From jitr-request@presto.ig.com Mon Feb  4 15:09:44 1991
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From: Ron Buckmire <prince@rpi.edu>
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Date: Mon, 4 Feb 91 17:59:54 EST
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To: jitr, rec.music.misc@rpi.edu
Subject: Sinead forfeits GRAMMYs?
Status: OR


Anyone know any more about the fact that Sinead has removed herself from 
contention in the forthcoming GRAMMY award ceremonies in order to protest 
the increasing commercialism in the music industry?? It may be a rumour but
I would like to know if anyone has heard it, too.


                               Ron Buckmire
prince@rpitsmts.bitnet        prince@rpi.edu       uunet!rpi.edu!prince
"Somewhere between Kate Bush and Madonna." - Sinead O'Connor, about her music.


From jitr-request@presto.ig.com Mon Feb  4 15:31:37 1991
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From: Philip Wu <phwu@vancouver.osiware.bc.ca>
To: jitr
Message-Id: <9102041915712715*phwu@vancouver.osiware.bc.ca>
Subject: Re: Sinead forfeits GRAMMYs?
Return-Receipt-To: Philip Wu <phwu@vancouver.osiware.bc.ca>
Status: OR

Yes, I heard it also.  She is supposedly the first "conscientious objector"
in the history of the Grammy awards.  Sinead says she is doing it because of
the commercialism of the music industry as well as the war in the gulf. Does
anyone know anything more?


Phil Wu
phwu@vancouver.osiware.bc.ca


From jitr-request@presto.ig.com Tue Feb  5 00:20:39 1991
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From: Tracy Roberts <tracyr@sco.com>
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To: jitr
Subject: Re: Sinead forfeits GRAMMYs?
Date: Mon, 4 Feb 91 18:09:16 PST
Message-Id:  <9102041809.aa10117@gyroscop.sco.COM>
Status: OR


Ron, I read it in the San Francisco Chronicle, if that substantiates
the rumor any.

Frankly, my patience is starting wear thin with Sinead's postured
rebelliousness and anti-establishment-ism.  Get a life, Sinead!
And stop taking yourself so damn seriously!

I thought the spoof of her on SNL was *hilarious*.  

Tracy
uunet!sco!tracyr,
tracyr@sco.com


From jitr-request@presto.ig.com Tue Feb  5 05:08:08 1991
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From: mikey%amnesia.uucp@theory.tn.cornell.edu (Uncle Mikey)
To: jitr
Subject: Re: Sinead forfeits GRAMMYs?
Date: Tue, 5 Feb 91 07:52:46 EST
Organization: Hertz Rent-a-Life
Reply-To: mikey%amnesia.uucp@theory.tn.cornell.edu
Message-Id: <0101002C.poky97@amnesia.tcnet.ithaca.ny.us>
X-Mailer: uAccess - Mac Release: 1.0.3
Status: OR


In Regards to your letter <9102041809.aa10117@gyroscop.sco.COM>:
{Frankly, my patience is starting wear thin with Sinead's postured
{rebelliousness and anti-establishment-ism.  Get a life, Sinead!
{And stop taking yourself so damn seriously!

I must to disagree in this case. The Grammys ARE overly commercial (so are
the Oscars, the Emmys, and now the ACE awards for that matter). What was intended
as a forum for professionals of the field to gather to congratulate and celebrate
each others achievements has turned into a media event and ratings-maker in
and of itself, and this is wrong. If Sinead doesn't feel that an award given
for such blatantly commercial reasons is worth having, and actually has the
courage to decline it, power to her! It's about time someone flipped the award-selecting
groups the bird!

If I understand her correctly, Sinead's main point is she doesn't WANT celebrity,
and doesn't really know how to deal with it. She wants to make her music,
and if people want to publish it and other people want to buy it that's really
great, but don't pester her about it 'cos it's STILL her life. You tell her
to "get a life." I reply that she's already GOT one and is trying desperately
to KEEP it.

MSS
=-=


From jitr-request@presto.ig.com Tue Feb  5 07:52:12 1991
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Date: Tue, 5 Feb 91 15:32 WET
From: bjh <B_HAUGHEY@ccvax.ucd.ie>
Subject: RE Emmy controversy
To: jitr
Message-Id: <C378E93579BFA0DA3A@ccvax.ucd.ie>
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Status: OR


Mikey says :
>In Regards to your letter <9102041809.aa10117@gyroscop.sco.COM>:
>{Frankly, my patience is starting wear thin with Sinead's postured
>{rebelliousness and anti-establishment-ism.  Get a life, Sinead!
>{And stop taking yourself so damn seriously!
>  [stuff deleted]
>If I understand her correctly, Sinead's main point is she doesn't WANT
> celebrity,


I also liked Sinead's music and put up with her early outbursts, figuring
that she was either immature and would grow up, or being picked upon by a
hostile media.

However, I now see that I was mistaken. She is an idiot, continually
seeking publicity with her moronic outbursts which are lapped up by a
press that feeds on controversy. What else but childish petulance,
publicity seeking and plain immaturity can explain the rows she's
being involved in :

          the national anthem affair
          the Sinatra episode
          I love my husband / I'm leaving my husband / etc
          Prince is a great guy / I was raped by Prince
          Perform at one major award ceremony / Reject another
         ...to name but a few.

It's an easy copout to say that she's harassed by the media. If she thought
more about what she said, and spoke less, she wouldn't have the same
problem. Are Kate Bush, Sting, Peter Gabriel, etc etc "harassed" ?

Regards, bjh

Internet : b_haughey@ccvax.ucd.ie      "There's no future in time travel"


From jitr-request@presto.ig.com Tue Feb  5 08:08:00 1991
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Date: Tue,  5 Feb 91 08:07:33 -0800 (PST)
From: Christopher Dow <dow@presto.ig.com>
To: jitr
Subject: Re: RE Emmy controversy
In-Reply-To: <C378E93579BFA0DA3A@ccvax.ucd.ie>
References: <C378E93579BFA0DA3A@ccvax.ucd.ie>
Status: OR

	I'm really sick of people who are sick of Sinead.  She _is_ political,
so is  here music, if you would listen to it.  She was definitely
misguided and immature on here first tour through the U.S., but on the
second tour, she had changed a lot, and gotten rid of the primary source
of controversy from the first tour (her manager).  To say that she just
does these things for publicity shows that you don't really listen to
here music.  If she were to behave any differently, she would be accused
being an insincere songwriter.  
	
>          the national anthem affair
	So what?  It's certainly not _her_ national anthem and at the time, her
favorite music groups were being censored in areas which traditionally
have racist tendencies, _and_ all that NEA crap with Sen. Helms, et al
was going on.
>          the Sinatra episode
	C'mon.  Sinatra is a mafioso fuck who brutalizes women.
>          I love my husband / I'm leaving my husband / etc
	The lead time (once an article is finished) is two months for a
magazine.  In two months time, I went from marital bliss (I thought) to
wanting to do _anything_ to get out of my marriage.
>          Prince is a great guy / I was raped by Prince
	Where have you heard about this, other than in this mailing list?  Did
anyone _ever_ verify that this was anything but a 
>          Perform at one major award ceremony / Reject another
	As far as I know, the MTV awards are the only ones which do not have a
history of bribery and overcommercialization (and that is changing
_fast_).  
	
	
	
Chris Dow                             IntelliGenetics
Software Engineer                     700 East El Camino Real
icbmnet: 37 22' 39" N, 122 3' 32" W   Mountain View, Ca. 94040
dow@presto.ig.com                     (415) 962-7320


From jitr-request@presto.ig.com Tue Feb  5 08:22:22 1991
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From: bjh <B_HAUGHEY@ccvax.ucd.ie>
Subject: RE Emmy controversy
To: jitr
Message-Id: <C378E93579BFA0DA3A@ccvax.ucd.ie>
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Status: OR


Mikey says :
>In Regards to your letter <9102041809.aa10117@gyroscop.sco.COM>:
>{Frankly, my patience is starting wear thin with Sinead's postured
>{rebelliousness and anti-establishment-ism.  Get a life, Sinead!
>{And stop taking yourself so damn seriously!
>  [stuff deleted]
>If I understand her correctly, Sinead's main point is she doesn't WANT
> celebrity,


I also liked Sinead's music and put up with her early outbursts, figuring
that she was either immature and would grow up, or being picked upon by a
hostile media.

However, I now see that I was mistaken. She is an idiot, continually
seeking publicity with her moronic outbursts which are lapped up by a
press that feeds on controversy. What else but childish petulance,
publicity seeking and plain immaturity can explain the rows she's
being involved in :

          the national anthem affair
          the Sinatra episode
          I love my husband / I'm leaving my husband / etc
          Prince is a great guy / I was raped by Prince
          Perform at one major award ceremony / Reject another
         ...to name but a few.

It's an easy copout to say that she's harassed by the media. If she thought
more about what she said, and spoke less, she wouldn't have the same
problem. Are Kate Bush, Sting, Peter Gabriel, etc etc "harassed" ?

Regards, bjh

Internet : b_haughey@ccvax.ucd.ie      "There's no future in time travel"


From jitr-request@presto.ig.com Tue Feb  5 09:03:40 1991
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From: rickh@metaware.com (A mere flash in the pan)
Message-Id: <9102051645.AA10489@sol.metaware.com>
To: jitr
Subject: Re: Sinead forfeits GRAMMYs?
Status: OR

Ron Buckmire sez:
>Anyone know any more about the fact that Sinead has removed herself from 
>contention in the forthcoming GRAMMY award ceremonies in order to protest 
>the increasing commercialism in the music industry?? It may be a rumour but
>I would like to know if anyone has heard it, too.

Then Phil Wu sez:
>Yes, I heard it also.  She is supposedly the first "conscientious objector"
>in the history of the Grammy awards.  Sinead says she is doing it because of
>the commercialism of the music industry as well as the war in the gulf. Does
>anyone know anything more?

Tracy Roberts (also from Santa Cruz!) sez:
>Ron, I read it in the San Francisco Chronicle, if that substantiates
>the rumor any.
>
>Frankly, my patience is starting wear thin with Sinead's postured
>rebelliousness and anti-establishment-ism.  Get a life, Sinead!
>And stop taking yourself so damn seriously!

But then she wouldn't be Sinead, eh?

In the article in the Chronicle the reporter spoke to both SoC and some
spokesman for the Grammies.  Sinead basically said it made her kind of
sick that all of these people get together in this fatuous, self-serving
orgasm of ego stroking while people are getting shot.  And I suppose I
can see her point.  The Grammies are basically fairly silly and trivial.
They've a long history of rewarding the latest "hot" fad band, while neg-
lecting really talented bands (How many awards will M.C. Hammer get?  How
many have the Replacements gotten?).  But on the flip side, Sinead got
her "first" exposure (minus, of course, all the people who were already
listening to her) on the '89 Grammies show.  The Grammies spokesman pointed
this out.  So it's not *all* crap.

My guess is just that she felt bad about being part of something she saw
as being superfluous, while everybody else was pretending it was some big
deal.

>I thought the spoof of her on SNL was *hilarious*.  
>
>Tracy

Yeah, it was pretty outrageous!  Jan Hoek was the one who played her, right?
BTW, did anyone hear something about SoC apologizing for not appearing on the
SNL with Andrew Dice Clay?  Apparently she later felt bad, and said that ADC
had just as much right to be a macho ass as she did to be a belligerent femin-
ist.

                                          -[1;5mEcho[0m
                                           [1mThe Potato-Salad-Eatin' Fool.[0m
[1mINTERNET:[0m rickh@metaware.com               AT&T: (408) 427-9814 home
[1mUUCP:[0m     uunet!metaware!rickh             (408) 429-6382 x3086 work

Join the Flat-Fields mailing list!  Bauhaus, Love-n-Rockets, and more!
Send mail to Flat-Fields-Request@ucscb.ucsc.edu.


From jitr-request@presto.ig.com Tue Feb  5 09:57:32 1991
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Date: Tue, 5 Feb 91 12:56:29 -0500
From: Larry DeLuca <henrik@eddie.mit.edu>
Message-Id: <9102051756.AA20933@EDDIE.MIT.EDU>
To: jitr
Status: OR

My own feelings about Sinead O'Connor's recent dislike for just about everything
are very mixed.  On the one hand, I can sympathize - to see oneself in a 
position of visibility can lead to feeling an incredible burden to try to
influence events in the world as much as possible, and to try to make as many
stands as possible on issues that are important.  Furhter, I don't know how
well I would deal with fame and fortune if it ever foisted itself upon me.

On the other hand, however, the increasing disdain I feel for the 
music-industry-professional-turned-brat-princess slowly edges up even on
my enjoyment of her music and her art.  While it will be very difficult
to diminish her stature as an artist in my eyes (at least from the point
of view of her studio recordings), she behaves very badly much of the time.
When I saw her on "The Lion and The Cobra" tour, she gave the audience her
all - it was indeed stunning.  The music spoke eloquently, and she said
very little outside of that context.  Now, however, she's turned in a
great number of second-rate performances (including the abysmal _Saturday
Night Live_ episode), walked off the stage for reasons ranging from "tired"
to sheer boredom, and has on at least one occasion (the big NJ concert)
put concert promoters on the spot in an extremely unfair way because of
a whim.

This is not to say that I feel the national anthem should be played before
a concert - I found it as offensive and out-of-place as O'Connor did.  However,
if you feel so strongly about something such as that it does well to 
check out the situation beforehand - walking in five days before a show
and issuing an ultimatim such as she did was blatantly unprofessional.

The more causes she trumpets, the less her voice is heard for any of them.
While she will always have some following, many fans voted with record
sales after the 'Star-spangled banner' incident - "The Emperor's New Clothes"
rapidly fell right off the charts.

I like her music.  I even agree with a lot of her politics.  However, her
unprofessional attitude will help neither her music nor her politics.

					larry...


From jitr-request@presto.ig.com Tue Feb  5 11:34:11 1991
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Resent-From: mcb@presto.ig.com (Michael C. Berch)
Subject: Fw: Grammy's
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From: Matt Cheselka <dione@argus.lpl.arizona.edu>
Subject: Grammy's
To: jitr-request
Message-Id: <9102051745.AA10976@argus.lpl.arizona.edu>
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Status: OR



I have found that SOC and I share similar feelings about most everything...at
least from what I've heard from her.  We are also about the same age.  That may
not mean very much, but our viewpoints may be similar.  

In my opinion, she has every right to pull her name if she wants...and so does
anyone else.  With respect to her language, all I can say is that sometimes
you have to say some pretty nasty things to get your point across.  SOC's
non-appearance at the Grammy's will never stop the Grammy's, but maybe with
opinions like her's (and mine) some may think about the things she does say.

What she needs to do is stay consistent.  It is very hard to be consistent at
our age, but it is possible.  There is so much crap happening in the world.
Some bad, but also quite a bit of good.  The problem is that the bad seems
more important to many people...and of course people need to see the good and
the bad in order to make correct judgements.  The problem is is that we almost
always only see the bad...and none of the good. 

It is up to us to make the bad good and the good better.  Three cheers for
ANYONE who tries to do that...I lift my glass to Sinead O'Connor.

Matt Cheselka


From jitr-request@presto.ig.com Tue Feb  5 17:45:44 1991
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From: ST101937@brownvm.brown.edu
Subject:      Re: Fw: Grammy's
To: JITR
Status: OR

      Does anyone know if SoC is working on a new album?


From jitr-request@presto.ig.com Tue Feb  5 18:55:53 1991
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To: jitr
Subject: SOC,Grammies, etc
Date: Tue, 05 Feb 91 21:55:04 EST
Status: OR


>From: ST101937@brownvm.brown.edu
>Subject:      Re: Fw: Grammy's

>      Does anyone know if SoC is working on a new album?

Now that's a better question! 

Sinead is 24 years old. She happens to be talented and has an excellent
voice. Why do people expect her to be 'perfect'? She has her whims and
she basically humours the press and the whole world by being unpredictable.
I have to admit that leaving a concert hall full of fans after 4 songs is
really disgusting (did she really do that? What 4 songs had she played?)
but she has the right to express her opinions, just like everybody else
does. And people change. Sting in a recent Rolling Stone interview
admitted that he was the "Sinead of his time", when asked about an 
interview he gave in the early 80's, where he said that his whole family
was a bunch of losers... Now he regrets having said that. I'm sure that
in 10 years from now, if Sinead is still around making music, she will
have matured and realized that when the whole world was watching she
should have been more careful with her mouth! But then maybe not.
This is really a hopeless topic of discussion.

And now a different question, that I should have asked about 10 days ago.
 What was the set list in 'The year of the horse'?

Catch you later,

Angelos


From jitr-request@presto.ig.com Wed Feb  6 03:59:18 1991
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From: Glynn Anderson <GPANDERSON@cs.tcd.ie>
Subject: Sinead boycotting award ceremonies.
To: jitr, GANDRSON@cs.tcd.ie
X-Vms-To: IN%"jitr@presto.ig.com"
Message-Id:  <9102061153.aa09317@macneill.macneill.cs.tcd.ie>
Status: OR

	Sinead has now said she will boycott Ireland's national music award 
ceremony as well as the Grammys, in protest at the Gulf War and Ireland's 
support of the Allies.

--
Glynn Anderson
Department of Computer Science, Trinity College, Dublin 2, Ireland.
Telephone: +353-1-772941 ext 1097    FAX: +353-1-772204   Telex: 93782 TCD EI
email: gpanderson@cs.tcd.ie	or	gpanderson%cs.tcd.ie@cunyvm.cuny.edu


From jitr-request@presto.ig.com Wed Feb  6 23:42:56 1991
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Date:         Thu, 07 Feb 91 02:34:19 EST
From: "John W. Bates" <ST702448@brownvm.brown.edu>
Subject:      Tiny Toons
To: JITR
Status: OR

As an aside to all the political argument going
on here, I was watching "Tiny Toons" today. Babs
Bunny was babysitting, and serving mashed potatoes
to the brat. He insisted that she make it into a
person, so she did.  Then he complained that it
was bald. So she said, "It's a Sinead O'Connor
mashed potato person!" My roommate thought that
was really funny.


From jitr-request@presto.ig.com Tue Feb 12 12:56:47 1991
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Date: Tue Feb 12 14:42:42 GMT 1991
To: jitr <@nsfnet-relay.ac.uk:jitr@presto.ig.com>
Subject: The Britts Awards
From: balrog@tardis.computer-science.edinburgh.ac.uk
Status: OR


Did anyone see the Britts Awards last night? They were shown on English TV 
(and possibly elsewhere) and was just another one of those music award 
ceremonies...

Sinead one best international female artist and the announcer then said 
'Sinead unfortunately can't be with us tonight as she is in America... but
as a tribute we will show this...'

They then flashed Sinead's face up on the screen along with a very miniscule
clip of Nothing Compares 2 U video and then the scene changed to Witney
Houston singing the Star Spangled Banner! Why did they show this? They know
the trouble Sinead caused over the ruddy anthem and then they show the
anthem as a tribute - I bet if Sinead was watching the program she was
furious - I know I felt sorry for her - it was just public humiliation (not
sure if spelt that right!)

Stuart
(Sorry if the above doesn't sound right but I'm in a bit of a rush!)


From jitr-request@presto.ig.com Wed Feb 13 06:55:14 1991
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Date: Wed, 13 Feb 91 09:54:43 est
From: "Adam J. Weitzman" <weitzman@chaos.cs.brandeis.edu>
Message-Id: <9102131454.AA25064@chaos.cs.brandeis.edu>
To: jitr
Subject: Early Retirement?
Status: OR

An Irish radio station recently interviewed Sinead, and she said she's 
actuall considering retiring, or at least "taking many years off." I'll
get the quote from the paper tomorrow, but it had something to do with 
being tired of being a celebrity. I'm worried. I'm gonna miss her...

					- Adam J Weitzman
					  weitzman@chaos.cs.brandeis.edu


From jitr-request@presto.ig.com Wed Feb 13 08:20:03 1991
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Date: Wed, 13 Feb 91 11:20 EST
From: V285RAAG@ubvmsc.cc.buffalo.edu
Subject: Sinead
To: jitr
Message-Id: <BD52C4DB813FA002A2@UBVMS.BITNET>
X-Organization: University at Buffalo
X-Envelope-To: jitr@presto.ig.COM
X-Vms-To: IN%"jitr@presto.ig.com"
Status: OR




Gee... did you hear that she is boycotting the Grammies.  In protest of the war
or something like that.

Like, all of the sudden, she and every other international music star stopped
performing in the United States President bush would recall all of the troopers
and apologize to Saddam Hussein and invite him over for tea!

Ugh!  I can't stand this girl anymore.


Nice voice, lousy stage presence, lousy politics...

Papa Sm00sh


From jitr-request@presto.ig.com Wed Feb 13 09:13:37 1991
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	id AA00306; Wed, 13 Feb 91 12:13:43 EST for jitr@presto.ig.com
From: Ron Buckmire <prince@rpi.edu>
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	id AA01888; Wed, 13 Feb 91 12:08:22 EST for rec.music.rpi.edu
Date: Wed, 13 Feb 91 12:08:22 EST
Message-Id: <9102131708.AA01888@sub.its.rpi.edu>
To: jitr, rec.music.rpi.edu@rpi.edu
Subject: SINEAD O'CONNOR news
Status: OR


Well, Sinead has swept the annual ROLLING STONE music critics poll AS WELL AS
the Readers Poll. The magazine will be out next Monday with Sinead on the 
cover along with a [of course] candid interview. Sinead won FAVOURITE ALBUM,
FAVOURITE FEMALE SINGER, BEST SINGLE OF THE YEAR for both the critics and the
readers.

Also, in a MTV News report they showed footage of Sinead explaining her decision
not to attend the Grammy Award Ceremony, also of her CRYING as she tried to
explain why she does the thngs she does and takes controversial positions on
curent events. I presume there will be more details on THE WEEK IN ROCK on
MTV Sat at 6pm EST.


                               Ron Buckmire
prince@rpitsmts.bitnet      prince@pawl.rpi.edu       uunet!pawl.rpi.edu!prince
"Censorship in any form is bad. But censorship when it is really  racism in
 disguise is even worse." - Sinead O'Connor, at the 1990 MTV Video Music Awards.


From jitr-request@presto.ig.com Wed Feb 13 13:08:35 1991
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Date:         Wed, 13 Feb 91 16:04:18 EST
From: J Green <SSDC2@brownvm.brown.edu>
Subject:      grammys
To: jitr
Status: OR

>From Jay Leno's mouth last night (hope I am quoting him right):

"I heard Sinead O'Conner is boycotting the Grammys.
 Personally I think she shaves her head just a little *too* close!"

jg


From jitr-request@presto.ig.com Wed Feb 13 13:54:40 1991
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	id AA09393; Wed, 13 Feb 91 13:54:08 PST
Message-Id: <9102132154.AA09393@remarque.berkeley.edu>
To: jitr
Subject: Re: From Jay Leno's butt last night
In-Reply-To: J Green's message of Wed, 13 Feb 91 16:04:18 EST
Reply-To: jitr@presto.ig.com
Date: Wed, 13 Feb 91 13:54:02 -0800
From: Jym Dyer <jym@remarque.berkeley.edu>
Status: OR

___
__  On the Indigo Girls mailing list it was decided that Jay
_   Leno was a twit.  He couldn't deal with the IGs intelli-
    gently.  Perhaps he can't deal with any female artists
    intelligently.
___
__  Like I said, anybody who wants to be The New Johnny
_   Carson *and* The New Bob Hope has *got* to be a twit.
    <_Jym_>


From jitr-request@presto.ig.com Wed Feb 13 15:34:13 1991
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Date: Wed, 13 Feb 91 14:57:17 PST
From: rickh@metaware.com (A mere flash in the pan)
Message-Id: <9102132257.AA06543@sol.metaware.com>
To: jitr, V285RAAG@ubvmsc.cc.buffalo.edu
Subject: Re:  Sinead
Status: OR

>Gee... did you hear that she is boycotting the Grammies.  In protest of the war
>or something like that.
>
>Like, all of the sudden, she and every other international music star stopped
>performing in the United States President bush would recall all of the troopers
>and apologize to Saddam Hussein and invite him over for tea!
>
>Ugh!  I can't stand this girl anymore.
>
>
>Nice voice, lousy stage presence, lousy politics...
>
>Papa Sm00sh

It happens . . .

I think what she has said since the Grammies thing is more revealing as to
her thinking.  She's thinking of retiring because she's sick of the business.
That doesn't mean she doesn't like to play and sing.  She's tired of the fact
that people are so ready to jump on her, admire her, bother her, etc.  As for
the effectiveness of her "ploy" to get Bush to recall the troops from the Gulf,
I don't recall her ever mentioning that she expected her boycott to do that.
Instead, she said that she couldn't envision a bunch of egomaniacs getting
together to celebrate how cool they were while people were dying for a stupid
cause.  Besides, I don't expect my boycott of Domino's Pizza to cause them to
withdraw their support of Operation Rescue.  But I refuse to have any part
of that organization.  It's for my own piece of mind.  So who are we to judge
her actions in this case?  Just leave it alone.

  //          ---<--[1m@[0m                     -[1;5mEcho[0m
\X/                                        [1mThe Potato-Salad-Eatin' Fool.[0m
[1mINTERNET:[0m rickh@metaware.com               [1mAT&T:[0m (408) 427-9814 home
[1mUUCP:[0m     uunet!ucscc!metaware!rickh       (408) 429-6382 x3086 work

Join the Flat-Fields mailing list!  Bauhaus, Love-n-Rockets, and more!
Write to Flat-Fields-Request@ucscb.ucsc.edu.


From jitr-request@presto.ig.com Wed Feb 13 17:33:12 1991
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Date:         Wed, 13 Feb 91 16:04:18 EST
From: J Green <SSDC2@brownvm.brown.edu>
Subject:      grammys
To: jitr
Status: OR

>From Jay Leno's mouth last night (hope I am quoting him right):

"I heard Sinead O'Conner is boycotting the Grammys.
 Personally I think she shaves her head just a little *too* close!"

jg


From jitr-request@presto.ig.com Thu Feb 14 06:08:25 1991
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Date: Thu, 14 Feb 91 09:04:54 -0500
From: becker@r2d2.jvnc.net (Brendan Becker)
Message-Id: <9102141404.AA27990@r2d2.jvnc.net>
To: jitr
Subject: Apologies for last post
Status: OR


Hi. 
Sorry about that last post. I thought when I hit "r" my mailer would
be sending my message to the originator not back to the refector.
Oh well.

--Brendan


From jitr-request@presto.ig.com Thu Feb 14 06:08:49 1991
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From: becker@r2d2.jvnc.net (Brendan Becker)
Message-Id: <9102141401.AA27977@r2d2.jvnc.net>
To: jitr
Subject: Re: From Jay Leno's butt last night
Status: OR

Hi Jym,

An Indigo Girls mailing list??  I must've missed that one.
Where to I sign up??

---Brendan


From jitr-request@presto.ig.com Thu Feb 14 17:29:27 1991
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From: Tracy Roberts <tracyr@sco.com>
X-Mailer: SCO System V Mail (version 3.2)
To: jitr
Subject: Re: From Jay Leno's butt last night
Date: Thu, 14 Feb 91 16:50:58 PST
Message-Id:  <9102141650.aa21294@gyroscop.sco.COM>
Status: OR

How do I get on the Indigo Girls mailing list??  I didn't know
one existed.

Tracy
uunet!sco!tracyr,
tracyr@sco.com


From jitr-request@presto.ig.com Fri Feb 15 10:55:25 1991
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Date: 15 Feb 91 10:51 -0800
From: Philip Wu <phwu@vancouver.osiware.bc.ca>
To: jitr
Message-Id: <9102151915712804*phwu@vancouver.osiware.bc.ca>
Subject: Music Mailing List
Status: OR

Here's a music mailing list I picked up on the net.


==================
********************** List of MUSICAL MAILING LISTS  ************************

Update as of 12/19/90

**  If anyone finds any more bands to be added to this list, feel free to   **
**  send the address to me, and I'll be glad to update it and send it out.  **
**     Or if anyone knows of any mistakes/changes, please let me know.      **

Please feel free to forward this message to anyone you might think would want
it.  If anyone makes any changes, please send them to me!

Send corrections/changes/etc. to:  owen@euclid.enet.dec.com (1990...) or
                                   sowen@lynx.northeastern.edu (Jan'91-???)

Thanks to all of you who sent me these addresses!  It is much appreciated.

BEFORE YOU SUBSCRIBE TO ANY OF THESE _PLEASE_ READ THE DISCLAIMER BELOW!
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Subject                         List Manager/Contact
==============================================================================
AC/DC                           trc@pollux.ucdavis.edu
All music                       u6183%wvnvm.bitnet@vm1.nodak.edu
Art of Noise                    aon-request@polyslo.calpoly.edu
Blue Oyster Cult/Hawkwind       swann@acsu.buffalo.edu
Brass musicians                 brass-request@dinorah.wustl.edu
Kate Bush                       love-hounds-request@gaffa.mit.edu
Campus radio DJ's               artabar%mtuss.bitnet@vm1.nodak.edu
The Cure                        other-voices-request@bbn.com
Duran Duran                     luljak@csd4.csd.uwm.edu
Electronic Music                eharnden%auvm.bitnet@cunyvm.cuny.edu
Fleetwood Mac                   brunyan%utmem2.bitnet@cunyvm.cuny.edu
4AD                             listserv%jhuvm.bitnet
Folk Dancing                    tjw@unix.cis.pitt.edu
Peter Gabriel                   gabriel-request@casbah.acns.nwu.edu
Peter Gabriel/Genesis           jmacilwa@caen.engin.umich.edu
Debbie Gibson                   ez000018@bullwinkle.ucdavis.edu
Grateful Dead                   dead-flames-request@virginia.edu
Grateful Dead (impor. info)     dead-heads-request@virginia.edu
Grunge rock                     hilgreen@acsu.buffalo.edu
Heavy Metal/Thrash              thrash@metal.ebay.sun.com
Japanese rock/pop               jpop-request@wystan.bsd.uchicago.edu
Jazz Butcher                    jbc-list-request@ab.ecn.purdue.edu
Jethro Tull                     jtull-request@uiuc.edu
Billy Joel                      haskell@acsu.buffalo.edu
Roy Harper                      stormcock-request@cs.qmw.ac.uk
Jimi Hendrix                    hey-joe-request@ms.uky.edu
Indigo Girls                    indigo-request@athena.mit.edu
Industrial music                drdave@buhub.bradley.edu
The Kinks                       otten@cincom.umd.edu
Robin Lane                      robin-lane-request@cs.wpi.edu
Led Zeppelin                    zeppelin-request@ux.acs.unm.edu
Legendary Pink Dots             cloud-zero-request@acc.stolaf.edu
Manchester, UK music            manchester-request@irss.njit.edu
Marching arts (drum corps etc.) marching@poirot.gatech.edu
Marillion                       go09+@andrew.cmu.edu
Men Without Hats                damatt01@ulkyvx.bitnet
Metallica                       mk.lor@forsythe.stanford.edu
Midnight Oil                    powderworks-request@boulder.colorado.edu
Steve Morse and the Dixie Dregs blickstein@dregs.enet.dec.com
Musicals                        musicals-request@world.std.com
Music Library Association       papakhi%iubvm.bitnet@vm1.nodak.edu
Music research                  music-research-request@prg.oxford.ac.uk
Network-Audio-Bits(reviews)     murph@maine.bitnet
New Music List                  nm-list-request@beach.cis.ufl.edu
New Order/Joy Division          ceremony-request@chsun1.uchicago.edu
Sinead O'Connor                 jump-in-the-river-request@presto.ig.com
Opera                           doria@suwatson.stanford.edu
Alan Parsons Project            burnett@mentor.cc.purdue.edu
PC sound site list              sound@ccb.ucsf.edu
Pink Floyd                      eclipse-request@beach.cis.ufl.edu
Pirate radio                    brewer@ace.dec.com
Prince                          prince-request@icpsr.umich.edu
Punk/Hardcore                   punk-list-request@tut.fi
Rap,Funk,R&B,etc.               funky-music-request@apollo.lap.upenn.edu
R.E.M.                          valerie@athena.mit.edu
Rush                            rush-request@syrinx.umd.edu
San Fran Concerts List          skoepke@violet.berkeley.edu
Severed Heads/Ralph Records     adolph-a-carrot-request+@andrew.cmu.edu
Jane Siberry                    siberry-request@bfmny0.bfm.com
The Smitherenes                 bono@andromeda.rutgers.edu
Bruce Springsteen               backstreets-request@virginia.edu
Stagecraft (lighting etc.)      stagecraft-request%cai@cs.utah.edu
Tangerine Dream                 tadream-request@vacs.uwp.wisc.edu
Top 10                          prince@rpi.edu
Vinyl Freaks                    info-vinyl-freaks-request@dartvax.uucp
XTC                             chalkhills-request@presto.ig.com
Yello                           yello-request@polyslo.calpoly.edu
Yes/ABWH                        v111pbxx@ubvms.cc.buffalo.edu

OTHER INFO:
As you can see, there seems to be TWO Peter Gabriel lists.  Someone had told me 
that the old one had died, but alas it's still here.  Someone let me know what 
happens with that, OK?

Also, I personally would like to see a U2 list, but don't have the system
resources... would anyone like to start one up?

Reminder:  I'm going back to school in January, so all mail AFTER DEC 28th 
should be sent to: sowen@lynx.northeastern.edu.  Thanks.

DISCLAIMER:
I take no responsibility for incorrect addresses or dead lists.  I'm only 
telling you what I've been told.  Please don't ask me for further information 
about these lists, as I know as much as you do at this point.  I don't know if
all of these are still in existance or if they will accept any new members.
Some of these lists are set up for automatic addition to the lists (listserv 
etc.), but I didn't have enough room for all the instructions, so I put the 
list managers address down. 
'nuff said.

_____ ///______________________________________________________________________
|    /// Only Amiga makes it possible!    | Music: Anything but slop 40       |
|\\\///  Macintosh: pseudo productivity   | Beer: Sam Adams Boston Lager      |
| \XX/   OS/2: half an operating system   | Major: Mechanical Engineering     |
|---------------------------------------------------------------------------- |
|Steve | owen@euclid.enet.dec.com(Now-Dec)| "Cool your jets man!"-Bart takes  |
|Owen  | sowen@lynx.northeastern.edu(Jan+)|  Heat Transfer and Fluid Dynamics |
-------------------------All normal disclaimers apply--------------------------


From jitr-request@presto.ig.com Sun Feb 17 18:57:56 1991
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From: Ron Buckmire <prince@rpi.edu>
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	id AA02527; Sun, 17 Feb 91 21:55:38 EST for rec.music.misc@rpi.edu
Date: Sun, 17 Feb 91 21:55:38 EST
Message-Id: <9102180255.AA02527@sub.its.rpi.edu>
To: madonna@athena.mit.edu
Subject: Info from ROLLING STONE
Cc: jitr, rec.music.misc@rpi.edu
Status: OR


Oh, I made a mistake when I said that Sinead had won best single in the readers
poll. She won that in the critics' poll. But the Readers Poll favourite
wen to Madonna's "Vogue". Madonna did rather well this year, also getting
"Best Tour","Sexiest Female","Best Dressed Female" in the Readers Poll as well
as Best Video [Justify My Love] in the critics poll.

Sinead did win best album,best single, best female artist [critics]
and fave album and fave female artist with the readers, but she also "won"
worst female singer with the readers of ROLLING STONE, also.

I can't remember the rest.


RON BUCKMIRE
Association To Save Sinead O'Connor From Herself [New York Chapter]
11 Colvin Circle, Troy, NY 12180-3735. "1991: YEAR OF THE QUEER"
uunet!rpi.edu!prince||prince@rpitsmts.bitnet||prince@rpi.edu||+1 518 276 8910


From jitr-request@presto.ig.com Tue Feb 19 21:00:16 1991
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From: kyrlidis@athena.mit.edu
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To: jitr
Subject: Sinead on Arsenio
Date: Tue, 19 Feb 91 23:56:24 EST
Status: OR


Hi,

Well, I know it's too late to announce this, but in case you missed it,
Sinead appeared on the Arsenio Hall show tonight, and talked about the
various stuff she's said that have made her the center of controversy.
These issues included the Grammies, the Prince threats (she wouldn't
talk about this, but she said that she is not known to be a liar),
and the Rolling Stone poll results and interview.

She wasn't shy at all (like the time she appeared singing 'You do something
to me') and was constantly asking Arsenio to go out with her.

She sang a song called 'Irish ways and Irish laws' a capella. It was 
really great! Is this an old irish folk song, or a new Sinead song?

Angelos

PS. Can you believe that she thinks she's ugly??!?!?!?!?


From jitr-request@presto.ig.com Tue Feb 19 21:26:00 1991
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To: jitr
Subject: Re: Sinead on Arsenio 
In-Reply-To: kyrlidis@athena.mit.edu's message of Tue, 19 Feb 91 23:56:24 EST
Reply-To: jitr@presto.ig.com
Date: Tue, 19 Feb 91 21:23:09 -0800
From: Jym Dyer <jym@remarque.berkeley.edu>
Status: OR

___
 __ Fortunately, 23:56:24 EST is 20:56:24 PST, so some of us may
  _ indeed find your message timely.  If we had TVs, that is. :-)
    <_Jym_>


From weitzman@chaos.cs.brandeis.edu Wed Feb 20 08:08:52 1991
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Date: Wed, 20 Feb 91 11:08:29 est
From: "Adam J. Weitzman" <weitzman@chaos.cs.brandeis.edu>
Message-Id: <9102201608.AA14307@chaos.cs.brandeis.edu>
To: jitr-request, jitr
Subject: Re:  Sinead on Arsenio
Status: OR

OK, who's got a copy of this on a hi-fi VCR so that they can make an audio
copy of the song that she sang for me? IT WAS BEAUTIFUL! I was in tears
by the end. Somebody must have a copy...

					- Adam J Weitzman
					  weitzman@chaos.cs.brandeis.edu


From jitr-request@presto.ig.com Wed Feb 20 10:49:08 1991
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Date:      Wed, 20 Feb 91 13:29:18 EDT
From: Phong Co <chryses%xurilka.UUCP@larry.mcrcim.mcgill.edu>
Organization: dada Indugu Inc.
To: "Sinead"		<jitr>
Subject:   Re: Arsenio
Status: OR


From: mcgill-vision!athena.mit.edu!kyrlidis
=>
=>Sinead appeared on the Arsenio Hall show tonight, and talked about the
=>various stuff she's said that have made her the center of controversy.
=>These issues included the Grammies, the Prince threats (she wouldn't
=>talk about this, but she said that she is not known to be a liar),
=>and the Rolling Stone poll results and interview.

Yes, I happened to catch that (I rarely watch Arsenio).

=>She wasn't shy at all (like the time she appeared singing 'You do something
=>to me') and was constantly asking Arsenio to go out with her.

I was impressed with her ability to speak frankly and get her point
across.  She seems to understand what she's doing and why.  I know
many people (myself included) wondered "Why American Music Awards but
not Grammies?"  Her answer was that the AMAs was what really
convinced her that the whole affair was a hoax.  This is plausible,
but it will not deter her critics.

She said that she wanted to see whether anyone would speak out
against the war, other than "Peace in the Middle East".  This, too,
shows she has strong convictions, but in this case maybe she is
expecting too much.

Nobody thinks war is fun.  Regardless, some people feel that this war
is necessary, and some do not.  In an awards show, people are being
honored as artists, and their opinions on the war are irrelevant.  It
may make one think less of them as people if they hold different
views, but it does not nessarily make the industry bogus and
hypocritical. 

I caught Sinead on Entertainment Tonight also, and she is not a bad
person at all, but she refuses to play by the media's and the
establishment's rules, and as a result is labelled "bratty" and
"arrogant".  Walking out of concerts halfway don't help, either.  By
her own admission, she is honest, maybe too much so, and will have a
hard time becoming a media darling.

=>She sang a song called 'Irish ways and Irish laws' a capella. It was 
=>really great! Is this an old irish folk song, or a new Sinead song?

I liked the song too.  I think it is fairly new.  She didn't perform
it in Montreal, and I've never heard it mentioned.  She mentioned on
ET that she was totally sick of the music business, and would
probably never make another album.  Anyone have anything on this?

=>Angelos
=>
=>PS. Can you believe that she thinks she's ugly??!?!?!?!?
=>
I liked what she said about every woman at some point feels like a
dog.  I remember that on the Sun City benefit record (1986, I think),
there is a picture of her with long hair.  Quite a difference.  My
friend once said that you've got to be damned good-looking to survive
being bald, and Sinead is surviving very well.


Phong.


PS:  Can anyone talk about the Rolling Stone polls?  I don't want to
have to BUY the thing :-)



-- 
=========================================================================
Phong T. Co		| I wrapped my fear around me like a blanket
chryses@xurilka.UUCP	| Sailed my ship of safety 'till I sank it
dada Indugu Inc.	| I'm crawling on your shores
Montreal, CANADA	| 			-- Emily Saliers


From jitr-request@presto.ig.com Thu Feb 21 06:16:31 1991
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To: jitr
From: katz_p_m@bt-web.bt.co.uk
Subject: _Irish ways and Irish laws_
Date: Thu, 21 Feb 1991 12:49:44 +0000
Status: OR

From:	NAME: Philip Katz           [RT1264]
	FUNC: RT1264                          
	TEL: 0473-645672                      <KATZ P M AT WEB AT WEBCS>
To:	JITR@PRESTO.IG.COM@UNET


	A few people on this list have asked about a song called _Irish
ways and Irish laws_, which Sinead sank on some yank TV program.

	As far as I know, this is a Christy Moore song, and I suspect that
he may have recorded it with Moving Hearts rather than solo.

	Yet again, it looks as if Sinead O'Conor's talents are as a singer
(and spokeman for her generation?!) rather than as a songwriter.
This is sad, as almost all long-term *major* talents tend to write
their own material.

Philip


From weitzman@chaos.cs.brandeis.edu Thu Feb 21 06:58:49 1991
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Date: Thu, 21 Feb 91 09:58:47 est
From: "Adam J. Weitzman" <weitzman@chaos.cs.brandeis.edu>
Message-Id: <9102211458.AA05837@chaos.cs.brandeis.edu>
To: jitr-request, jitr
Subject: Re:  _Irish ways and Irish laws_
Status: OR

I happen to think that Sinead is a fantastic songwriter. Did you notice "NC2U"
is really an anomaly on her last record? It really doesn't fit in with the 
rest of it. But all the songs she did write are great, I think "NC2U" is my
least favorite of hers. I think she's very talented, songwriting-wise and
singing-wise. So there. Phhhhhht :-)

					- Adam J Weitzman
					  weitzman@chaos.cs.brandeis.edu

PS Read "The Last Days of Our Acquaintance" if you don't believe me.


From jitr-request@presto.ig.com Thu Feb 21 09:32:53 1991
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To: jitr
Subj: Oh, come *on*!
Date: Thu, 21 Feb 91 12:29:39 EST
From: jburka@silver.ucs.indiana.edu
Status: OR


For some reason, Philip Katz writes:

>Yet again, it looks as if Sinead O'Conor's talents are as a singer
>(and spokeman for her generation?!) rather than as a songwriter.
>This is sad, as almost all long-term *major* talents tend to write
>their own material.

Um, I hate to ask a stupid question, but haven't you ever listened to
_The Lion And the Cobra_?  If you have, how can you make such a statement?

What do two covers that she happens to have done have anything to do with
her skills as a songwriter?

Of course, Kate Bush has been known to do a cover here and there.  I guess
her talents are as a singer, not as a songwriter as well, right?

I don't think any of us need these weird, unrealistic overgeneralizations.

Jeff

|Jeffrey C. Burka                | "At night they're seen                 |
|jburka@silver.ucs.indiana.edu   |  Laughing, loving, 	                  |
|jburka@amber.ucs.indiana.edu    |  They know the way to be happy" --KaTe |


From jitr-request@presto.ig.com Thu Feb 21 10:35:17 1991
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Date: Thu, 21 Feb 91 12:58 EDT
From: "MYKEL C. RUVOLA, BRAIN DRAIN" <RUVOLA39@snypotva.bitnet>
Subject: _Irish wasys and Irish laws_(AGAIN)
To: jitr
Message-Id: <B6FBCCFD215F0047BC@snypotva.bitnet>
X-Envelope-To: jitr@presto.ig.COM
X-Vms-To: IN%"jitr@presto.ig.com"
Status: OR

SOC played this song at SARATOGA (1st show after the SSB trouble).
She also played a song about Jake, and some other material that she said was new
She put on a great show and played for about 2 hours, when the show ended she
just danced around the stage for another 1/2 watching everyone leave.  The next
   show on this tour-->DARIEN LAKE.  She played for 1/2 an hour and yelled at he
   r
fans the whole time.  This woman is SCHIZO.

I am becoming (along with many others) dis-heartened by her antics.
NOW I'M FEELING ZOMBIFIED--MYKEL


From jitr-request@presto.ig.com Thu Feb 21 12:14:19 1991
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To: jitr
Subject: Re: _Irish wasys and Irish laws_(AGAIN) 
In-Reply-To: Your message of Thu, 21 Feb 91 12:58:00 -0400.
             <B6FBCCFD215F0047BC@snypotva.bitnet> 
Date: Thu, 21 Feb 91 12:05:22 PST
From: richardt@legato.com
Status: OR


> This woman is SCHIZO.

The woman isn't allowed to get sick?  Frazzled?  Shagged out after a
prolonged squawk?

Come on, guys, get a life.  Has the thought ever even glanced off your
mind that maybe, just maybe, Miss O'Connor was a real person just like
you, with opinions, hopes, bad days, and the like?

Or are you just unhappy because you paid to be entertained, not to
interact with another human being?

RichardT


From jitr-request@presto.ig.com Thu Feb 21 13:19:05 1991
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From: Neal Bauer <neal@cnd.hp.com>
Subject: Re: bad days
To: jitr
Date: Thu, 21 Feb 91 14:16:52 MST
Mailer: Elm [revision: 64.9]
Status: OR

> Or are you just unhappy because you paid to be entertained, not to
> interact with another human being?

I for one would be *pissed* if I went to see her perform and she played
for only 30 minutes.  Concerts are expensive.  If she doesn't feel up to
performing, then she should cancel the show.  Period.  Giving a shitty 
performance is unprofessional, unacceptable, and shows a complete lack of 
consideration for her fans.  

Neal


From jitr-request@presto.ig.com Thu Feb 21 23:11:55 1991
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Date: Fri, 22 Feb 91 02:06 EDT
From: "MYKEL C. RUVOLA, BRAIN DRAIN" <RUVOLA39@snypotva.bitnet>
Subject: RE:RE:_Irish ways and Irish laws(again)
To: jitr
Message-Id: <B68DB3CCCE1F004BB6@snypotva.bitnet>
X-Envelope-To: jitr@presto.ig.COM
X-Vms-To: IN%"jitr@presto.ig.com"
Status: OR

I agrea totally with NEAL...Concerts Are EXPENSIVE!  If she didn't feel
well enough to play...She should have cancelled. Then at least people
would have gotten their money back..I'm not saying that SOC is out for cash
, in fact I believe thats not her purpose whatsoever...but SOC made MUCHOS
DENARO for 1/2 an hour worth of yelling at people who came to hear her sing.
She's TOO MUCH...Total CRY BABY.

I think she has a VERY loyal following who will overlook things in her that
would  Total PISS them off in any other artist(except mabye Robert Smith).
Don't be so BLIND PEOPLE..I love SOC, but She has a tendency to be TEDIOUS.
-MYKEL


From jitr-request@presto.ig.com Fri Feb 22 07:07:34 1991
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Date: Fri, 22 Feb 91 10:05 EST
From: V285RAAG@ubvmsc.cc.buffalo.edu
Subject: Sign-add's antics and lousy concerts\
To: jitr
Message-Id: <B64AD067A1FF4002E6@UBVMS.BITNET>
X-Organization: University at Buffalo
X-Envelope-To: jitr@presto.ig.com
X-Vms-To: IN%"jitr@presto.ig.com"
Status: OR

>
> The next show on this tour-->DARIEN LAKE.  She played for 1/2 an hour and 
> yelled at her fans the whole time.  This woman is SCHIZO.
>
> I am becoming (along with many others) dis-heartened by her antics.
> NOW I'M FEELING ZOMBIFIED--MYKEL

I'm glad to say that I now know that I am not the only one out here that likes
her muic but is totally put off by her self.

She spent more time yelling at us (at Darien) than she did anything else. (i.e.
look, if you want me to sing I have to be able to hear myself, so just shut the
fuck up. -which made the crowd louder, and turned me off even more).

The person I was with defended her by saying that she needed the quiet to be
able to sing.  That it's difficult to sing acapella by yourself when the crowds
noisey... I say turn up her damn earphones!

And the lifelessness of her "waving" while she sang (I use the term 'waving'
instead of dancing because that's what it looked like she was trying to do-
wave at us with her body) was really clumsy looking.  This was also defended by
the person I was with by saying that she couldn't be too aerobic in her
dancing or else she wouldn't have been able to sing very well.  To which I
said... If she can't dance well on stage, then she shouldn't dance at all.  If
she wants to have dancers, fine.  If she wants to focus on her vocals, fine. 
But when she does STUPID dance moves _and_ doesn't display much of an ambience
in her show... there are a lot of people who are not going to like the show,
and there were.

I will never go to another sign-add concert, even though this one was free for
me.  I will never pay out $20 to see her perform, it ruins it, I like the
albums (cds) much better.

Of course if she's serious about retiring, I won't have to worry, will I?

papa sm00sh

v285raag@ubvms.cc.buffalo.edu
jadahlin@acsu.cc.buffalo


From jitr-request@presto.ig.com Fri Feb 22 09:17:17 1991
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From: Neal Bauer <neal@cnd.hp.com>
Subject: dancing?
To: jitr
Date: Fri, 22 Feb 91 9:03:43 MST
Mailer: Elm [revision: 64.9]
Status: OR

> dancing or else she wouldn't have been able to sing very well.  To which I
> said... If she can't dance well on stage, then she shouldn't dance at all.  If
> she wants to have dancers, fine.  If she wants to focus on her vocals, fine. 
> But when she does STUPID dance moves _and_ doesn't display much of an ambience
> in her show... there are a lot of people who are not going to like the show,
> and there were.


I go to hear her sing.  I don't care if she "dances" like Joe Cocker.  If 
you want to see a dancer, go to the ballet.

Neal


From dione@abraxas.lpl.arizona.edu Fri Feb 22 09:37:53 1991
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Date: Fri, 22 Feb 91 10:37:21 MST
From: dione@abraxas.lpl.arizona.edu (Matt Cheselka)
To: jitr-request
Message-Id: <9102221737.AA06084@abraxas.lpl.arizona.edu.lpl-astronomy>
X-Envelope-To: jitr-request@presto.ig.com
Status: OR

SOC - Music and Life

I figure it's about time to make a few statments about everything I've been
reading, seeing, and hearing from SOC.

Let me tell you where I stand first.  SOC and I share very similar viewpoints
on everything.  This world sucks.  But of course everyone knows that.  But in
the midst of all this crap, there is wonderful beauty not only in the natuaral
world but also in ourselves.  But we must face problems becuase they are part 
of our lives and our world.  SOC is not only pointing out the problems, but also
trying to DO SOMETHING about them.  Can't any of you see that SOC is not only a
musician, but also a person who really cares for the human race?  Are YOU
doing anything about them?  I myself like the quite approach to solving the
problems.  Like putting up posters on recylable paper, or calling lawmakers if
I see corruption in politics, or not buying a product because it kills
animals, trees, etc.  I like doing the little things becuase I know I'll never
be in SOC's position to have a microphone and millions of people to talk to.
My favorite slogan is:  ACT LOCAL, THINK GLOBAL.

I sympathise with the people who are pissed that SOC abused her right as a
performer to perform.  BUT, let me point out to you that the people who were
making the noise obviously did not want to hear her anyway, otherwise they'd be
quite enough to let her sing.  Singing in front of a crowd is the same as making
a speech...you just sing it.  SOC has things to tell people...if they don't 
listen but want to pay for it, then that's their tough luck.  I'm sorry that 
she is unable to make her statements.  The problem is that some people like
SOC only for her music, and some like her only for her "antics".  Do you know
what I like best about her?  She gets people PISSED at her.  (I'm using pissed
in the american context of getting really mad...for all you brits who get pissed
for other reasons)  She makes strong statements.  She takes a stand.  She does 
not budge.  If I were making a speech and everyone was talking or screaming 
like wild animals, I'd also try to quite you down...once.  Then I'd say fuck 
off, too.  You don't want to listen to me so I'll just go tell someone else.  
Probably most of the people at these concerts are drunk anyway...so what do 
they care?  At least until the morning after when they say, "Hey man, she took 
our money...i don't like that!"  To you I say "get a life" and "find youself, 
you need professional help."

It is very hard for a person of 24 to make a stand like she has...and make such
an incredible impact.  I'm 22 and feel as though I'm sluggish about things like
making a stand on strong issues.  But she inspires me.  I'm glad that someone
is conking everyone on the head and telling them to, "wake up, go outside, and
wish someone a good morning."  If people just had respect for each other we
could really start down a good road.  But of course there will always be the
"really intelligent" ones who ruin it for everyone else.  You know who you 
should be mad at in these concerts?  The person or person's making the most 
noise.  What kind of idiocy is it to yell louder when you're asked to quite 
down?  You make me sick.  You act like 4 year olds.  Grow up and jump into the 
real world...

If you don't like SOC, don't bother to tell me...it wastes my time.  This is 
a mailing list for SOC fans...for her music and her ideas.


From jitr-request@presto.ig.com Fri Feb 22 10:14:49 1991
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Date: Fri, 22 Feb 1991 10:11:17 PST
From: John M. Relph <relph@presto.ig.com>
Subject: Re: Sign-add's antics and lousy concerts\ 
In-Reply-To: Your message of Fri, 22 Feb 91 10:05 EST 
To: jitr
Message-Id: <CMM.0.88.667246277.relph@presto.ig.com>
Status: OR

>The person I was with defended her by saying that she needed the quiet to be
>able to sing.  That it's difficult to sing acapella by yourself when the crowds
>noisey... I say turn up her damn earphones!

This kind of attitude happens to be one that I personally dislike.

A person in the audience will pay quite a tidy sum of money to get a
ticket to a LIVE concert, one in which the artist will get up there in
person to perform his or her art works.  In this case it's music
that's the question.  Now how do you suppose the people in the
audience are supposed to HEAR the music being performed if they are
all yelling and screaming and applauding and whistling?  The simple
answer is: they can't.  And in fact they aren't interested in the
music at all.  If they were, they would be respectfully quiet and
attentive while the performer sings, and hold their applause for the
space between the songs.  No, what's happening here is that the
audience members see an icon on stage, one that only represents the
idea of the music.  So they need to yell and scream in an attempt to
say, "Yo, pop icon mama!  I'm down here and I really like your record.
Please look at me!"  The audience is there just to be FANS, not to
actually be part of the performance.  They show a total lack of
respect for the performer.

If one wants to yell and scream during a performer's songs, watch the
video, talk over the album while it plays, but if one is actually
going to shell out for an expensive LIVE concert, one should give the
performers some respect: be quiet while they play and sing.  After
all, if you were on Broadway at a play, you'd be thrown out if you
acted like a typical Bon Jovi fan.

Now I don't necessarily agree with Sinead on all her points of
protest, but I definitely agree with her on this one.  And I know
audiences are capable of attentive listening.  I've seen it happen and
I've done it myself.  Just because an artist sells five quadzillion
records doesn't mean you need to scream and shout while they sing.

Damn.  This sounds like a flame.  Oh well.  It's how I feel.

	-- John

--
If you are interested in joining an XTC mailing list,
drop a line to chalkhills-request@presto.ig.com.


From jitr-request@presto.ig.com Fri Feb 22 10:22:39 1991
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Date: Fri Feb 22 13:11:26 GMT 1991
To: jitr <@nsfnet-relay.ac.uk:jitr@presto.ig.com>
Subject: Lyrics
From: balrog@tardis.computer-science.edinburgh.ac.uk
Status: OR


Where can I get ciopopies to the lyrics to all Sinead's songs?? (Not second album
as the lyrics come with this)

Could someone please mail me details but :don't: mail me the lyrics yet -
I don't want twenty people all mailing me the same thing!

Stuart


From jitr-request@presto.ig.com Fri Feb 22 11:41:52 1991
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Date: Fri, 22 Feb 91 14:35:17 -0500
From: eliz@world.std.com (Elizabeth Lear Newman)
Message-Id: <9102221935.AA19271@world.std.com>
To: jitr
Subject: Re: Lyrics
Status: OR

I keep all the lyrics to both albums on-line, and am usually the one
to mail them out, I think.

					...eliz
(I'm the one who transcribed tLatC)


From jitr-request@presto.ig.com Fri Feb 22 12:11:59 1991
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	id AA20868; Fri, 22 Feb 91 12:06:09 -0800
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Date: Fri, 22 Feb 91 15:07:39 EST
From: Derek "affix" Gross <derek@prodigal.psych.rochester.edu>
Message-Id: <9102222007.AA05368@prodigal.psych.rochester.edu>
To: jitr
Subject: Sinead and concert etiquette
Cc: derek@prodigal.psych.rochester.edu
Status: OR

>>And the lifelessness of her "waving" while she sang (I use the term 'waving'
>>instead of dancing because that's what it looked like she was trying to do-
>>wave at us with her body) was really clumsy looking.  This was also defended
>>by the person I was with by saying that she couldn't be too aerobic in her
>>dancing or else she wouldn't have been able to sing very well.  To which I
>>said... If she can't dance well on stage, then she shouldn't dance at all.
>>If she wants to have dancers, fine.  If she wants to focus on her vocals,
>>fine.

Go to a Paula Abdul concert next time, or stay home and watch her on MTV,
which amounts to the same thing.

>>The person I was with defended her by saying that she needed the quiet to be
>>able to sing.  That it's difficult to sing acapella by yourself when the
>>crowds noisey... I say turn up her damn earphones!
>
>Now how do you suppose the people in the audience are supposed to HEAR the
>music being performed if they are all yelling and screaming and applauding
>and whistling?  The simple answer is: they can't.  And in fact they aren't
>interested in the music at all.  If they were, they would be respectfully
>quiet and attentive while the performer sings, and hold their applause for
>the space between the songs.

If it were all yelling and screaming and applauding and whistling, that would
be one thing. I was at this concert, about fifteen feet from the stage, and
there were people around me chatting, not paying attention to the music, for
much of the show. I have no idea what they were doing there, or why they paid
$17 to see someone whose music they weren't interested in, but I don't see
how you can criticize Sinead for getting angry at them for making the show
more difficult for her and less enjoyable for the rest of us.

Just so nobody thinks I'm an uncritical Sinead-worshipper, I'll point out that
Sinead's idea of adding depth and passion to a live rendition of a song seems
to be adding "fuckin'" at key points in the lyrics, which doesn't impress me
much.
--
Derek Gross                              "... Beans. Baked beans. Quality. ..."
derek@psych.rochester.edu                                           - Bob Dylan


From jitr-request@presto.ig.com Fri Feb 22 12:18:05 1991
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Message-Id: <IblLcqW00W02A90YFQ@andrew.cmu.edu>
Date: Fri, 22 Feb 91 15:08:22 -0500 (EST)
From: "William M. Bumgarner" <wb1j+@andrew.cmu.edu>
To: jitr
Subject: Short Concerts...
Cc: 
Status: OR


I saw Sinead last summer in Pittsburgh-- the concert was about 50
minutes.  Too short.  

BUT:  I have never seen a more emotional performance in my life... "Last
day of our acquaintance" left no one without tears on their face. She
left at the end saying she didn't feel terribly well;  with a
performance like she gave, I could understand why-- she looked very
tired at the end.

Though the concert was short, I would have paid twice that amount to see
her perform... it was quite incredible.

Then again, I've always preferred quality over quantity.

b.bum


b.bumgarner            | Disclaimer:  All opinions expressed are my own.
wb1j+@andrew.cmu.edu   | I officially don't represent anyone unless I
NeXT Campus Consultant | explicity say I am doing so. So there. <Thpppt!>
"I ride tandem with the random/Things don't run the way I planned them.."


From weitzman@chaos.cs.brandeis.edu Fri Feb 22 12:50:12 1991
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Date: Fri, 22 Feb 91 15:49:14 est
From: "Adam J. Weitzman" <weitzman@chaos.cs.brandeis.edu>
Message-Id: <9102222049.AA09391@chaos.cs.brandeis.edu>
To: jitr-request, jitr
Subject: Re:  Sinead and concert etiquette
Cc: derek@prodigal.psych.rochester.edu
Status: OR

[about adding "fuckin'" at key points in the lyrics when perfoming live]

What're you talking about? When I saw her (Orpheum, Boston, 2nd show in May),
the only time she swore was during the encore of "Troy," where at the end
she whispered "You're still a fucking liar," which to me seemed to work 
pretty well. I'm glad I wasn't forced to sit through one of those bad
concerts she put on; I got a great one. Luck of the draw, I guess (Hugh
Harris was still her opener at the time, which might have had something to
do with her mood), although I like to think that a) she could tell the
audience was much more appreciative of her, or b) she remembered where she
was. Boston is the place she sold out club shows on four consecutive
nights within a matter of hours ON HER LION AND THE COBRA TOUR, BEFORE SHE
GOT THIS POPULAR. (Didn't get to see any of these, you had to be 21.) As
far as I know, when she's on she's ON!

					- Adam J Weitzman
					  weitzman@chaos.cs.brandeis.edu

(BTW, tickets for those two shows in May sold out in 45min. I was SO LUCKY!)


From weitzman@chaos.cs.brandeis.edu Fri Feb 22 12:51:52 1991
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Date: Fri, 22 Feb 91 15:51:15 est
From: "Adam J. Weitzman" <weitzman@chaos.cs.brandeis.edu>
Message-Id: <9102222051.AA09484@chaos.cs.brandeis.edu>
To: jitr-request, jitr
Subject: Re:  Short Concerts...
Status: OR

Oh, yeah, and it was 95min long, too. I guess I was REALLY lucky, huh :-)

					- Adam J Weitzman
					  weitzman@chaos.cs.brandeis.edu

(The only bad thing was she didn't do "Drink Before the War," which is STILL
 my favorite SO'C song.)


From jitr-request@presto.ig.com Fri Feb 22 13:29:40 1991
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Date: Fri, 22 Feb 91 11:52:05 PST
From: rickh@metaware.com (Don't ya wanna hang out with the Bleach Boys, baby)
Message-Id: <9102221952.AA24262@sol.metaware.com>
To: jitr, relph
Subject: Re: Sign-add's antics and lousy concerts\
Status: OR

>>The person I was with defended her by saying that she needed the quiet to be
>>able to sing. That it's difficult to sing acapella by yourself when the crowds
>>noisey... I say turn up her damn earphones!
>
>This kind of attitude happens to be one that I personally dislike.

	[lots of stuff deleted]

>Damn.  This sounds like a flame.  Oh well.  It's how I feel.
>
>	-- John

I'd call it a flame.  And I think there's a damn good reason to flame.  Why are
people on this mailing list to bitch and moan about what a spaz Sinead is?
No shit!  If you'd been listening to her for more than the last year, you'd
have known that.  If you don't like her antics, unsubscribe to this list and
go listen to "NC2U" on permanent repeat.  I *know* the way she acts.  I don't
need my mailbox filled with bullshit whining about how you can't stand Sinead,
and "Oh, how terrible she is blah blah blah", and ad fucking nauseum, for me
to know what she's like.

If you want to talk about her music, that's great.  I don't even mind talking
about Sinead's opinions and actions, or even hearing remarks critical of her.
But I'm sick of listening to this broken-record complaining that's been going
on since the SNL thing.  If you don't like, leave, and leave the people who
want to converse in peace.


  //          ---<--[1m@[0m                     -[1;5mEcho[0m
\X/                                        [1mThe Potato-Salad-Eatin' Fool.[0m
[1mINTERNET:[0m rickh@metaware.com               [1mAT&T:[0m (408) 427-9814 home
[1mUUCP:[0m     uunet!ucscc!metaware!rickh       (408) 429-6382 x3086 work

Join the Flat-Fields mailing list!  Bauhaus, Love-n-Rockets, and more!
Write to Flat-Fields-Request@ucscb.ucsc.edu.


From jitr-request@presto.ig.com Sat Feb 23 09:35:30 1991
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Date: Sat, 23 Feb 91 12:35 EST
From: V285RAAG@ubvmsc.cc.buffalo.edu
Subject: sinead's dancing
To: jitr
Message-Id: <B56CAF7220DF401E95@UBVMS.BITNET>
X-Organization: University at Buffalo
X-Envelope-To: jitr@presto.ig.com
X-Vms-To: IN%"jitr@presto.ig.com"
Status: OR


[deleted stuff about me saying how sinead can't dance]
>
>Go to a Paula Abdul concert next time, or stay home and watch her on MTV,
>which amounts to the same thing.

Look, people...

I didn't say that I wanted her to dance well on stage in her live performance. 
I was only suggesting that if she were to dance that it should be done well. 
Since she does not dance well, and looks rather stupid the way she 'bops'
around the stage while she's not yelling at the concert-goers, she should not
have danced at all.

I don't have a problem with her moving along to the music while she's on stage,
that's just natural, but she should not have made a point of her 'dancing.'


>>
>>Now how do you suppose the people in the audience are supposed to HEAR the
>>music being performed if they are all yelling and screaming and applauding
>>and whistling?  The simple answer is: they can't.  And in fact they aren't
>>interested in the music at all.  If they were, they would be respectfully
>>quiet and attentive while the performer sings, and hold their applause for
>>the space between the songs.


Bullshit... this is (relatively speaking) a derivative of rock and roll.  It is
customary for audiences to applaud and profess their love for the performers
during the songs.  I, being someone who has performed on stage in the past,
feel that a show is not going well if the audience does not get into the act. 
To say that a rock concert audience can't cheer when their icon gets on stage
and is singing a song they like would be like saying that at a comedy play, you
have to wait 'til the end of an act to laugh at all of the jokes.  Be real.  If
Sinead or anyone else wants to perform where there will be quiet during the
songs and thundrous applause only between the songs, then the Darien Lake
Ampitheater is not the place.  Someplace a little more formal would be
suitable.  Perhaps Buffalo's Shea Theater (for those people that don't know the
theater, it is your basic theater that could be used for Opera, Broadway plays,
Concerts, etc.  It has nice carpeting, fixed chairs, a stage with a pit for the
Orchestra, a Balcony and even a couple of Box Seats.) would be better suited
for what she wanted.  If you want to go to a rock concert and not have anyone
yelling or whistling or professing their love during the performance, then
DON'T go to Darien Lake.  Wait for her to perform Radio City or Shea.

>
>If it were all yelling and screaming and applauding and whistling, that would
>be one thing. I was at this concert, about fifteen feet from the stage, and
>there were people around me chatting, not paying attention to the music, for
>much of the show. I have no idea what they were doing there, or why they paid
>$17 to see someone whose music they weren't interested in, but I don't see
>how you can criticize Sinead for getting angry at them for making the show
>more difficult for her and less enjoyable for the rest of us.

If what you want is to hear her with out other people's 'interference' then you
should do one of two things. 1) Listen to her stuff on cd at home with your
headphones on, that way you won't be disturbed by anyone else, the vaccuum
cleaner or the telephone. 2) Try putting a little bit of cotton in your ears
before you go.  It does wonders to cut out most of the 'background' noise and
makes the loudness of the music more comfortable so that you can hear the music
not the ringing of your ears.

>
>Just so nobody thinks I'm an uncritical Sinead-worshipper, I'll point out that
>Sinead's idea of adding depth and passion to a live rendition of a song seems
>to be adding "fuckin'" at key points in the lyrics, which doesn't impress me
>much.

Just one more of the turn-offs that the concert had... one among many.

Papa Sm00sh

v285raag@ubvms.cc.buffalo.edu
jadahlin@acsu.buffalo.edu


From jitr-request@presto.ig.com Sat Feb 23 10:41:01 1991
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From: mudie@postgres.berkeley.edu (David C Mudie)
Message-Id: <9102231840.AA08140@postgres.Berkeley.EDU>
To: jitr
Subject: Re: sinead's dancing 
In-Reply-To: Your message of Sat, 23 Feb 91 12:35 EST 
	     <B56CAF7220DF401E95@UBVMS.BITNET> 
Date: Sat, 23 Feb 91 10:40:23 PST
Status: OR


>From:  V285RAAG@ubvmsc.cc.buffalo.edu
>Subject:  sinead's dancing

>It is customary for audiences to applaud and profess their love for the 
>performers during the songs.

True. Unfortunately, I think Sinead would rather class herself as "artist"
than "performer" or "entertainer", so she doesn't go out of her way
to put on a show for the masses.  Rather than spend time, money and effort
on her choreography, she climbs on the stage and does what comes naturally.
Some people will gripe about the lack of showmanship, and some will enjoy 
seeing the artist being herself.  ("Hey, Sinead's a worse dancer than I am!")

IMHO, crying "artist" excuses some but not all of Sinead's on-stage behavior.
Cutting off a show because she "doesn't feel well" is just plain unprofessional,
and if she plans to be a professional artist, than she had better start
behaving in a professional manner.

I would rather she didn't tour than see her tour badly.  I feel it was worth 
seeing the second tour (though Nothing Compares to the First :), but if/when 
she comes around again I will probably save my money and listen to the albums.

	-D-


From jitr-request@presto.ig.com Sat Feb 23 12:14:36 1991
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From: dkb@cs.brown.edu (Dilip Barman)
Message-Id: <9102232014.AA12639@fritz.cs.brown.edu>
To: mudie@postgres.berkeley.edu
Cc: jitr
In-Reply-To: David C Mudie's message of Sat, 23 Feb 91 10:40:23 PST <9102231840.AA08140@postgres.Berkeley.EDU>
Subject: sinead's dancing 
Status: OR

I actually thought her rough little Irish jig at the end of "I am Stretched
On Your Grave" was quite kool!  I saw her this past summer at Great Woods
between Providence and Boston; it was a good and "emotional" concert.
Her voice acapella was amazing!!


From jitr-request@presto.ig.com Sat Feb 23 14:17:11 1991
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To: jitr
Subject: Is It Out of Your Systems, Yet?
In-Reply-To: Papa Sm00sh's message of Sat, 23 Feb 91 12:35:00 EST
Reply-To: jitr@presto.ig.com
Date: Sat, 23 Feb 91 14:16:36 -0800
From: Jym Dyer <jym@remarque.berkeley.edu>
Status: OR

___
 __ I really hope you people have gotten all the anti-Sinead
  _ flaming out of your systems.  Personally, I really don't
    care how much you don't like her politics, or dancing, or
    whatever.
___
 __ Creators are human, after all.  If you like the creations
  _ but are unsatisfied with the creators' imperfections, why
    wallow in it?
___
 __ I didn't subscribe to this list to read people bitching
  _ about Sinead.  Surely there's a better forum for that?
    Why not create your own flame-sinead mailng list or
    something.  Or, at the very least, stick "FLAMES" up in
    the Subject line.
    <_Jym_>
    (Sporting Stubble in Solidarity w/ Sinead)


From jitr-request@presto.ig.com Sun Feb 24 10:13:23 1991
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To: jitr
Subject: Sinead O Connor Awards
Date: Sun, 24 Feb 91 13:11:50 EST
Status: OR


Hi,

Yesterday Saturday Night Live had a spoof of the Grammys called 'The Sinead 
O Connor' Awards. Whoever played Sinead was excellent. I couldn't stop 
laughing. Phil Collins won 'Emptiest song of the year', and Frank Sinatra
won the lifetime meaningless career award (or something to that extent).
My cable company had screwed up the audio reception, so I couldn't 
hear what they were saying, but just looking at it was funny enough.
Oh, Paul McCartney was co-host.

Angelos

PS. I agree that flaming Sinead on this list is completely meaningless.
PPS. Who came up with 'Association to save Sinead from herself'?? 
+===========================================================================+
| e-mail to:                    |I LIKE MUSIC BY 10,000 Maniacs, Cure, U2,  |
| kyrlidis@athena.mit.edu       |Lene Lovich, Kate  Bush, Laurie Anderson,  |
|===============================|David Bowie, Velvet Underground, Tribe, O+,|
|                               |Sinead O Connor, Peter Gabriel, Lou Reed,  |
|  Song of the month:           |Sting, Cavedogs,Boomtown Rats, R.E.M. ,    | 
| 'Mad about you'- Sting        |Think tree, Sonic Youth, Brian Eno, Queen, |
|                               |Eurythmics, Prince, Indigo  Girls, Pixies  |
+===========================================================================+


From jitr-request@presto.ig.com Sun Feb 24 16:02:50 1991
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Date: Sun, 24 Feb 91 19:02 EST
From: V285RAAG@ubvmsc.cc.buffalo.edu
Subject: Re: Is It Out of Your Systems, Yet?
To: jitr
Message-Id: <B46D5F41E05F402E1F@UBVMS.BITNET>
X-Organization: University at Buffalo
X-Envelope-To: jitr@presto.ig.com
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Status: OR

>    Personally, I really don't
>    care how much you don't like her politics, or dancing, or
>    whatever.
>___
> __ Creators are human, after all.  If you like the creations
>  _ but are unsatisfied with the creators' imperfections, why
>    wallow in it?
>___


The whole purpose of this group is to discuss things related to Sinead
o'connor.  if we were to only discuss those things that we LIKE about her, it
would be a very boring and redundant mailer.  How many times would you want to
read about someone requesting more lyrics and whatnot.


Besides, there obviously is a significant number of people out here who both
like her music and don't like some of her unprofessionalism.  Instead of
suggesting that we get onto a 'flame_sinead' mailer, why don't you get onto a
'nothing_but_nice_things_to_say_about_sinead' mailer.  That way you won't have
to worry about us.

It would be a form of censorship to only talk about the 'good' things in a
performer and not allow any of the criticism of others to be heard.


papa sm00sh


From jitr-request@presto.ig.com Sun Feb 24 16:32:19 1991
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To: "It would probably be a good idea..." <jitr>
Subject: Re: Is It Out of Your Systems, Yet? 
In-Reply-To: Your message of Sun, 24 Feb 91 19:02:00 -0500.
             <B46D5F41E05F402E1F@UBVMS.BITNET> 
Date: Sun, 24 Feb 91 17:31:18 MST
From: huntert@newton.colorado.edu
Status: OR


--------

  #It would be a form of censorship to only talk about the 'good' things in a
  #performer and not allow any of the criticism of others to be heard.
  #
  #papa sm00sh

--------
On the other hand, the messages from you seem to be completely centered on
criticism.  I just scanned through the messages sent so far this year, and
you've said maybe one positive thing.  If you want to present yourself as
carrying on an intelligent coversation, avoid stupid put-downs like
"Sign-add" and nit-picky topics like "gee, her dancing is stupid".

Tim


From jitr-request@presto.ig.com Mon Feb 25 00:02:52 1991
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Date: Mon, 25 Feb 91 09:01 WET
From: "LARS <GRP507@vax87.aud.auc.dk>" <GRP507@vax87.aud.auc.dk>
Subject: Awards In Denmark
To: jump-in-the-river
X-Vms-To: in%"jump-in-the-river@presto.ig.com"
Status: OR


Hello everyone !

Saturday night, SOC was awarded two danish Grammy's for best foreign single 
hit (Nothing Compares 2 U), and for the best foreign female singer. The awards 
were picked up by a representative from the record company, at the Danish 
Grammy Awards seremony (for lack of a better word). The show was btw hosted by 
Maiken Wex (sp?), whom some of you may know from MTV Europe.

-Lars-


From jitr-request@presto.ig.com Mon Feb 25 10:17:10 1991
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Date: Mon, 25 Feb 91 08:55:25 PST
From: rickh@metaware.com (Don't ya wanna hang out with the Bleach Boys, baby)
Message-Id: <9102251655.AA24875@sol.metaware.com>
To: jitr
Subject: Re: Is It Out of Your Systems, Yet?
Status: OR

>>    Personally, I really don't
>>    care how much you don't like her politics, or dancing, or
>>    whatever.
>>___
>> __ Creators are human, after all.  If you like the creations
>>  _ but are unsatisfied with the creators' imperfections, why
>>    wallow in it?
>>___
>
>The whole purpose of this group is to discuss things related to Sinead
>o'connor.  if we were to only discuss those things that we LIKE about her, it
>would be a very boring and redundant mailer.  How many times would you want to
>read about someone requesting more lyrics and whatnot.

True enough, but how many times would you want to read about somebody whining
about Sinead is such a pain, and boy, she's really getting on my nerves.  It's
one thing to say that you're annoyed at something and leave it at that, it's
another to have to go through twenty or thirty mailings that have nothing worth-
while to say.  Just more example of want a bitch she is.
 
>Besides, there obviously is a significant number of people out here who both
>like her music and don't like some of her unprofessionalism.  Instead of
>suggesting that we get onto a 'flame_sinead' mailer, why don't you get onto a
>'nothing_but_nice_things_to_say_about_sinead' mailer.  That way you won't have
>to worry about us.

The point is that this has, over the last few weeks, turned into "The
Celebration of Sinead O'Connor as a Worthless Bitch" list.  It gets a little
annoying.  I don't want to just say "nice things";  but I'd like one of the
"basher" folk to say something at least slightly _interesting_.

>It would be a form of censorship to only talk about the 'good' things in a
>performer and not allow any of the criticism of others to be heard.

It's not that you're not allowed to.  I'm just getting sick of the shit.  Don't
go crying censorship because you're asked to shut the fuck up because we're
getting sick of listening to this crap.

>papa sm00sh

  //          ---<--[1m@[0m                     -[1;5mEcho[0m
\X/                                        [1mThe Potato-Salad-Eatin' Fool.[0m
[1mINTERNET:[0m rickh@metaware.com               [1mAT&T:[0m (408) 427-9814 home
[1mUUCP:[0m     uunet!ucscc!metaware!rickh       (408) 429-6382 x3086 work

Join the Flat-Fields mailing list!  Bauhaus, Love-n-Rockets, and more!
Write to Flat-Fields-Request@ucscb.ucsc.edu.


From weitzman@chaos.cs.brandeis.edu Mon Feb 25 11:10:08 1991
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Date: Mon, 25 Feb 91 14:09:40 est
From: "Adam J. Weitzman" <weitzman@chaos.cs.brandeis.edu>
Message-Id: <9102251909.AA20297@chaos.cs.brandeis.edu>
To: jitr-request, jitr
Subject: Re: Is It Out of Your Systems, Yet?
Status: OR

There's an article in the Sunday Boston Globe (2/24) about Sinead. it
has many favorable things to say about her antics of late. So y'all go to
the library, check it out, and we'll discuss it. (It compares her to 
John Lennon in his early, brash days, among other things.)

PS - Whoever advertises the Bauhaus mailing list in his/her .sig always
     screws up my mail so that I can't read the bottom of his/her posts.
     Please fix it.

					- Adam J Weitzman
					  weitzman@chaos.cs.brandeis.edu


From jitr-request@presto.ig.com Mon Feb 25 12:20:22 1991
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Date: Mon, 25 Feb 91 13:06 EDT
From: "MYKEL C. RUVOLA, BRAIN DRAIN" <RUVOLA39@snypotva.bitnet>
Subject: FLAME-SINEAD and SMOOSH
To: jitr
Message-Id: <B3D5FE473DFF008036@snypotva.bitnet>
X-Envelope-To: jitr@presto.ig.COM
X-Vms-To: IN%"jitr@presto.ig.com"
Status: OR

To whom it may concern;
     I think we can all agree that this is not the place to put down each
other. like someone seemed bent on doing to P.SMOOSH(??). I don't even know
this person, but I know that they have a RIGHT to complain about SINEAD as
much as they want.. this list is always full of "I like that lyric" and
"PLEASE send me the LYRICS" and "MAYBE I SHOULD SHAVE MY HEAD" but as soon as pe
   ople have any problems with this woman, half the list cries bout SINEAD-FLAMI
   NG.GROW UP. There is good and bad in this woman, and if the place to talk abo
   ut it
isn't here then WHERE IS IT?  At least now i get to hear more about her than
reading the lyrics of one of her songs, I know them...I don't need a place to
read them...

Also- to the person who said theat everyone who was flaming sinead should
leave...Well all i can say to that is, maybe you should if you don't like
the topics.

-TIRED OF THIS-mykel


From jitr-request@presto.ig.com Tue Feb 26 09:21:42 1991
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Date:         Tue, 26 Feb 91 12:17:34 EST
From: J Green <SSDC2@brownvm.brown.edu>
Subject:      Re: Lyrics
To: jitr
Status: OR

I tried sending mail to Eliz, but it got bounced back to me.
Any chance of getting the lyrics posted to the list?
At least it would be a better use of space than all the complaints!

>Date: Fri, 22 Feb 91 14:35:17 -0500
>From: eliz@world.std.com (Elizabeth Lear Newman)
>
>I keep all the lyrics to both albums on-line, and am usually the one
>to mail them out, I think.
>
>                                        ...eliz
>(I'm the one who transcribed tLatC)


From jitr-request@presto.ig.com Tue Feb 26 15:37:58 1991
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Resent-Date: Tue, 26 Feb 91 15:31:01 -0800
Resent-From: mcb@presto.ig.com (Michael C. Berch)
Subject: Fw: STRANGEWAYS
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Date: 24 Feb 91 18:22:00
From: Michael.C.Massengale@mac.dartmouth.edu
To: manchester@irss.njit.edu, murmur@athena.mit.edu, other-voices@bbn.com,
        ceremony@chsun1.uchicago.edu, kkawado@bonnie.ics.uci.edu
Subject: STRANGEWAYS
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Reply-To: Michael.C.Massengale@mac.dartmouth.edu
Status: OR

(forwarding comment)
--------------------------
This was sent to me via another music mailing list I am on, and
thought it might be of interest to JITR readers.

Michael
jitr-request@presto.ig.com
--------------------------
(original message follows)

My apologies in advance if this does not interest you...

This is an announcement for a new mailing list for The Smiths and Morrissey
entitled:

               STRANGEWAYS

We are trying to create a forum for discussing the great music of the Smiths,
the continuing effort of Morrissey as a solo artist and the fate of other
Smiths band members Johnny Marr (last seen in Electronic and The The), Andy
Rourke (last seen on Morrissey's "Interesting Drug" but wrote music for "Yes,
I'm Blind", "Girl Least Likely To" and "Get Off the Stage"), Mike Joyce and
Craig Gannon (also last seen on Morrissey's "Interesting Drug").  We're also
here to review upcoming albums, provide information on upcoming concerts, et
cetera.  

To join this interesting new mailing list, send email to either  

kkawado@bonnie.ics.uci.edu 
   	or Michael.C.Massengale%mac.dartmouth.edu 

Please send all posts to kkawado@bonnie.ics.uci.edu with the subject line
"Strangeways" until we can establish a permanent site. 


From jitr-request@presto.ig.com Tue Feb 26 19:03:31 1991
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Message-Id: <9102270301.AA12865@e40-008-8.MIT.EDU>
To: jitr
Subject: a book on sinead
Date: Tue, 26 Feb 91 22:01:00 EST
Status: OR


Hi,

I was browsing through the MIT Coop bookstore and was kind of surprised
when I saw Sinead staring at me from the cover of a book called:
SINEAD: Her Life and her Music by Jimmy Guterman.
Needless to say, I bought the book, and after looking at it I am not very
impressed by it. The author is obviously a fan of Sinead's but gets into
lengthy comparisons with other artists (like U2) and is NOT impressed
by 'Jackie' and 'Just like U said it would B', that are two of my favorite
songs on 'The Lion and the Cobra'. AND most importantly the author 
provides an incomplete Sinead discograpy! He has forgotten to include
'Someday my prince will come' from the 'Stay Awake' album...!

Some info that was news to me:
'What do you want?' was an outtake from her sessions with Mick Glossop
in 1987.

'The value of ignorance' is an actual song.

The book also has a picture of Sinead as a kiss-o-gram girl wearing a
French maid's uniform! And a picture of Sinead performing with a black eye...
This was something else I didn't expect to see.
Which reminds me. Ignore all comments written under the photos. Most of
them are really stupid.

Angelos

PS. Does anybody out there have 'Take my hand'-In Tua Nua, 'The value of
ignorance', and/or the Karen Finley extended version of 'Jump in the River'?


From jitr-request@presto.ig.com Tue Feb 26 19:39:07 1991
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From: Sunil Bhatla <bhatlas@pyrite.som.cwru.edu>
Message-Id: <9102270338.AA28958@pyrite.SOM.CWRU.Edu>
Subject: SOC on MTV next week
To: jitr
Date: Tue, 26 Feb 91 22:37:59 EDT
X-Mailer: ELM [version 2.2 PL14]
Status: OR


Next Tuesday (March 5) SOC will be appearing live on Rockline
with Martha Quinn at 10 pm on MTV. Haven't seen this show
before, but apparently it's some kind of viewer call-in
interview format.

Keep smiling...

Sunil.


From jitr-request@presto.ig.com Wed Feb 27 07:00:43 1991
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Date: Wed, 27 Feb 91 09:59:46 -0500
From: gb10@gte.com (Gregory Bossert)
Message-Id: <9102271459.AA04253@bunny.gte.com>
To: jitr
Subject: JITR single
Status: OR


Angelos says
> PS. Does anybody out there have 'Take my hand'-In Tua Nua, 'The value of
> ignorance', and/or the Karen Finley extended version of 'Jump in the River'?

well, i don't.  i spent about a month checking boston-area record stores for
the Finley version of _JITR_, and tried twice to special order it.  no luck --
it is officially out of print, and it must have been a very limited issue.
i do have the label and number info somewhere -- i'll try to repost it.

does anyone have a complete discography they could post?  (it can't be very
long...)  i *think i've got everything that's been officially released, 
(except the JITR single, that is) but then again i don't know anything about
_the value of ignorance_...

footah!
-greg -- gb10@gte.com


From jitr-request@presto.ig.com Wed Feb 27 07:37:34 1991
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Date: Wed, 27 Feb 91 10:38:22 EST
From: Derek "psalter" Gross <derek@prodigal.psych.rochester.edu>
Message-Id: <9102271538.AA05045@prodigal.psych.rochester.edu>
To: jitr
Subject: Value of Ignorance
Status: OR

The Value of Ignorance is on the UK Three Babies CD single (I think 12", too),
along with Damn Your Eyes and a live version of Troy.

Derek


From jitr-request@presto.ig.com Wed Feb 27 07:58:15 1991
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Date:         Wed, 27 Feb 91 10:56:57 EST
From: J Green <SSDC2@brownvm.brown.edu>
Subject:      Re: a book on sinead
To: jitr
Status: OR

>provides an incomplete Sinead discograpy! He has forgotten to include
>'Someday my prince will come' from the 'Stay Awake' album...!

When I first questioned about ppls favorite SO'C songs/albums on this
list, someone (more than one person) told me that SO'C only has TWO albums.
A while back, before I became a SO'C fan, I thought I saw another cd by her
but I wasn't sure.  Could this be it?  Any ideas where to get it in the
(ack) Brown/Providence/RI area?

Does it really exist?  Are there others?
What should I be checking out next after tLatC and IDNWWIHG?

jg


From jitr-request@presto.ig.com Wed Feb 27 08:08:51 1991
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Date: Wed, 27 Feb 91 11:06 EDT
From: Z O M B I F I E D!! <RUVOLA39@snypotva.bitnet>
Subject: FINLEY
To: jitr
Message-Id: <B25477BBB6DF009F28@snypotva.bitnet>
X-Envelope-To: jitr@presto.ig.COM
X-Vms-To: IN%"jitr@presto.ig.COM"
Status: OR

From:   SPOTVB::RUVOLA39     "Z O M B I F I E D!!" 27-FEB-1991 10:54:58.28
To:     IN%"jitr@presto.com"
CC:     RUVOLA39
Subj:   FINLEY

I have a good copy of the JITR 12" (w/ FINLEY) HOWEVER...It rarely gets played
due to the fact that FINLEY is replusive.
        If any of you have heard this you know what I mean.  It is full of
endless screaming, Panting, and Sexually disgusting suggestions (i.e. Something
about wrapping a tie around her clitoris and pulling on it. There is also a
line about karen Insisting that her mother Masterbate her.  This is disgusting
It's good to have, but not to play.  When I first heard this, I was shocked
that Sinead O, would acctually release this kind of TRASH.
                -MODERATELY REPULSED-mykel


From jitr-request@presto.ig.com Wed Feb 27 08:23:13 1991
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          Wed, 27 Feb 91 08:22:31 -0800 (PST)
Message-Id: <Mbmxn7e6f08E5OBVEY@presto.ig.com>
Date: Wed, 27 Feb 91 08:22:31 -0800 (PST)
From: Christopher Dow <dow@presto.ig.com>
To: jitr
Subject: Re: FINLEY
In-Reply-To: <B25477BBB6DF009F28@snypotva.bitnet>
References: <B25477BBB6DF009F28@snypotva.bitnet>
Status: OR

	I think that you have to take Finley in context.  She deliberately
tries to be repulsive in order to make the point that people who would
not normally be considered to be perverted participate in pornography,
which she feels degrades women.  In one of her performance peices, she
uses a speculum to 'reveal herself' and then invites the audience to
come up an take a peak.  When no one does, and people act repulsed, she
then berates them (especially the men) for having double standards.  Her
point is that there is no difference between that and some (perhaps
most)  pornography.  
Chris Dow                             IntelliGenetics
Software Engineer                     700 East El Camino Real
icbmnet: 37 22' 39" N, 122 3' 32" W   Mountain View, Ca. 94040
dow@presto.ig.com                     (415) 962-7320


From jitr-request@presto.ig.com Wed Feb 27 08:44:55 1991
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Date: Wed, 27 Feb 91 11:44:53 est
From: "Adam J. Weitzman" <weitzman@chaos.cs.brandeis.edu>
Message-Id: <9102271644.AA04768@chaos.cs.brandeis.edu>
To: jitr
Status: OR

Hi there. The following is a somewhat incomplete Sinead O'Connor US
discography. I tried to put it in chronological order. It is hoped that it
will eventually include all of Sinead's output as well as her appearances
on other people's records (and other people's appearances on her records).
If you have any additions, corrections, or other stuff, please mail them to
me. NO RUMORS, PLEASE. A couple of things I know are missing: the names of
the "Stretched" remixes, whether "Compares" and "Emperor" had 7" to
go with them (they may have, but I am not sure), any singles from "The Lion,"
and her appearances on World Party's records. If anyone has seen fit to 
cover any of her songs (I am not aware of this), let me know about that too.
Thanx. Hope you enjoy it!

					- Adam J Weitzman
					  weitzman@chaos.cs.brandeis.edu

------------------------------------------------------------------------------
(All releases are on Ensign/Chrysalis unless otherwise noted)

"Heroine" (The Edge w/) 
from THE CAPTIVE - THE EDGE (SOUNDTRACK) (Virgin: LP, cassette, CD)



THE LION AND THE COBRA (LP, cassette, CD)
----------------------
Jackie
Mandinka
Jerusalem
Just Like U Said It Would B
Never Get Old
Troy
I Want Your (Hands On Me)
Drink Before The War
Just Call Me Joe



"I WANT YOUR (HANDS ON ME)" (12", cassette-maxi)
---------------------------
I Want Your (Hands On Me) (w/ MC Lyte) (12" remix) 
I Want Your (Hands On Me) (w/ MC Lyte) (7" remix)
I Want Your (Hands On Me)



"Jump In The River"
from MARRIED TO THE MOB - VARIOUS (SOUNDTRACK) (Reprise: LP, cassette, CD)



"JUMP IN THE RIVER" (Reprise: 12")
-------------------
Jump In The River (w/ Karen Finley) (12" remix) 
Jump In The River (w/ Karen Finley) (7" remix)
Jump In The River



"Someday My Prince Will Come"
from STAY AWAKE - VARIOUS (A&M: cassette, CD)



"Kingdom Of Rain" (The The w/)
from MIND BOMB - THE THE (Columbia: LP, cassette, CD)



"Nothing Compares 2 U"
from NEW ROUTE SAMPLER - VARIOUS (New Route: cassette)



"NOTHING COMPARES 2 U" (cassingle)
----------------------
Nothing Compares 2 U
Jump In The River



I DO NOT WANT WHAT I HAVEN'T GOT (cassette, CD, LP)
--------------------------------
Feel So Different
I Am Stretched On Your Grave
Three Babies
The Emperor's New Clothes
Black Boys On Mopeds
Nothing Compares 2 U
Jump In The River
You Cause As Much Sorrow
The Last Day Of Our Acquaintance
I Do Not Want What I Haven't Got

(note: LP was released about 3 weeks after the album hit #1)



"THE EMPEROR'S NEW CLOTHES" (cassingle)
---------------------------
The Emperor's New Clothes (Edit)
What Do You Want?



"THE EMPEROR'S NEW CLOTHES" (CD-single)
---------------------------
The Emperor's New Clothes
The Emperor's New Clothes (Main Mix)
What Do You Want?
Mandinka (Jake's Remix)



"THE EMPEROR'S NEW CLOTHES"/"I AM STRETCHED ON YOUR GRAVE" (12", cassette-maxi)
----------------------------------------------------------
The Emperor's New Clothes
The Emperor's New Clothes (Main Mix)
I Am Stretched On Your Grave (Mix 1)
I Am Stretched On Your Grave (Mix 2)



"Mother" (Roger Waters w/)
from THE WALL: LIVE IN BERLIN - ROGER WATERS (Polygram: 2cassette, 2CD, 2LP)



"You Do Something To Me"
from RED HOT + BLUE - VARIOUS (Chrysalis: cassette, CD)
			      (MFSL: CD)

------------------------------------------------------------------------------
Videos:

Mandinka
I Want Your (Hands On Me)
Troy
Jump In The River
Nothing Compares 2 U
The Emperor's New Clothes
Three Babies

------------------------------------------------------------------------------
Videocassettes:

The Value Of Ignorance
The Wall - Live In Berlin (ROGER WATERS) (sings one song, "Mother")

------------------------------------------------------------------------------

THE END


From jitr-request@presto.ig.com Wed Feb 27 08:57:31 1991
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From: kyrlidis@athena.mit.edu
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Message-Id: <9102271656.AA22077@m66-305-1.MIT.EDU>
To: J Green <SSDC2@brownvm.brown.edu>
Cc: jitr
Subject: Re: a book on sinead 
In-Reply-To: Your message of Wed, 27 Feb 91 10:56:57 -0500.
             <9102271557.AA27837@presto.ig.com> 
Date: Wed, 27 Feb 91 11:56:40 EST
Status: OR

J green says:

>When I first questioned about ppls favorite SO'C songs/albums on this
>list, someone (more than one person) told me that SO'C only has TWO albums.
>A while back, before I became a SO'C fan, I thought I saw another cd by her
>but I wasn't sure.  Could this be it?  Any ideas where to get it in the
>(ack) Brown/Providence/RI area?

>Does it really exist?  Are there others?
>What should I be checking out next after tLatC and IDNWWIHG?

There are ONLY two albums. 'Stay Awake' is a compilation of remakes of
songs from Dispey movies.

Angelos


From jitr-request@presto.ig.com Wed Feb 27 10:00:59 1991
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Date: Wed, 27 Feb 91 12:57 EDT
From: Z O M B I F I E D!! <RUVOLA39@snypotva.bitnet>
Subject: DISCOGRAPHY APPENDMENT
To: jitr
Message-Id: <B244EFA069DF00A9B4@snypotva.bitnet>
X-Envelope-To: jitr@presto.ig.COM
X-Vms-To: IN%"jitr@presto.ig.COM"
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Status: OR

The discography you sent is missing the Three-Babys CD5" which someone mentioned
earlier.  -Mykel


From jitr-request@presto.ig.com Wed Feb 27 12:06:59 1991
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From: szady@athena.mit.edu
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To: Z O M B I F I E D!! <RUVOLA39@snypotva.bitnet>
Cc: jitr
Subject: Re: FINLEY 
In-Reply-To: Your message of Wed, 27 Feb 91 11:06:00 -0400.
             <B25477BBB6DF009F28@snypotva.bitnet> 
Date: Wed, 27 Feb 91 15:05:52 EST
Status: OR

Wow....i have to get this.
Karen Finlay is FABULOUS....i saw her give a performance

Drew Lewis                   szady@athena.mit.edu     O+>
Silence is the voice of complicity / AIDS is a Disaster!  Womyn die FASTER!
       Queer Nation: All you need is a three dollar bill and a dream

If there is no struggle, there is no progress.  Those who profess to favour
freedom and yet renounce controvery are people who want crops without
ploughing the ground                     -- Frederick Douglass


From jitr-request@presto.ig.com Wed Feb 27 19:04:22 1991
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From: Ron Buckmire <prince@rpi.edu>
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	id AA01846; Wed, 27 Feb 91 21:57:51 EST for kyrlidis@athena.mit.edu
Date: Wed, 27 Feb 91 21:57:51 EST
Message-Id: <9102280257.AA01846@sub.its.rpi.edu>
To: kyrlidis@athena.mit.edu
Subject: Re:  Sinead O Connor Awards
Cc: jitr
Status: OR

I agree that the Sinead O'Connor Awards were fantastic! I taped the show because
Whitney Houston was on [and Alec Baldwin *grin*] and got all of the SOC awards.
The person who played Sinead was Jan whatshername, an SNL regular. Dana carvey
played Paul McCartnrey to the hilt.

*I* came up with the Sinead Association, sort of like the Madonna association,
except the Madonna one _reallY_ exists. My fave Sinead O'Connor song is
"Never Get Old" aty the moment anbds I can NOT get THE LION AND THE COBRA
out of my 5disc Cd player, I love it too much! I Used to think that the 
second album was beter [I bought it first for "Black Boys on Mopeds"] but
now I know TL&TC is *great*!

also, are there any other interesting remixes of "I Am Stretched On Your Grave"?
I guess finding the versionb oof JITR would be impossible to get at this
point.


RON BUCKMIRE
Association To Save Sinead O'Connor From Herself [New York Chapter]
11 Colvin Circle, Troy, NY 12180-3735. "1991: YEAR OF THE QUEER"
uunet!rpi.edu!prince||prince@rpitsmts.bitnet||prince@rpi.edu||+1 518 276 8910


From jitr-request@presto.ig.com Thu Feb 28 13:56:10 1991
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Date: Thu, 28 Feb 91 13:50:26 -0800
From: mcb@presto.ig.com (Michael C. Berch)
Subject: Re: Lyrics
To: J Green <SSDC2@brownvm.brown.edu>
Cc: jitr
X-Orig-Date: Tue, 26 Feb 91 12:17:34 EST
X-Orig-From: J Green <SSDC2@brownvm.brown.edu>
X-Orig-Message-Id: <9102261720.AA19489@presto.ig.com>
Status: OR

> I tried sending mail to Eliz, but it got bounced back to me.
> Any chance of getting the lyrics posted to the list?
> At least it would be a better use of space than all the complaints!

The lyrics files for both albums are available by e-mail request to
the JITR moderator at the address "jitr-request@presto.ig.com".
They have been posted at least once, but I think people will get upset
if they are posted repeatedly because of their length.  Also in the
JITR archive will be the Sinead discography that people occsionally
request.  I have to dig it out of the message file, though.

Ultimately all these files, plus a chronological message archive
(probably by quarter) will be available for anonymous FTP, with e-mail
service for those unable to reach this site by FTP.  

--
Michael C. Berch 
Jump-In-The-River Moderator
jitr-request@presto.ig.com


