------------------------------------------
Matthias Radestock	rade@freia.inf.tu-dresden.de
			mr3@doc.ic.ac.uk
---------------------------------------------------------------

From jitr-request@presto.ig.com Wed Jun  2 09:26:58 1993
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From: Leonidas Hepis <lhep_ltd@uhura.cc.rochester.edu>
Message-Id: <9306021620.AA26090@uhura.cc.rochester.edu>
Subject: Re: Something's going wrong
To: slf@netcom.com (Sharon Fisher)
Date: Wed, 2 Jun 93 12:20:34 EDT
Cc: mr3@doc.ic.ac.uk, jitr
In-Reply-To: <9306021251.AA16904@netcom2.netcom.com>; from "Sharon Fisher" at Jun 2, 93 5:51 am
X-Mailer: ELM [version 2.3 PL11]
Status: OR

> 
>    I know that some of you will be jealous. 
> 
> If you're chalking up the previous outcry about your messages to
> 'jealousy,' I think you're badly off base. 

I don't think he's badly off base.  That some of you out there were
jealous was one of the first things that came to my mind.  Most of you,
if you saw Sinead shopping at the grocery store, would go over and
talk to her (unless you're very shy) but if someone else does it
it's called 'stalking' and we 'should leave her alone in her
privacy'.

I don't think Matthias ever wanted to be annoying, he was just
spelling out all the different options.  As he said, the last few
(or was it 4/5) were not going to give a good first impression
and why would he do it?   If I recall well, he emphasized very soon
that he didn't plan to resort to the stalking methods.

I think he's handling it fine, better than most of you would.

> 
>    PS: She's got her head shaved again.

(ok, I won't say it this time... :-)

-leo

-- 
"The longer I live the more I see that I am never wrong | Leonidas Hepis
about anything, and that all the pains I have so humbly |               
taken to verify my notions have only wasted my time."   | lhep_ltd@uhura
George Bernard Shaw (1856-1950)                         | .cc.rochester.edu

From jitr-request@presto.ig.com Wed Jun  2 09:38:47 1993
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Date: Wed, 2 Jun 93 09:36:35 -0700
From: slf@netcom.com (Sharon Fisher)
Message-Id: <9306021636.AA00472@netcom2.netcom.com>
To: lhep_ltd@uhura.cc.rochester.edu
Cc: mr3@doc.ic.ac.uk, jitr
In-Reply-To: Leonidas Hepis's message of Wed, 2 Jun 93 12:20:34 EDT <9306021620.AA26090@uhura.cc.rochester.edu>
Subject: Something's going wrong
Status: OR


   >    I know that some of you will be jealous. 
   > 
   > If you're chalking up the previous outcry about your messages to
   > 'jealousy,' I think you're badly off base. 

   I don't think he's badly off base.  That some of you out there were
   jealous was one of the first things that came to my mind.  Most of you,
   if you saw Sinead shopping at the grocery store, would go over and
   talk to her (unless you're very shy) but if someone else does it
   it's called 'stalking' and we 'should leave her alone in her
   privacy'.

Actually, no, I don't think I would.

Also, he wasn't talking about running into her at the grocery store,
but hanging around outside her house and her child's school.  That's
what I referred to as stalking.

From jitr-request@presto.ig.com Wed Jun  2 13:10:13 1993
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To: jitr
Cc: slf@netcom.com, lhep_ltd@uhura.cc.rochester.edu
Subject: Thanks
Date: Wed, 02 Jun 93 21:06:37 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.031:02.05.93.20.06.46"@doc.ic.ac.uk>
Status: OR


Thank you, Leo, for defending me.
But also thanks to Sharon for attacking me in the first place. I don't
think I would have come so far on Monday without you and I think it will
help me on Saturday as well. Actually I could imagine you (Sharon) as
being one of the women who formed a semi-circle at the peace rally in
Dublin to protect Sinead from reporters :) (see Guardian interview).
And to Leo. I think you're right. Most people on the list would attempt to
talk to her if they saw her. Sharon seems to be an exception (and I
believe her). But to all of us it hopefully became clear what actions are
considered reasonable and which are simply stupid. Anything which passes
the "Sharon test" will be received well by Sinead, I'm sure :)

I'll get a backstage pass for Dublin, BTW.

Is anybody out there willing to help me with the letter about
Internet/JITR ?


Again thanks to all who replied.


Matthias

---------------------------------------------------------------
Matthias Radestock	rade@freia.inf.tu-dresden.de
			mr3@doc.ic.ac.uk
---------------------------------------------------------------
Last chance to contact me is Thursday until 10pm (London time).
I'll be back on Tuesday evening, so you can expect an :-) or :-( in your
mail the next day.

From jitr-request@presto.ig.com Tue Jun  8 11:17:10 1993
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Message-Id: <9306081814.AA02809@hpl.lut.ac.uk>
From: Steev <S.Goodwin1@lut.ac.uk>
Subject: POP Profiles
To: jitr
Date: Tue, 8 Jun 93 19:14:12 BST
X-Mailer: ELM [version 2.3 PL0 (LUT)]
Status: OR

Hello folks ..

I'm not sure how many Amiga owners are out there, but those of you who
are may have heard about 'POP PROFILES'.

 These are PD discs which contain music, graphics and text about a 
particular artist or group. I have the (ahem) good fortune to be one of
the compilers for the project.

 I am therefore asking - do you have any writings that you would like to
submit? Any scanned/drawn graphics files? Or any cover versions of
Sinead's music? Nearly ANY format is acceptable, we've got several 
converters at our disposal.

 If so, please mail them to me (or point me to an FTP site). All the work
must be completely original (no re-hashes of a Daily Mail story from
1974 :) ) and mildly interesting to either a casual or die-hard fan.

 The articles can be about anything you like, album reviews, discographies
FAQ's, anedotes or background about their previous music projects or
private life. I'm not fussy.

 I hope to recieve piles of mail from you soon, so the discs can be sent
around the world (with YOUR name on it) very quickly. If you want to be 
included in the second batch, make sure I recieve your work by the 28th
of June.

Steev
S.Goodwin1@lut.ac.uk

Definition of Mistake: A correct assumption...

From mr3@doc.ic.ac.uk Thu Jun 10 02:53:24 1993
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To: mcb
Subject: Sinead interview
Date: Thu, 10 Jun 93 10:53:46 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.810:10.05.93.09.54.08"@doc.ic.ac.uk>
Status: OR


Here is the interview again which Sinead did with ITV. I've
corrected a couple of spelling mistakes. So it should be ready
to store at the ftp-site now.
---
Interview with the British TV station ITV.


Faith & Music : Sinead O'Connor			ITV 09/05/93


transcribed by Matthias Radestock 11/05/93
-----------------------------------------------------------------


"I'm not a liar and I'm not full of hatred, but I hate  lies  and
so the liars hate me.  But the war has started now and truth will
win."


<Don't Cry For Me Argentina>...

I was born in, well I wasn't born in but I lived in Glenagerry in
county  Dublin near the sea. I've an older brother, an older sis-
ter, then me, then my younger brother. And my  parents  separated
when I was quite young. My mother was a very violent woman, not a
healthy woman mentally at all. She was  physically  and  verbally
and  psychologically,  spiritually and emotionally abusive to all
of us. We were battered children  basically.  I  was  a  battered
child - well I am still, although I'm not being battered anymore.
So things were fairly spiritually devoid -  not  surprisingly.  I
was  born  on  the 8th of December which in this country is a na-
tional holiday. It's the feast of immaculate conception. So I al-
ways  felt  a  kind of a, you know, connection with the mother of
God anyway, because I always used to  get  these  birthday  cards
that my mother used to give me, with a lovely painting of the im-
maculate conception on it. But mostly I'd say the way I got  into
God  and - that was because of the circumstances I was growing up
under, because I was so frightened all the time and I was  so,  I
mean,   the  situation  we were growing up in was such hell, that
there was nothing that could possibly save us. So when  I  was  a
very young child I asked God to help me to get out of this situa-
tion and if he did I promised that I'd work for him as soon as  I
was able to and do whatever I could to belong to him and to serve
him - which I believe he did do and I believe he did get  me  out
of this situation and that he gave me the live that he gave me by
giving me my voice. It was my voice that got me out of  this  si-
tuation.  One of the ways of ensuring that we wouldn't get beaten
up was, would be, to sing to my mother, because if  we  sang  she
would  be  in good mood and all that stuff. So there was a lot of
singing going on.

<Troy live>...

I hold the church entirely responsible for the  circumstances  of
my childhood and for the circumstances under which a lot of Irish
children are growing up - Ireland being the country which has the
highest  statistic  in Europe of child abuse. I didn't get sucked
into Catholicism because I could see subconsciously  at  a  young
age, where it's only became conscious recently, that the cause of
my own abuse was the church's affect on this country,  which  had
produced  my  mother  through her own family, through the genera-
tions of her family which came down since the beginning of  time,
who  were of cause affected by what the British did in this coun-
try, which they couldn't have done without, and most people don't
know  this,  without  permission  from the Roman Catholic Church,
which is still available in writing for everybody to see that the
church  in  fact  used the English to do their dirty work in this
country. It was never the English that did it.  The  church  gave
permission to the English knowing that they had a policy of using
starvation as a means of controlling people  to  come  into  this
country.  And they gave this permission for money and in the name
of Jesus Christ.

...<Troy live>...

And what the English did was they took away our  right  to  speak
our own language. They paid the people who were starving to death
2 pounds to teach their children English and would ????  to  make
sure  that they couldn't speak Irish. They took away our right to
practice our own religion. They took away - that's the  most  im-
portant thing- our right to educate ourselves. Then what happened
was we were killed, like for trying to go to school.  We  had  to
hide  in  bushes  to  go to school. So what happened was that the
church then came in and set up the only schools that we were  al-
lowed  to  go to. And in those schools they told us lies. To this
day Irish children will be taught in  their  history  books  that
there was a famine in this country when in fact there was never a
famine in  this  country,  there  was a  potato  blight. But  the
British  doing the job for the Vatican, had made a law that Irish
people were only allowed to eat potatoes. All the  other  food  -
and  the  shipping  lists are still available for everyone to see
today- hundreds of tons of meat, fish, eggs, poultry, milk, well,
everything  else,  vegetables,  were  shipped  out of the country
under armed guard while the Irish people were starving to  death.
There  was never a famine, but yet still the Catholic Church, who
set up the only schools that we were allowed to go  to,  told  us
lies.  And  I  really believe that when you take people away from
the truth of their history you're not allowing - like we  weren't
allowed to be Irish, just as I would compare Ireland to an abused
child, just as the child wasn't allowed to be a child the  people
weren't  allowed  to  be Irish. And I think that the fact that we
were taken away form the truth of  our  history  and  what  we're
really  supposed  to  be  is  what made us manifest in our houses
domestic child abuse because of the frustration  of  not  knowing
who we were.

...<Troy live>...

My first album then, being called "The Lion  and  the  Cobra",  I
suppose  is  the  most  representative of what I'm talking about.
It's psalm 91 which says: 'For he will command  his  angles  con-
cerning you, to guard you in all your ways. They will lift you up
in their hands so that you will not strike your  foot  against  a
stone. You will tread upon the lion and the cobra; you'll trample
the great lion and the serpent.'. Basically: you gotta look after
you.  So  to me the Lion and the Cobra that needed to be trampled
on were the facts of my abuse and that's what the album was.

<Jerusalem live>...

I believe very much that the world is in this  awful  evil  state
that  it's in because we were taken away from God. The only thing
that can possibly save us is God. That's the only thing that  can
possibly  save  us.  And the only thing that will make us wake up
and realise that we've been lied to and even though, even  though
we  think  we believe in God, we don't. We're using God's name to
do all this evil.

...<Jerusalem live>...

I didn't believe for a long time, I found it hard  to  cope  with
the  idea, that Jesus was actually, you know, God manifested in a
human body. I do believe that that's true now, but I also believe
that Jesus Christ is actually a spirit. It's a sprit that can ex-
ist through all of us. That God lives inside us and that  we  can
bring that sprit that is Jesus Christ into the world through our-
selves, if we're in touch with our instincts, which  is  how  God
speaks  to  us  - through our instincts. And what they did was to
teach us to ignore all of our instincts so that we think God  was
outside.  They  brought  us up never to trust our emotions or our
feelings or our instincts. So what I believe is that Jesus Christ
is a spirit which lives inside all of us and which can be brought
into the world through all of us, basically. I also believe  that
the man himself, hmm, they say that the word Christ means 'a Pri-
est King', one who was a priest king, and I do  believe  that  he
was  and  actually by rights and by blood and by descent the king
of the Jewish people, the descendant of the royal house of David,
that  he was the king of Israel  which was at that time under oc-
cupation by the Roman Empire just as Ireland  was  at  that  time
we're  talking  about  by the British. And there is a lot of evi-
dence which suggests that he in fact led  an  armed  insurrection
against the Roman occupation of his country,  which i do believe.
Historically it's proven that crucifixion was only  a  punishment
for one crime, which was armed insurrection against the state. So
I believe that he did lead an armed insurrection as the  king  of
the Jewish people against the Roman state and it failed. I do be-
lieve that he was married,. There's no way that he wouldn't  have
been.  For  a  Rabbi not being married those days would have been
outrageous. Therefore I do  believe  that  he  had  children  and
therefore his descendants are still alive somewhere in the world,
yeah.

<Nothing Compares 2 U>...

When I wrote "ou estle roi perdu?" I wanted to see if they  might
respond  -  the  descendants  of that man who was the king of the
Jewish people, the descendants of the whole royal house of  David
where ever they may be. Because I believe very much that's like a
bad time they got off there asses, really, and come  to  help  us
all,  because  we're in trouble. I believe that God is gonna show
up in the next I'd say five years. And to me God  is  truth,  the
truth  of  everything  that  is  inside human beings but also the
truth of what's being going on throughout history.  And  I  think
the  way that God is gonna show up is through the truth being re-
vealed to us - there being physical prove of the  truth  that  we
haven't  known  up  until now. And I don't mean that I think, you
know, wooooooooo - God is going to show  up  like  some  kind  of
spirit,  you know, or a Jesus Christ. I think what will happen is
that the truth will be revealed and that's how  God  works,  that
God  is truth and nothing is hidden.  Of course  that will not be
revealed. That's what I mean when I say I think God is gonna show
up.  That there's going to be so much physical evidence, physical
prove to people that what we've been given to believing is a  lie
that  there won't be any way denying it. And therefore there will
be the immediate return to the Garden of Eden which is  the  cir-
cumstances  under  which  we  were  supposed to live in the first
place.

...<Nothing Compares 2 U>

<Three Babies>...

>From the time I was at very young age I used  to  run  away  from
home  a  lot  when I was really, you know, a ???? and that. And I
can remember wondering around the place by myself, singing to my-
self, yeah and making up songs to myself. Singing and writing for
me was a way of -  it started as protection obviously. It started
as a way of expressing my own pain and my own frustration which I
couldn't keep silent although everyone around me was  keeping  it
silent,  like, like we see happening in the public arena - people
keep quiet. They don't scream and shout, particularly about child
abuse.  What  happens  in  most  people's  houses is that there's
silence about it - the wall of silence. And I was  determined  to
keep  screaming  and  shouting,  because if I didn't I would have
died, I couldn't stand the feelings I had inside me. And I've al-
ways  been  that  kind  of person that I have to get it out or it
will kill me.

...<Three Babies>...

I did the album "Am I Not Your Girl" because I like the music but
principally  I  used  the  fact of being able to make an album of
music that I like, in order to  create  the  circumstances  under
which  I  could  conduct my own fight against what I see as being
evil. And the tools that I can use are  the  fact  that  I  am  a
famous  person  and  therefore can attract a lot of attention and
can create a lot of discussion, which I obviously did by  ripping
up the picture of the Pope.

<SNL>

I could never, never regret it now. I'm very proud that I did it,
I'm very happy that I did it. Because I understand both on an in-
dividual level and a social level why I did it. And I'm only sor-
ry  that  I hadn't done my therapy years ago so I would have been
able to survive that abuse without being  affected  by,  which  I
feel that I have very much been physically and emotionally, spir-
itually and psychologically affected by the abuse that  I've  ex-
perienced,  having  ripped  up  the picture. And I don't mean the
booing in Madison Square Garden, I mean general abuse. And  if  I
didn't  believe  in  God  I  would find that -  I do find it very
painful - the fact that I believe in God  allows  me  to  believe
that  it's  all OK. You know what I mean? That it all will be OK.
You know what I mean? Whereas, If I didn't, like,  I'd  be  dead.
But  actually speaking of that - I mean, the whole, Jesus, I came
that close to slitting my  throat,  THAT  close  to  slitting  my
throat. I never thought about suicide before the whole Pope thing
happened. I just couldn't deal with what - what they  were  doing
was  triggering  everything  because  I hadn't dealt with it. You
know what I mean? And really was - the amount of times  -   if  I
had  had something I would have slit my throat. Jake was the only
thing that stopped me from it, you know. If I didn't have a child
I would have killed myself way before now.

<My Special Child>...

He is quite special. And to me he's always been  a  comfort  even
when  he was a tiny baby. And that's what that song talks about -
times when I was really messed up. And he would just look  at  me
sometimes and just rub my face, like, and smile like me,  like he
know there was something up, and just smiled like  me  as  if  to
say: 'It's all cool, don't worry.'

...<My Special Child>...

I heard him saying as prayers in the church one day - we had been
in  Galway and he had been out walking in these farm that we were
staying on with these dogs. And I heard him saying this prayer in
the  church and he said: 'I hope you enjoyed the walk with me and
the dogs.' You know, to him. And I never said it to him.  To  him
God  is  something that is with him constantly. He went out for a
walk with the two dogs and God, as far as he was  concerned.  And
when  he  said  this prayers he said: 'Hope you liked the walk.',
which I think is really nice, the idea. If we remembered that God
is  something  that is with us that we're not by ourselves, we're
not on our own. You know what I mean? And for a little child like
him, I think it's amazing. I think he is a very special individu-
al. I think you gotta watch out for him. If you  think  I  was  a
troublemaker, fasten your seatbelts, Jake Reynolds is on the way.

...<My Special Child>

I was determined that I was going to be like a servant of God  by
serving  the  truth,  by  by, phhh, in my own individual as well,
which is not an easy thing to do - to face the truth in  oneself.
You  know what I mean? To be truthful. To always, always tell the
truth because I could see from a very young age, as I  said  ear-
lier  on,  that  what was happening in my house was happening be-
cause there was a lie. Somewhere there was a lie which  we  still
haven't found out yet but we will.

<Success Has Made A Failure Of Our Home>...

What that video is about; basically it was  the  explanation  and
reason  for  why  I did the whole thing, which was to expose that
fact that the persuade of material success has  resulted  in  the
manifestation  of  child  abuse which is destroying the world be-
cause all the evil is committed by those  of  us  who  have  been
abused  as  children  and  not dealt with it, and on one level or
another. Now, the reason for why we're pursuing money so much  is
because  Christ's  representatives  on  earth did it. They set us
that example. The ones who represented God told  us  that  that's
what  we ought to do. That's what they still tell us and continue
to tell us, by example. And that was the whole point which I  was
trying to make by making that song and making that album basical-
ly. And I was kinda worried that God was going to be really upset
with  me, like for doing this kind of stuff. But then I realised,
yeah I am angry. And I've every right to be angry. There's no way
I'm  going  to  shut my mouth. I'm a battered child and the whole
bloody world is going to know about it. The same as they're going
to know about every other battered child. They're not going to be
able to shut us up just because they don't want to hear about it.

...<Success Has Made A Failure Of Our Home>...

So being a Christian I have to do in any given situation  what  I
believe  Christ  would  have done, which is basically love people
and understand people no matter what they've done  or  no  matter
how  terrible the thing is they've done. And if that was put into
practice really that's the only way we could survive. And I'd say
that's what I've been trying to communicate. And that's what I've
used whatever power I had in order to try to  do.  And  the  only
power I did have was the fact that I'm a celebrity.

...<Success Has Made A Failure Of Our Home>

-----------------------------------------------------------------


-----------------------------------------------------------------
Matthias Radestock	rade@freia.inf.tu-dresden.de
			mr3@doc.ic.ac.uk
-----------------------------------------------------------------

From jitr-request@presto.ig.com Fri Jun 11 08:38:06 1993
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To: jitr
Subject: Sinead full page ad (forwarded)
Date: Fri, 11 Jun 93 11:36:39 EDT
From: Angelos Kyrlidis <kyrlidis@athena.mit.edu>
Status: OR


Hi,

This appeared in rec.music.misc, and I am forwarding it here for obvious 
reasons. 

From: pmoloney@maths.tcd.ie (Paul Moloney)
Subject: Sinead Whines....
Date: Fri, 11 Jun 1993 10:41:29 GMT

Full Page Advertisment on Page 9 of The Irish Times, Thursday, June 10, 1993

	My name is Sine'ad O'Connor.
	I am learning to love myself.
	I am deserving.
	I deserve to be treated with respect.
	I deserve not to be treated like dirt.
	I deserve to be listened to.
	I am a member of the human race.
	I deserve not to be hurt.
	My name is Sine'ad O'Connor.
	I am a woman.
	I have something to offer.

	I am and have always been carrying a lot of grief for my lost childhood.
	And for the effects of its horror and violence on my life.
	I am grieving the loss of my mother and father.
	I am grieving the loss of my brothers and sister.
	The division of my family.
	The loss of my SELF.
	My own inner child
	Who is really me.
	(Remember you do not know me).
	Who was tortured and abandoned and spat at and abused.
	Who has been beaten naken until she was bruised.

	Who has grown up with no sense of self-esteem.
	No sense of trust.
	No ability to be intimate
	and who therefore is in very great pain
	which needs to be looked at and worked through and expressed.
	So that I can be free of its effects on my life.
	Which are many and varied.
	I have been experiencing the need to be held.
	Which I have realized
	Is the governor of all my behaviours.
	Both productive and destructive.
	This is why I didn't show up on Saturday...

	I find it hard to be myself.
	To show my feelings.
	To get to the joy I need to release the pain which is blocking me.
	If I don't do this I will not survive.
	If I don't do this I'll never be the singer I am capable of being
	if only I can love myself.
	If only I can fight off the voices of my parents
	and gather a sense of self-esteem.
	Then I'll be able to REALLY sing.
	Which is what I want more than anything else in the world.
	Recovery has always been my only goal.
	I have used my voice
	in every way.
	It is my life.
	The only think I put even before my son.

	I've run away from the pain of not having been held
	For all my life.
	Until now.
	And when the feelings of loss came up this time
	I decided not to run away but to go with them.
	Feel them and release them
	So as to be free of them.
	I had to be myself.
	I couldn't deal with being "Sine'ad O'Connor" for the day.
	I have become very self-conscious and frightened
	as a result of being "famous"
	One doesn't see one's self reflected in the morror.
	I lost my Self.
	I cannot sing
	until I'm ready to be myself.

	And here's how you could help.
	Stop hurting me please.
	Saying mean things about me.
	I've been in public since I was only twenty.
	Still a very sad baby.
	But I could sing then
	because I wsn't frightened.
	I know I've been angry
	but I'm full of love really
	do you think you could stop hurting me?
	It is suffocating me.
	Please?

	It's an accident that I got "famous". But I think it proves that there
	are a lot of people out there like me.
	It is their pain, which they hear and see also in me -- being expressed
	which made them respond to that song or to my songs or my voice.
	I represent a group of people.
	Adult-Children we are called.
	Those of us who have lost our childhoods.
	We make up 96% of the human race believe it or not.
	We are in very great pain.
	Which if it is to be healed must be expressed
	Or we will continue to turn our grief inwards as we do
	until it becomes anger and we self-destruct.
	The ways in which we do that are also many and varied!

	What goes on in the sitting room goes on in the public arena.
	War in Tibet, war in Africa, war in Ireland, war in Bosnia.
	Do you know that the Serbian leader's
	parents killed themselves when he was only a nipper.
	And he is !acting out" the rage and grief he has never delt with.
	I swear to you that this is true.
	What have the other leaders been through?

	I've been trying to give this information.
	Because I know it can help the whole human situation.
	I was angry before because I was frightened.
	I know if you could really listen
	you'd see that we do not know what we are doing.
	When we mock the expression of human feeling.
	When we scoff at the sound of our children's keening.
	There is a mirror into which we are not looking.

	love
	Sine'aid O'Connor.

----------------------------------------------------------------------------

All I can say is :-( Poor Sinead...

Angelos
' Battered taxis in the marketplace, narrow streets, little alleyways 
  I was restless, kind of breathless, still trapped in the past' -Tom Robinson

From jitr-request@presto.ig.com Sat Jun 12 01:42:41 1993
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To: jitr
Subject: Sinead
Date: Sat, 12 Jun 93 09:40:26 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.628:12.05.93.08.40.40"@doc.ic.ac.uk>
Status: OR


OK, after she has explained herself I think it's time for me to tell you
the story (although I can't tell you everything):
Thursday (last week) evening Sinead rang up the Peace Together office here
in London to make arrangements for the stage setup in Dublin (io).
Friday morning the office received a fax from her saying "I have to pull
out for personal problems to great to overcome at the moment" (no exact
quote) (o).
Her management didn't know anything about that. (io)
The organizers still tried to get her to do it. (io)
Sinead had appeared on the concert of An Emotional Fish in Dublin on
Thursday. (o)
Despite the fact that she'd pulled out, the organizers didn't say a bad
word about her. They couldn't understand it, but believed that she must
have had reasons. (io)
Sinead also cancelled a appearance on a TV show which was to feature the
project on Sunday. (o)
Her crisis isn't that deep - she doesn't sit in her house crying all day,
still I'm a bit worried (for reasons I can't mention).

o...official information (e.g. taken from newspapers)
io..well, what shall I say...



---------------------------------------------------------------
Matthias Radestock	rade@freia.inf.tu-dresden.de
			mr3@doc.ic.ac.uk
---------------------------------------------------------------

Two remarkable things about the statement:
a) she doesn't mention God at all
b) she puts singing before her child Jake (I got a different impression
however, but when she says so...)

From jitr-request@presto.ig.com Mon Jun 14 02:37:57 1993
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To: jitr
Subject: Peace Together
Date: Mon, 14 Jun 93 10:36:41 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.918:14.05.93.09.37.06"@doc.ic.ac.uk>
Status: OR


I met the organizers again, on Saturday at the Fleadh Festival here in
London. They told me that they still want to stage two concerts in Belfast
and London, with Peter Gabriel and Sinead O'Connor (both had pulled out at
the last minute, for very different reasons though). They again confirmed
that even Sinead's management is just baffled by her actions. So they'll
make sure not to depend on Sinead's contribution this time. But again, no
bad word about Peter or Sinead. It just took the organizers some time to
realize that doing business with any of them is not the easiest thing to
do.

Aeeh, BTW in Dublin I also met a guy (musician) who had seen Sinead
playing an accoustic set in that very pub we were sitting in a couple of
weeks ago. Just imagine - you go to your local pub and suddenly Sinead
shows up with a guitar and starts to sing in front of 20 people !!! The
guy said that at that day he finally realized why she is a "star". It must
have been a very impressive performance (but hey, what else would you
expect from Sinead!).



---------------------------------------------------------------
Matthias Radestock	rade@freia.inf.tu-dresden.de
			mr3@doc.ic.ac.uk
---------------------------------------------------------------
"I don't associate myself with all of the people I can do without,
 Those who never leave me in any doubt
 That there selfish narrow lives are all they care about."
			--Anne Clark "World Without Warning"--

From jitr-request@presto.ig.com Mon Jun 14 08:32:11 1993
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To: jitr
Subject: General Support for Sinead
Date: Mon, 14 Jun 93 16:27:48 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.552:14.05.93.15.28.00"@doc.ic.ac.uk>
Status: OR


Sinead's statement was very well received in the Irish public. It was the
topic of the day on Thursday - at least in Dublin. Some people reportedly
started crying in public when they read it!! It seems that Sinead again
did exactly the right thing at the right time. There is a half-page
followup from a journalist in the Saturday issue of the Irish Times. Very
supportive too. She also mentioned that Sinead appeared on a radio-show
the other day, where people were given the opportunity to call in and ask
her questions. Again most of the callers supported her. Sinead reportedly
handled all the calls convincingly. So apparently she feels like appearing
in public again - she seems to have overcome the worst of the crisis.

At the "home front" there is support from her management, Chrysalis and
Ensign.
Her record contract is secure as well. She's signed to Ensign (and not to
one of the people who quitted the company two weeks ago). Ensign is
entirely owned by Chrysalis which in turn is owned by EMI.

So things look rather good. I'm relieved. Hey, I was in Dublin at the time
when she went through the worst part of her crisis. So you can imagine
that the impression I got of her left me with every reason to worry about
her. I can't quite understand why she got into this in the first place. At
was at the end of a week in which the audience at three concerts in Dublin
and London had welcomed her with a huge round of applause. So if that
didn't gave her a sense of self-esteem, what else can people do? So why,
WHY, WHY? Of course there are people who hate, abuse and hurt her, but
these people have been around all the time. So why this crisis? My only
guess is that something very personal must have happend. Something really
horrible. We'll probably never get to know.

The other thing is - she pleads for support, but on the other hand wants
to be left alone. So what? How can people express their support then?

I really would like to write to her and express my support, but I won't. I
won't because I don't know whether this would be the right way to do it.



---------------------------------------------------------------
Matthias Radestock	rade@freia.inf.tu-dresden.de
			mr3@doc.ic.ac.uk
---------------------------------------------------------------

BTW, is their still somebody subscribed to this list? Or am I writing this
stuff for myself?

From jitr-request@presto.ig.com Mon Jun 14 09:54:06 1993
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From: slf@netcom.com (Sharon Fisher)
Message-Id: <9306141654.AA19357@netcom2.netcom.com>
To: mr3@doc.ic.ac.uk
Cc: jitr
In-Reply-To: Matthias Radestock's message of Mon, 14 Jun 93 16:27:48 +0100 <"frigate.do.552:14.05.93.15.28.00"@doc.ic.ac.uk>
Subject: General Support for Sinead
Status: OR

Sometimes the best way to support someone is to leave them alone.

From jitr-request@presto.ig.com Mon Jun 14 13:36:42 1993
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From: Leonidas Hepis <lhep_ltd@uhura.cc.rochester.edu>
Message-Id: <9306142033.AA06993@uhura.cc.rochester.edu>
Subject: Re: General Support for Sinead
To: mr3@doc.ic.ac.uk (Matthias Radestock)
Date: Mon, 14 Jun 93 16:33:45 EDT
Cc: jitr
In-Reply-To: <"frigate.do.552:14.05.93.15.28.00"@doc.ic.ac.uk>; from "Matthias Radestock" at Jun 14, 93 4:27 pm
X-Mailer: ELM [version 2.3 PL11]
Status: OR

> The other thing is - she pleads for support, but on the other hand wants
> to be left alone. So what? How can people express their support then?
> 
> I really would like to write to her and express my support, but I won't. I
> won't because I don't know whether this would be the right way to do it.
> 

I don't know what's wrong with her anymore.   In the past I used to think
that her actions were justified because of what she's been through, but
her problems keep on going and going and going like that darn energizer
rabbit...  Has she ever considered *professional* help rather than trying
to deal with it on her own?  I would wish she'd get some so that she can
relax.  Let a professional advice her on how to deal with it.  I know
this will mean no more 'Troy's but I'd rather do without that than
have a favorite female singer who switches moods at remarkable speeds.

> BTW, is their still somebody subscribed to this list? Or am I writing this
> stuff for myself?

The latter. :-)

-leo
-- 
"The longer I live the more I see that I am never wrong | Leonidas Hepis
about anything, and that all the pains I have so humbly |               
taken to verify my notions have only wasted my time."   | lhep_ltd@uhura
George Bernard Shaw (1856-1950)                         | .cc.rochester.edu

From jitr-request@presto.ig.com Mon Jun 14 14:15:24 1993
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To: jitr
Subject: Re: General Support for Sinead 
In-Reply-To: Your message of Mon, 14 Jun 93 16:33:45 -0400.
             <9306142033.AA06993@uhura.cc.rochester.edu> 
Date: Mon, 14 Jun 93 17:13:24 EDT
From: Angelos Kyrlidis <kyrlidis@athena.mit.edu>
Status: OR


Leo writes:
>I don't know what's wrong with her anymore.   In the past I used to think
>that her actions were justified because of what she's been through, but
>her problems keep on going and going and going like that darn energizer
>rabbit...

Well, I guess some problems are more serious than others, and some people 
can learn to deal with them, while some people cannot. Apparently, Sinead
was not prepared for fame, and based on what she has said in the past, she
did not pursue fame, and thus was not prepared for what that brought along.

>I know this will mean no more 'Troy's but I'd rather do without that than
>have a favorite female singer who switches moods at remarkable speeds.

Have you heard of Happy Rhodes? But that wasn't the point. Sinead isn't a
marketing ploy of a record company, she's a human being. A remarkable, yet
troubled human being. I am ready to accept whatever she has to offer.

BTW, has the Peace Together single been officially  released in the US? I saw
imports of it a while back but the steep price made me reconsider buying it.

Angelos
-------
'cobwebs everywhere, it's time for a deep sweep...'- hAppy rHodes

From jitr-request@presto.ig.com Mon Jun 14 17:02:32 1993
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Date: Mon, 14 Jun 1993 16:54:42 -0700 (PDT)
From: jack b huynh <jhuy@garnet.berkeley.edu>
Subject: Re: General Support for Sinead
To: Matthias Radestock <mr3@doc.ic.ac.uk>
Cc: jitr
In-Reply-To: <"frigate.do.552:14.05.93.15.28.00"@doc.ic.ac.uk>
Message-Id: <Pine.3.05.9306141641.C1875-a100000@garnet.berkeley.edu>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Status: OR

of course there's still people subscribe to this list! = )

anyway, i heard some disturbing news about sinead from one of my friends.
apparently, sinead (supposedly) wrote a letter (something like angleos
sent) to the "big" newspapers in the U.S. asking for support and sympathy.
My friend said that the lent was "endorsed" by her agent/record companies.
of course I didn't believe it, but my friend sounded real serious about
it. i told her that it's totally out of sinead's character to write a
letter to the general public (to apologize or whatever reason). if anyone
knows anything about this, please enlighten me.

thanks

jack b huynh
as Peppermint Pig
90.7 KALX Berkeley

From jitr-request@presto.ig.com Mon Jun 14 18:43:27 1993
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Date: Mon, 14 Jun 93 21:41:28 -0400
From: Jeremy Corry <jcorry@erasure_sl.cc.emory.edu>
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To: jitr
Subject: Re: General Support for Sinead/Happy Rhodes
Status: OR

Well, I do think that Sinead has been seeing a therapist of some sort (or is it  
just hanging out with Peter Gabriel) considering how much psycho-babble her  
letter is filled with.  I truly sympathize with her.  And I am a HUGE fan, but  
I feel as leo, that I would rather have a stable Sinead without Troys than a  
manic-depressive Sinead who goes between Troy and Broadway standards.  Maybe  
someone could point her toward a therapist who puts her patients on the road to  
self-sufficiency and strength.

Angelos writes:
>Have you heard of Happy Rhodes? But that wasn't the point. Sinead isn't a
>marketing ploy of a record company, she's a human being. A remarkable, yet
>troubled human being. I am ready to accept whatever she has to offer.

>'cobwebs everywhere, it's time for a deep sweep...'- hAppy rHodes

What exactly do you mean about Happy Rhodes?  And what has happened to your  
shift key?  Something I don't know about ecto-woman and her record company?

Jeremy

----------------------------------------------------------------------------
Jeremy J. Corry                    | "You never know what you will be attracted 

jcorry@erasure_sl.cc.emory.edu     | to--or who you will love--till it happens 

NeXT mail welcome         __       | to you."    Jaye Davidson
                          \/                                             

     My opinions are my own, but I probably got them from someone else. 

----------------------------------------------------------------------------

From jitr-request@presto.ig.com Mon Jun 14 19:42:01 1993
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To: jitr
Subject: Re: General Support for Sinead/Happy Rhodes 
In-Reply-To: Your message of Mon, 14 Jun 93 21:41:28 -0400.
             <9306150141.AA00525@erasure.cc.emory.edu> 
Date: Mon, 14 Jun 93 22:41:49 EDT
From: Angelos Kyrlidis <kyrlidis@athena.mit.edu>
Status: OR


I wrote:
>Have you heard of Happy Rhodes? But that wasn't the point. Sinead isn't a
>marketing ploy of a record company, she's a human being. A remarkable, yet
>troubled human being. I am ready to accept whatever she has to offer.

>'cobwebs everywhere, it's time for a deep sweep...'- hAppy rHodes

Jeremy wrote:
>What exactly do you mean about Happy Rhodes?  And what has happened to your  
>shift key?  Something I don't know about ecto-woman and her record company?

My comment was in response to Leo's comment about no more overly emotional
Sinead songs, like 'Troy'. I believe that Happy Rhodes' songs have that quality
of exorcising personal demons through very emotional and personal lyrics
(at least they have the same effect on me as Troy) and thought I'd put in
a good word for her music. :-) Maybe Sinead should listen to Rhodes I and II
and Warpaint, I am sure they would make her feel better.
'Don't try to tell me there's no reason for any moment in time,
every memory of mine. Those years are lines of color on my face, 
my past is warpaint', for example is a good example of getting strength
from the past and not letting it haunt you, something Sinead should do, IMHO.

Ecto-woman has a rather intimate relationship with her record company (it's 
Kevin's, her SO's)... Shift key mishap? nope, just a leftover shield from 
old gaffa flame-wars kill files :-)

Angelos
	'Atmospherics after dark, noise and voices from the past 
	 Across the dial from Moscow to Cologne'-Tom Robinson

From jitr-request@presto.ig.com Tue Jun 15 02:43:03 1993
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To: jack b huynh <jhuy@garnet.berkeley.edu>
Cc: jitr
Subject: Re: General Support for Sinead
In-Reply-To: Your message of "Mon, 14 Jun 93 16:54:42 PDT." <Pine.3.05.9306141641.C1875-a100000@garnet.berkeley.edu>
Date: Tue, 15 Jun 93 10:38:34 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.484:15.05.93.09.39.11"@doc.ic.ac.uk>
Status: OR


>anyway, i heard some disturbing news about sinead from one of my friends.
>apparently, sinead (supposedly) wrote a letter (something like angleos
>sent) to the "big" newspapers in the U.S. asking for support and sympathy.
>My friend said that the lent was "endorsed" by her agent/record companies.
>of course I didn't believe it, but my friend sounded real serious about
>it. i told her that it's totally out of sinead's character to write a
>letter to the general public (to apologize or whatever reason). if anyone
>knows anything about this, please enlighten me.
>

So what's wrong with that? I mean, who is reading the Irish Times? So if
she really wants to "tell the world" it has to be published in other
papers as well. The Irish Times advert clearly was addressed to the
general public. It's not an apology though but rather she tries to explain
the mental state she's in. I don't know whether it works in the states,
but in Ireland it did. It was the best thing she could do. Some things you
can't express in songs or talk about - at least not that clearly.

and "..totally out of sinead's character.." - you seem to know more about
her character then she does herself.

From jitr-request@presto.ig.com Tue Jun 15 08:09:36 1993
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Date: Tue, 15 Jun 93 11:08:22 -0400
From: wparson@emoryu1.cc.emory.edu (William A. Parsons)
Message-Id: <9306151508.AA07597@emoryu1.cc.emory.edu>
To: jitr
Subject: fame
Status: OR


Angelos writes: 
>Apparently, Sinead was not prepared for fame, and based on what she has said
>in the past, she did not pursue fame.....

	I'm not intending to be snide about Sinead but I recall a rumor that
when she was touring with the Smith's around the time of the Lion and the
Cobra, she asked Morrissey how she could be more famous in the U.S.. He
supposedly told her to do something like shave her head and that would help
get her some attention. Has anyone else heard about this, or was it just some
stupid-ass rumor?
Later,
	Will

From jitr-request@presto.ig.com Tue Jun 15 12:48:19 1993
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From: hgwyn@magellan.geo.usherb.ca (Hugh Gwyn)
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To: jitr
Subject: re: fame
Status: OR



wparson wrote:
> ...something like shave here head and that would hlep
> get her somme attention.

I find this hard to beleive, because on the cover of 'Lion and Cobra' here
hair is already shriven.
-Fil

From jitr-request@presto.ig.com Wed Jun 16 02:49:25 1993
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To: wparson@emoryu1.cc.emory.edu (William A. Parsons)
Cc: jitr
Subject: Re: fame
In-Reply-To: Your message of "Tue, 15 Jun 93 11:08:22 EDT." <9306151508.AA07597@emoryu1.cc.emory.edu>
Date: Wed, 16 Jun 93 10:47:42 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.305:16.05.93.09.47.51"@doc.ic.ac.uk>
Status: OR


Rubbish,

she was bald well before she got signed to Ensign.

I actually heard that it was an accident. She was standing on the platform
and waiting for the train. Somebody had opened a door before the train was
standing. She was hit by the door and taken to hospital. That's where she
got her head shaved.

..sounds not to unlikely as one can still see a ? (don't know the English
word) at her head these days. Of course, why she didn't grow hair
afterwards is another story.


Matthias

From jitr-request@presto.ig.com Wed Jun 16 10:49:04 1993
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From: Leonidas Hepis <lhep_ltd@uhura.cc.rochester.edu>
Message-Id: <9306161746.AA10894@uhura.cc.rochester.edu>
Subject: Re: fame
To: mr3@doc.ic.ac.uk (Matthias Radestock)
Date: Wed, 16 Jun 93 13:46:46 EDT
Cc: jitr
In-Reply-To: <"frigate.do.305:16.05.93.09.47.51"@doc.ic.ac.uk>; from "Matthias Radestock" at Jun 16, 93 10:47 am
X-Mailer: ELM [version 2.3 PL11]
Status: OR

> she was bald well before she got signed to Ensign.
> 
> I actually heard that it was an accident. She was standing on the platform
> and waiting for the train. Somebody had opened a door before the train was
> standing. She was hit by the door and taken to hospital. That's where she
> got her head shaved.

Sorry, I don't buy this story unless Sinead says it herself.  If I
recall well from interviews or the book on Sinead, she shaved her head
because she thought that more people would listen to her message this
way.  If she was blonde, she said, with big breasts nobody would pay
attention to her lyrics.  She said she tried to make herself
unattractive so that people would pay more attention to her message
than her femininity.

> ..sounds not to unlikely as one can still see a ? (don't know the English
> word) at her head these days. Of course, why she didn't grow hair
> afterwards is another story.

Pretty much everyone of us has one of those 'scars' on our heads from
our childhood game-accidents.

-leo
-- 
"The longer I live the more I see that I am never wrong | Leonidas Hepis
about anything, and that all the pains I have so humbly |               
taken to verify my notions have only wasted my time."   | lhep_ltd@uhura
George Bernard Shaw (1856-1950)                         | .cc.rochester.edu

From jitr-request@presto.ig.com Wed Jun 16 11:47:49 1993
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          id <09253-0@frigate.doc.ic.ac.uk>; Wed, 16 Jun 1993 19:45:36 +0100
To: Leonidas Hepis <lhep_ltd@uhura.cc.rochester.edu>
Cc: jitr
Subject: Re: fame
In-Reply-To: Your message of "Wed, 16 Jun 93 13:46:46 EDT." <9306161746.AA10894@uhura.cc.rochester.edu>
Date: Wed, 16 Jun 93 19:45:18 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.255:16.05.93.18.45.38"@doc.ic.ac.uk>
Status: OR


I took this information from a book on Sinead too :) But my story would
explain how she got the idea to do exactly this - shaving her head. I
guess if a woman wants to look less attractive the first thought is not
necessarily to shave the hair. So my information explains how she got the
idea and your information explains why she still is bald. Nothing
contradictory. It doesn't matter anyway.

Matthias

BTW, Melody Maker printed the poem as well, but they split it in several
parts and added comments - positive though. They also had a statement of
Ali McMordie (one of the organizers of the Peace Together project). He
told MM basically the same he already told me in Dublin. That they were
disappointed but didn't feel any anger towards Sinead. He said that she
was the artist who contributed to the project more than anyone else. He also
thinks that she really was in big trouble at that day. The Belfast concert
will probably go ahead later this summer. But no line-up so far.

From jitr-request@presto.ig.com Wed Jun 16 12:16:57 1993
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To: jitr
Subject: Sinead in TIME
In-Reply-To: Your message of Wed, 16 Jun 93 19:45:18 +0100.
             <"frigate.do.255:16.05.93.18.45.38"@doc.ic.ac.uk> 
Date: Wed, 16 Jun 93 15:15:27 EDT
From: Angelos Kyrlidis <kyrlidis@athena.mit.edu>
Status: OR


The most recent TIME magazine (the one that at least in the US has the cover
about prostitution) has a cute little caricature of Sinead as the main theme
in the 'people' section. In the accompanying blurb they talk about her
involvement in the Shakespeare play, and make a rather silly comment about
her poem. 

If someone can scan the caricature and put it in the archives, it would be 
nice. 

Angelos
PS. I thought she shaved her head in protest to her label trying to sell her as
a Madonna clone.
-------
'if i sound bitter, it's because i'm alone under alien colors in an alien zone
 and though i speak the language, it isnt' my own, i really don't belong here'
							-TR

From jitr-request@presto.ig.com Thu Jun 17 04:25:45 1993
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To: jitr
Subject: Poem in US ?
Date: Thu, 17 Jun 93 12:22:32 +0100
From: Matthias Radestock <mr3@doc.ic.ac.uk>
Message-Id: <"frigate.do.368:17.05.93.11.23.53"@doc.ic.ac.uk>
Status: OR


Was Sinead's poem published in any of the newspapers in the US?
Was it published anywhere else than in the Irish Times at all?

Matthias

BTW, she payed about $20.000 from her own money for the ad to
ensure that it was printed exactly in the way she wanted it.

From jitr-request@presto.ig.com Mon Jun 28 00:17:39 1993
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Date: Mon, 28 Jun 93 02:14:53 -0500
From: Jason Boardman <boarjas@elof.iit.edu>
Message-Id: <9306280714.AA05405@elof.iit.edu>
To: jitr
Subject: FTP archive
Status: OR


Can some kind soul tell me the address of the Sinead archive..
I remember it moving a while back, but I lost the address...
I want to re-retreive one of the pics I scanned a while back
thanks

Jason

From boarjas@elof.iit.edu Mon Jun 28 09:31:22 1993
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Date: Mon, 28 Jun 93 11:32:27 -0500
From: Jason Boardman <boarjas@elof.iit.edu>
Message-Id: <9306281632.AA01038@elof.iit.edu>
To: jitr-request
Subject: New Discog
Cc: boarjas@iitmax.acc.iit.edu
Status: OR


I noticed that the JITR archive still has the old discog, here is
my newest revision.

------------------------------------------------------------------------
Sinead O'Connor discography:

Compiled by:  Jason Boardman
Special thanks to Adam Weitzman for his original discography,
to Inga McVicar for her valuable help, and to the Jump in the
River mailing list.

This revision:  April 30, 1993
________________________________________________________________________


I have started from scratch and included all Sinead O'Connor's
releases and projects that I am aware of.  If you know of any
recordings which are missing from this list please let me know.
I do know that there are many U.S. versions of most of the U.K.
singles here but I didn't have the full information on  them if
you do and there are differences in the tracks on the recordings
please mail the info to me.  Thanks.  Send all comments, additions, 
corrections, etc. to: boarjas@elof.acc.iit.edu.   I hope you find this
useful!
________________________________________________________________________



Full Length albums
------------------

The Lion And The Cobra     (1988)
   Jackie
   Mandinka
   Jerusalem
   Just Like U Said It Would B
   Never Get Old
   Troy
   I Want Your (Hands On Me)
   Drink Before The War
   Just Call Me Joe

I Do Not Want What I Haven't Got    (1990)
   Feel So Different
   I Am Stretched On Your Grave
   Three Babies
   The Emperor's New Clothes
   Black Boys on Mopeds
   Nothing Compares 2 U
   Jump In The River
   You Cause As Much Sorrow
   The Last Day of Our Acquaintance
   I Do Not Want What I Haven't Got

Am I Not Your Girl?   (1992)
   Why Don't You Do Right?
   Bewitched, Bothered, and Bewildered
   Secret Love
   Black Coffee
   Success Has Made A Failure of Our Home
   Don't Cry For Me Argentina
   I Want To Be Loved By You
   Gloomy Sunday
   Love Letters
   How Insensitive
   Scarlet Ribbons
   Don't Cry For Me Argentina (inst.)


CD Singles
----------

Mandinka CD Single (U.K.)  (ENYCD 611)  (1987)
   Mandinka 
   Drink Before The War
   Mandinka (instrumental dub version)
   Still Listening

I Want Your (Hands On Me)  CD Single  (U.K.) (ENYCD 613) (1988)
   I Want Your (Hands On Me)  (dance mix)
   I Want Your (Hands On Me)  (street mix)
   I Want Your (Hands On Me)  (edited version)
   Just Call Me Joe

Jump In The River  CD Single  (U.K.) (ENYCD 618) (1988)
   Jump In The River (duet with Karen Finley) 
   Jump In The River
   Never Get Old (Live Version)

Nothing Compares 2 U  CD Single (U.K.) (ENYCD 630) (1990)
   Nothing Compares 2 U
   Jump In The River
   Jump In The River (Instrumental)

The Emperor's New Clothes CD Single (U.K.) (ENYCD 633) (1990)
   The Emperor's New Clothes
   The Emperor's New Clothes (Hank Shocklee Remix)
   I Am Stretched On Your Grave (Apple Brightness Mix)
   I Am Stretched On Your Grave (Night Until Morning Dub Mix)

The Emperor's New Clothes CD Single (U.S.) (F2 23585) (1990)
   The Emperor's New Clothes (LP Version)
   The Emperor's New Clothes (Main Mix)
   What Do You Want?
   Mandinka (Jake's Remix)

Three Babies CD Single (U.K.) (ENYCD) (1990)
   Three Babies
   Damn Your Eyes
   Troy (Live version)
   The Value of Ignorance

My Special Child CD Single (U.S.) (F2 23733) (1991)
   My Special Child
   Nothing Compares 2 U (Live video version)
   The Emperor's New Clothes (Live video version)
   My Special Child (Instrumental Version)

Silent Night CD Single (U.K.) (ENYCD 652) (1991)
   Silent Night
   Irish Ways and Irish Laws

Success Has Made A Failure of Our Home CD Single (U.K. in two parts)
   Disc One  (ENYCDS 656)
      Success Has Made A Failure of Our Home
      You Do Something To Me
      I Want To Be Loved By You
   Disc Two (ENYCD 656)
      Success Has Made A Failure of Our Home
      My Heart Belongs To Daddy
      Someone To Watch Over Me

Don't Cry for Me Argentina CD Single (U.K. in two parts)
   Disc One (CDENYS 657)
      Don't Cry For Me Argentina
      Scarlet Ribbons (live)
      Love Letters
   Disc Two (CDENY 657)
      Don't Cry For Me Argentina
      Ave Maria
      Scarlet Ribbons (live)


12" Singles
-----------

Troy 12" Single (U.K.) (ENYX 610) (1987)
   Troy
   Still Listening

Mandinka 12" Single (U.K.) (ENYX 611) (1987)
   Mandinka (extended version)
   Mandinka (dub mix)
   Drink Before The War

Mandinka 12" Single (U.K.) (ENYXR 611) (1987)
   Mandinka (Jake's Remix)
   Mandinka
   Drink Before The War

I Want Your (Hands On Me) 12" Single (U.K.) (ENYX 613) (1988)
   I Want Your (Hands On Me) (dance mix)
   I Want Your (Hands On Me) (street mix)
   I Want Your (Hands On Me) (edited version)
   Just Call Me Joe

I Want Your (Hands On Me) 12" Single (U.S.) (4V9 43256) (1988)
   I Want Your (Hands On Me) (edit)
   I Want Your (Hands On Me) (street mix)
   I Want Your (Hands On Me) (dance mix)
   Just Call Me Joe (from a 1987 BBC Radio 1 session)

Jump In The River 12" Single (U.K.) (ENYX 618) (1988)
   Jump In The River (duet with Karen Finley)
   Jump In The River
   Never Get Old (live version)

Nothing Compares 2 U 12" Single (U.K.) (ENYX 630) (1990)
   Nothing Compares 2 U
   Jump In The River 
   Jump In The River (Instrumental)

The Emperor's New Clothes 12" Single (U.K.) (ENYX 633) (1990)
   The Emperor's New Clothes
   The Emperor's New Clothes (Hank Shocklee Remix)
   I Am Stretched On Your Grave (Apple Brightness Mix)
   I Am Stretched On Your Grave (Night Until Morning mix)

The Emperor's New Clothes 12" Single (U.S.) (V23569) (1990)
   The Emperor's New Clothes (Main mix)
   The Emperor's New Clothes (Radio Edit)
   I Am Stretched On Your Grave (Apple Brightness Mix)
   I Am Stretched On Your Grave (Night Until Morning Dub/Earthapella)

Three Babies 12" Single (U.K.) (ENYX 635) (1990)
   Three Babies
   Damn Your Eyes
   Troy (live version)
   The Value of Ignorance


7" Singles
----------

Troy 7" Single (U.K.) (ENY 610) (1987)
   Troy
   Still Listening

Mandinka 7" Single (U.K.) (ENY 611) (1987)
   Mandinka
   Drink before The War
   (also available in gatefold sleeve)

I Want Your (Hands On Me) 7" Single (U.K.) (ENY 613) (1988)
   I Want Your (Hands On Me)
   Just Call Me Joe

Jump In The River 7" Single (U.K.) (ENY 618) (1988)
   Jump In The River
   Never Get Old

Nothing Compares 2 U 7" Single (U.K.) (ENY 630) (1990)
   Nothing Compares 2 U
   Jump In The River

Nothing Compares 2 U 7" Single (U.K.) (ENYB 630) (1990)
   Nothing Compares 2 U
   Jump In The River
   (7-inch boxed set with poster and badge)

The Emperor's New Clothes 7" Single (U.K.) (ENY 633) (1990)
   The Emperor's New Clothes
   What Do You Want

The Emperor's New Clothes 7" Single (U.K.) (ENYB 633) (1990)
   The Emperor's New Clothes
   What Do You Want
   (7-inch boxed set with poster and postcards)

Three Babies 7" Single (U.K.) (ENY 635) (1990)
   Three Babies
   Troy (live version)

Success Has Made A Failure of Our Home 7" Single (U.K.) (ENY 656) (1992)
   Success Has Made A Failure of Our Home
   You Do Something To Me

Don't Cry For Me Argentina 7" Single (U.K.) (ENY 657) (1992)
   Don't Cry For Me Argentina
   Ave Maria


Appearances on other albums
---------------------------
The Edge
   Soundtrack to CAPTIVE.  Vocals/Lyrics on "Heroine"
   Also a 12" Single of Heroine (Mix I & II)

VariousArtists
   Soundtrack to Married to Mob.  "Jump In The River"

Various Artists
   STAY AWAKE.  (Interpretations of various Disney Songs)
   "Someday My Prince Will Come"

The The
   Mind Bomb.  Backup vocals on "Kingdom of Rain"

Various Artists
   New Route Sampler cassette.  "Nothing Compares 2 U"

Waters, Roger (+other artists)
   The Wall: Live in Berlin.   "Mother"

Various Artists
   Red Hot + Blue.   "You Do Something to me."

World Party
   Private Revolution.  Backup vocals on "Hawaiian Island World"

World Party
   Goodbye Jumbo.  Backing vocals on "Sweet Soul Dream"

Wobble, Jah and the Invaders of the Heart
   Rising Above Bedlam.  Backing vocals on "Visions of You"
   12" Single Also Available for Visions of You with many mixes.

Wobble, Jah and the Invaders of the Heart
   The Ungodly Kingom EP.  Vocals on "Josey Walsh"

Various Artists
   Two Rooms (Elton John/Bernie Taupin tribute).  "Sacrifice"

Various Artists
   Never Mind The Mainstream (MTV 120 Minutes Compilation) "Mandinka"

Gabriel, Peter
   US.  Sinead sings backing vocals on one track.

In Tua Nua
   (Album unknown).  Vocals on "Take My Hand" (1984)
   This is her first recording.

Ton Ton Macoute
   (Songs and Albums unknown, Sinead sang with this band before her
    solo career)


Bootleg Albums
--------------

Live At The Paradise (1988)
   Jackie
   Mandinka
   Never Get Old
   Just Like U Said It Would B
   Jerusalem
   Smith's Song
   Just Call Me Joe
   I Want Your (Hands On Me)

The Lion and The Cage (RPCD 1016) (1990)
   Feel So Different
   The Emperor's New Clothes
   I Want Your (Hands On Me)
   Three Babies
   Black Boys On Mopeds
   Donald - O
   I Am Stretched On Your Grave
   The Last Day of Our Acquaintance
   Jump In The River
   Jerusalem
   Mandinka
   Black Is The Color of My True Lover's Hair
   The Value of Ignorance

Beatiful Vision (KTS) (1990)
   Feel So Different
   Emperor's New Clothes
   I Want Your (Hands On Me)
   You Cause as Much Sorrow
   Three Babies
   Black Boys on Mopeds
   The Last Day of Our Acquaintance
   Nothing Compares 2 U
   Jump In the River
   Jerusalem
   Mandinka
   Troy


Promotional Use Only Releases
-----------------------------

Jerusalem 12" Promo Single (U.S.) (VAS 1062) (1988)
   Jerusalem (on both sides)

Jump In The River  12" Promo Single (From Married To The Mob
Soundtrack) (U.S.) (4V9 43309) (1988)
   Jump In The River
   Jerusalem
   Jump In The River (duet with Karen Finley)

Special Remixes For Clubs 12" Promo Single (U.S.) (SPRO 23568) (1990)
   The Emperor's New Clothes (Main Mix)
   The Emperor's New Clothes (Dub Mix)
   The Emperor's New Clothes (Instrumental)
   I Am Stretched On Your Grave (Apple Brightness Mix)
   I Am Stretched On Your Grave (Night Until Morning Dub)
   I Am Stretched On Your Grave (Earthapella)

Note:  I am sure there were many more promos issued, these are the only
       ones that I'm sure exist.


Videos
------

The Value Of Ignorance (live concert video)   (1989)

The Year of The Horse (live concert video)  (1991)

Never Mind the Mainstream (MTV 120 Minutes Video Sampler)   (1991)
   "Mandinka"

The Wall: Live In Berlin video
   "Mother"

Red Hot + Blue video
   "You Do Something To Me"


_______________________________________________________________________

There you have it!  So far I haven't heard of any 12" singles released
from "Am I Not Your Girl?" in either the US or UK.  As always, please
send me any items that I have left out so I may include them (there are
probably many more in the Special Appearances section).  Also if you
have any Sinead related questions, feel free to mail them to me at:
boarjas@elof.acc.iit.edu

Until next revision!

-- Jason Boardman

