From babel-list-owner  Wed Oct  1 04:28:25 1997
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Subject: Re:[2] Letterman tonight
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0713 EDT // Wed 1 Oct 97 // BklnNYC
                                                       
***************************************************************
>From: Bluemuse@aol.com
>Date: Wed, 1 Oct 1997 01:15:18 -0400 (EDT)
>To: babel-list@postmodern.com
>Subject: Re:  Letterman tonight
                                  
>...
                                                   
>But wasn't it funny how *stupid* Letterman got when the 
>Wonderbra model appeared? She was a bit classy; he was a 
>moron.
                                                                   
        ** I had him a "Dork", but...
           She *was* kind of a Hot-Number: 
                                      An OwStraylyan Blonde!
           Whew!
           But what I thot was Yowzah!: When the Camera comes 
           back and Patti's sitting between the Blonde and 
           Dave...I Couldn't Look Away From Patti!
                                                             
>...
                                           
>   Wilson: I loved the faux performance log!
                                                  
        ** Amen!
                                            
>--Bob Farace
***************************************************************
                                             
--//
eLTyger
--//
/*RESPECT FOR THE ELECTRON(S)*/
--//
/*SACRED LIGHTNING/ DANCE THE WORLD*/


From babel-list-owner  Wed Oct  1 04:34:36 1997
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I'm in for the aol chat.

From babel-list-owner  Wed Oct  1 05:27:32 1997
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From: "Fiona Webster" <fi@oceanstar.com>
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I was actually a little bit disappointed.  Patti started the song 
off-pitch (flat) and stayed that way.  When Tony and crew
joined in on the chorus, they went along with her, of course,
which sort of rubbed it in.  The flat pitch diminished the creepy 
joyfulness of the song for me.  (Unlike some who are saying it will 
grow tiresome, I really *like* this song!)  

And why couldn't Lenny do that Mediterranean guitar thing 
on stage?

But her radiant smile through the veil of hair was great!  And I 
love the sweet simplicity of a 50-year-old woman who waves to 
her "Mommy and Daddy" when she's on TV.  She knows when
to leave her irony behind and just be real.

		--Fiona

From babel-list-owner  Wed Oct  1 05:29:19 1997
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Subject: Peace and Noise
Date: Wed, 1 Oct 97 07:31:55 -0000
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Some thoughts after listening to Peace and Night for the first time last 
night and watching Patti on Letterman--Patti's voice is so rich and 
mesmerizing and her lyrics have so many layers of interpretation that 
it's hard for me to focus on both at the same time.  Each alone is so 
compelling that the synthesis of voice and words is almost too much to 
absorb.  Listening to Peace and Noise is like wandering through a 
wondrous new city in which every sight and sensation evoked is 
tantalizing.  You want to explore every twisting corner, experience 
everything you can; you want to savor each part but you're constantly 
tempted into another direction.
     Unlike some of the people who have discussed P&N, I find "Whirling 
Away" to be very strong, especially the refrain, which keeps playing in 
my mind as I write this.  That and
"Death singing" are perhaps my favorite pieces so far, but since I love 
them all, probably my preferences will vary from day to day.
     Alison

From babel-list-owner  Wed Oct  1 05:30:03 1997
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Date: 1 Oct 1997 08:27:02 -0500
From: "Steve Kenney" <STEVEN.H.KENNEY@cpmx.saic.com>
Subject: p+n on first listen
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wow .... !! ..... !! ....!!

the song that stands out most for me after one pass-through is Blue Poles --
this is a mortal classsic, one of her best songs *ever,* i absolutely *cannot*
get it out of my head

waiting underground is also great (love that piano -- oh how patti sounds
great with a piano), and whirl away.  

showing my relative ginsberg ignorance dept: what i posted in the camden set
list as "ginsberg's poem holy, holy, holy" was "spell" -- i thought it was
remarkable that night, and last night in my living room too.  interesting that
she managed to avoid a "warning -- explicit lyrics" sticker on the album
(though that would probably boost sales -- 14 year old in the record store sez
"i don't know who this chick is, but its got explicit lyrics -- cool, let's
get it...)

memento mori i like, but it didn't bowl me over --  i know it will grow on me,
as "fireflies" did (underwhelming at first, now one of my favorite tracks on
GA) -- when she started talking about johnny, i flashed back to "horses" --
also when the helicopter went "up, up, up" (birdland...)

i agree, stipe's vocals on Last Call don't sit qquite right for me, somehow --
they don't detract significantly from a teriffic song, but they just don't sit
right (though i've found stipe/REM intolerable since about 1986, no flames
please, just one man's opinion...).  and someone (JDaly, methinkst) said the
album would really benefit from some Lead Guitar, and he's really right -- i
think the groove is great, the whole album's got a thematic, hypnotic groove
to me, but a few of the songs (Dead City, 1959, f'rinstance) would just
*launch* with some lead.  whatever.

the only song that fell a little flat for me was Death Singing --  i really
like the words, but the music, eh, not so much.  maybe if i get into a Pogues
headspace tonight... i'm sure it will grow on me as well

there really *are* some places where her voice is scary/cool, like she's all
shivery and bug-eyed and hurling lightning bolts....

oh, and the Big Secret Album Cover Photo -- i *love* it -- her hand on the bed
looks like an alien claw, its *awesome*  (when will you be landing? .... : ). 
and i love that jesse came up with the title -- you go girl!

as for Letterman, someone remarked that he was a moron with the bra model --
why should last night have been different than any other night?  Patti was
killer, no surprise there, great song, great hands, great band.  and i thought
she looked so goddamn *happy* sitting there at the end (cute little bit about
her weight vis-a-vis the model's).  though -- dave *could* have given the
album another little plug there at the end, no?  like holding it up and saying
"peace and noise, in the stores today, thanks for being here patti..."  jeez,
people go on these shows to SELL THEIR WARES, he could help a little.

ahhhh, you'll be hearing more from me on this subject, i'm sure....

"Blue Poles......infinitely winding......"

love that record,
skenney



From babel-list-owner  Wed Oct  1 05:41:31 1997
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Mother of Us All
by Sue Cummings

Ever wondered what grief feels like? Turn on the stove. Heat the burner til
it’s red-hot, then lay your right eye down on it. when half your vision is
seared away, grief is what fills the oozing cavity. GONE AGAIN helped stop
the bleeding, an elegiac spasm Patti Smith had while mourning the deaths of
her brother, Todd, and her husband, Fred "Sonic" Smith. It took just that
sort of double blow to dislodge GONE AGAIN from her domestic cocoon, where
she had been mothering in suburban Detroit for the nine years since DREAM OF
LIFE. PEACE AND NOISE is the album that had been fomenting before the loss, a
batch of songs sprouted in happiness, then pruned by misery.

It’s no surprise that the tension of opposites would drive a record entitled
PEACE AND NOISE, whose pen-and-ink cover art, created by Smith, is a Ralph
Steadman-esque vortex of the album’s lyrical phrases, centered on a splash of
brilliant red and yellow and bounded by blank white edges. What is new for
Smith, who has championed social consciousness fueled by anger since "Piss
Factory," is the way she now tries to imagine the future of her children by
comparing their youth to her own. The results are universally resonant:
welcome to the historical legacy of the aging baby-boomer who, having made
such a big deal of her own adolescent rebellion, finds parenting to be a
queasy, ear-biting spectator sport, albeit sometimes a funny one.

Patti Smith fans had the pleasure of meeting her son when she reemerged
tentatively for a short string of dates in the spring of ’96, shows scheduled
precisely around the school break of 13-year-old Jackson Smith and his
younger sister. "We are not touring!" guitarist Lenny Kaye said Smith
insisted. The backstage life resembled a gypsy caravan of children,
relatives, and hired hands, and Lenny roomed with Jackson, an arrangement
conducive to hotel jam sessions that overflowed onto the stage. When the
lights went down at the Roxy in Hollywood, Patti solemnly warmed up the club
crowd with some old songs and a new one cowritten with Fred. Then, when the
room was overtaken with sadness and nostalgia, she invited Jackson up for a
rousing rendition of "Smoke on the Water." Hunching near his amp, the boy
ripped through the fuzzy riff while Mom croaked, "Ah fi-yah in the sky-ee,"
and everyone whooped and giggled uncontrollably.

Fred taught Patti to play guitar, as she does sometimes on PEACE AND NOISE,
which is arranged sparsely compared with the rocky fury of GONE AGAIN. Strums
and stoic piano chords wrap around her opening words: "If you believe/all
your hope is gone/down the drain/of your humankind/The time has
arrived/you’ll be waiting here/as I was/in a snow-white shroud/waiting
underground." From beginning to end, the Reaper is still a dominating player,
but he no longer flirts romantically as the junkie dreams of RADIO ETHIOPIA.
Death is a father in "Waiting Underground," biding time on the other side
before he reunites with his children "beneath the pilgrim moon." In "Death
Singing," he is even a musician. But elsewhere death is a presence lingering
in the background as Smith paints an American landscape seen through youthful
eyes, in songs like "Whirl Away" and "Blue Poles," where a Dust Bowl kid goes
out looking for work and comes back jobless to tell his mom he did as well as
he could.

"Dead City," a plodding march herded along by a cowbell, references the Motor
City 5’s working-class rage with an image of Detroit’s burned-out Rust Belt,
then matches that rage with Smith’s own anger at abandonment: "Is it any
wonder that I’m crying in the sun/Well I built my dreams on your empty
seeds/Now I’m burning them one by one." That’s the same pain that hid behind
sarcasm in the title of GONE AGAIN; now it kicks out in a defiant fit on the
floor of the studio in "Memento Mori," an ad-libbed swirl of pedal effects
and spontaneous verbal throwdowns that fuses the contradictory impulses of
the survivor and the bereaved into a story of a son killed at war. "And
Johnny never went marchin’ home," she declares. "They took his name/and they
carved it on a slab of marble/with several thousand other names/all fallen
idols." In the raw abandon of "Memento," you can watch Smith flip from the
role of widow, which pervaded the previous album, back again to that of
parent, which dominates PEACE AND NOISE. The widow empathizes with the dead
husband; the mother with the living children. Imagination, she is saying, can
beat death sometimes.

Smith brands herself as a boomer with such a Vietnam-style anecdote; you can
just see her kids squirming impatiently through the story. PEACE AND NOISE
also serves up vitamins-for-their-own-good like "Spell," a chant to the
godfathers of Beat. "Holy Kerouac…Holy Burroughs" she intones, and I’m not
sure they would care to be so deified, but every young boy needs good male
role models, so Mom tries to point ‘em out. In a couple of years, she knows
from her own rebel experience, the kids’ll be too cool to listen, much less
go onstage with her, so she seizes the moment with her captive audience: "It
was the best of times, it was the worst of times," she tell him in "1959."
"Mom," they might say, "can we go play Nintendo?"

Every parent knows sometimes kids don’t listen. Every artist knows sometimes
nobody listens. Every wife knows sometimes hubby doesn’t listen; he’s too far
away and anyway she’s just saying "pick up your socks, pick up your socks"
while he’s trying to watch the game. The point is the wife just keeps
talking. She keeps talking because she’s alive. She’s breathing and something
has to come out with the air. The kids need her and so she makes an album for
them. By the time she’s done, a lot of other people hear it too. People she’s
been ignoring a long time. They’re listening. The kids, maybe seven or eight
years from now, they’ll meet those "desolation angels serving it up with
love," the ones from "1959." Everyone else is listening now as she lays  out
a future. Hubby keeps watching the game.

As time speeds up and changes come faster, it becomes every more impossible
for any one generation to envision the lives of the next. But Smith gets
surprisingly close. My favorite moment here comes in "Death Singing," when
she imagines her husband’s ghost, and says he sings of "these viral times."
Vietnam served as her generation’s sign of destruction; AIDS is her
children’s. The noise comes when the mother thinks of it, the peace when she
speaks it.


From babel-list-owner  Wed Oct  1 05:46:30 1997
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the sue cummings article in the village voice is positioned on recto, page
63, and has a fairly good-sized ad on the recto, page 62, announcing the P&N
release and the "come to howieville" release party. the picture used is the
same as the cd cover and the poster. also the ad provides arista's web site
address, for what good that may be...they still haven't updated the damn
site!

still pissed about lack of promotion!
phillip

From babel-list-owner  Wed Oct  1 05:52:03 1997
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Date: Wed, 1 Oct 1997 08:50:16 -0400 (EDT)
From: barbara nagler <birena@umich.edu>
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     It's all a spell, earthy mysteries droning through densely
interwoven roots & out into sky,  I really love the whole thing.  My
favorites are probably Spell and dead city, but I have a hard time
choosing favorites on her albums and find all the songs essential and
interwoven.  

     I like cycling back to Waiting Underground after Last Call.  From
lost in the skies to ancestor gods alive in shrouds and feet beating on
the ground. 

     As far as I'm concerned, strange as it may sound, Spell is a dance
song, and I shall inflict it along w/others on my Fri. nite dance ... I
would like to see the lyrics to dead city.  The end of it is esp.
gorgeous, and I feel that whatever one may feel about Detroit (I do love
the mangy old beast) it's typical of it to grind out something of such
beauty through someone beautiful & able to express it.   It's an earth
city (to me) and the earth is in trouble and can sometimes groan & scream
esp. well through it.

    Spell is up with my favorite all-time-most-beautiful pieces.  It just
says it all.

       Irena


From babel-list-owner  Wed Oct  1 06:17:55 1997
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Date: Wed, 1 Oct 1997 09:16:46 -0400
From: mg@inmet.com (Mitch Gart)
Message-Id: <199710011316.JAA08457@harp.camb.inmet.com>
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Subject: Re: check out the Sessions website
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I also had a problem with the screen saver on Windoze.

But on the other hand, the two video clips at that site are really
nice.  One's from "don't say nothing" and the other's Patti talking
on stage about flossing and other equally important things.

- Mitch

From babel-list-owner  Wed Oct  1 06:22:37 1997
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From: mg@inmet.com (Mitch Gart)
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At my local Tower yesterday, P&N was out front with the new Stones
and Dylan records, which was nice, but its price was the full $16.99,
while the others were discounted at $12.99.  

The new Dylan record sounds real good, sort of a folk-blues sound.

- Mitch

From babel-list-owner  Wed Oct  1 06:26:46 1997
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Hello B-listers!

The river art-rat is back.  I want to thank you for all the mail.  I
haven't gotten to my mail yet, there was a mountain waiting for me at work,
7 loads of stinking laundry from our trip, and a crate of mail from the
postoffice waiting. It will take several weeks to sort threw all those
digests!  Thanks for the swaps and trades, I'll respond to my mail
personally when I can decompress a little from being away so long.

Peace & Noise!
--Yana from the Lake

P.S.  If you haven't yet bought Peace & Noise, please get it this week!!
The numbers are really important the 1st week!  Buy your holiday gifts
early!  Best blessings.

PPSS.  My favorite track, after living on Lake Powell with the tape, is
'Whirl Away' for its lyrical content.  I think that 'Don't Say Nothing' is
the obvious hit IMHO.

Ciao!
--Yana


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The most violent of [the filthiest sailors] hold these fragile poems
between their teeth as they sometimes hold in their fingers the twigs and
threads which will be the masts and gear of a schooner imprisoned in the
crystal of a flask.  --Jean Genet




From babel-list-owner  Wed Oct  1 06:34:19 1997
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Date: Wed, 1 Oct 1997 09:33:53 -0500
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From: kendall@nexen.com (Brian Kendall)
Subject: Re: idea
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Count me too, -finally a reason to log on to my AOL account...

BK

>In a message dated 97-09-30 22:02:17 EDT, DblLatte0@aol.com writes:
>
>>
>><< Hey...I was just wondering how many people on this list have
>AOL...because
>>I
>> was just thinking maybe we could get some kind of Patti chat room going
>>every
>> thursday (or anyother day) night.
>
>Count me in!



From babel-list-owner  Wed Oct  1 06:46:02 1997
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Date: 1 Oct 1997 09:45:04 -0800
From: "Steve Kenney" <STEVEN.H.KENNEY@cpmx.saic.com>
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welcome home yana!
skenney



From babel-list-owner  Wed Oct  1 07:31:46 1997
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In a message dated 97-10-01 09:44:21 EDT, HRH YANA YA YA  writ:

<< The river art-rat is back. >>

welcome home, yana, darling!
missed your wonderous self!!!

be a gathering,
st.p

From babel-list-owner  Wed Oct  1 09:00:23 1997
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     That sounds just like David Letterman's weird humor, to put them both
on one show.    I'm sure that he had "Diet Woman" (Sarah Ferguson) and the
writer of Summer Cannibals on the same show on purpose too.

      I didn't see this one ... no cable TV ... He certainly drives me
nuts to watch, but so does a lot of TV.    I have enough problems with my
own mind "whirling away" without all the frenetic-paced attempts to keep
people happy-happy-happy, or whatever it is they're doing.  But, I'm glad
he keeps asking Patti back, anyway!!

       Irena


From babel-list-owner  Wed Oct  1 11:57:54 1997
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From: "Lynch, Mary" <MLynch@ccsmtp.risd.edu>
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     Hey I can't stop listening.
     But I did stop long enough to listen to the new Dylan album.
     Scared me at the opening refrain, I thought he might have been
     suddenly possessed by Leonard Cohen. Anyway, it's a good 'un,
     too. Now gotta check out the other old guys Babylon recording.
     Ciao, Mary

From babel-list-owner  Wed Oct  1 12:19:24 1997
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Ok...here's my idea.  On Thursday night at 9:00 eastern time I'll open a room
in members rooms, Arts and Entertainment called "Peace and Noise" or just
locate me.  sound good?

hope to see you there
~~mike

From babel-list-owner  Wed Oct  1 12:21:23 1997
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In-Reply-To: <9709018757.AA875745493@ccsmtp.risd.edu> from "Lynch, Mary" at Oct 1, 97 03:38:13 pm
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Lynch, Mary wrote:

>      Anyway, it's a good 'un,
>      too. Now gotta check out the other old guys Babylon recording.

Having no self-discipline, I bought P&N last night (better
that than a dish of ice cream!) but since I can't get beyond
Babylon myself, I may not hear P&N until the listening 
party on the 8th. (Hmmmm.. will we get free rosaries?) 

ObPackaging: P&N is available with or without the outer slipcover.
             The plain-jewelbox version uses the same front photo, 
             but because it's smaller, it doesn't have as much impact.

From babel-list-owner  Wed Oct  1 12:22:11 1997
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From: mcb@postmodern.com (Michael C. Berch)
Date: Wed, 1 Oct 1997 12:20:35 +0000
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The mail server for postmodern.com has been having some serious 
hardware problems, and has crashed 3 times already today.  It looks
like either memory or motherboard problems.  I am going to try to
run some diagnostics and decide whether it can be fixed or will need
to be replaced. 

In either case, please be warned that list service is likely to be
irregular for the next few days until this is resolved.   My apologies
for the annoyance.

BTW, this machine also serves as the Web server www.postmodern.com, so
archive and Web service will also be affected.  

I'll post updates when possible.

Regards,
-- 
Michael C. Berch
mcb@postmodern.com

From babel-list-owner  Wed Oct  1 12:26:14 1997
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Date: Wed, 1 Oct 1997 10:29:33 -0700 (PDT)
From: Robert Byler <berto@uclink2.berkeley.edu>
To: babel-list@postmodern.com
Subject: Re: shrouds
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thats my fav. imagery
the white shrouds at the beginning
 and the heavens gate thing at the end...
circular
maybe we all are wearing a different colored shrouds...


robert.


From babel-list-owner  Wed Oct  1 12:51:32 1997
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        I'm back ( again and again ). 
        Sad by cannot writting whenever i want, and more sad becouse i think

that i'll have to wait until "Peace & noise" comes to Spain :_(. Hope being
in a mistake. I'll go this evening ( again ) to my record's shop to see if
the CD is there.
        Well, happy to be here with you again ( let's see how long ).
        See you.
           < naib >


        
      


From babel-list-owner  Wed Oct  1 13:04:13 1997
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From: Steve Jackson <STEVEJ@kxly.com>
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I GUESS I'M KIND OF A NOVICE ON MANY INTERNET ISSUES..DOES THIOS MEAN
YOU NEED AOL AS A SERVER TO GET INVOLVED IN THIS  CHAT?
HOPE NOT...
BY THE WAY..I'D LOVE TO HEAR FROM MANY PACIFIC NORTHWEST PATTI
FANS...ESPCIALLY IF IT LOOKS LIKE THE BAND IS GONNA PLAY SEATTLE..
WONDER WHAY LETTERMAN HAD THAT WONDERBRA CHICK ON TWO SEGMENTS..AND
DIDN'T GET TO TALK TO PATTI?
I'VE LISTENED TO THE NEW ALBUM ONCE..I GUESS I NEED TO HEAR IT MORE
TO DECIDE WHAT I LIKE BEST..BUT THE FIRST CUT SEEMED REAL
STRONG..LIKE THAT LITTLE PIANO LINE..BY THE WAY..ALSO LIKE LENNY'S
GUTIAR LAST NIGHT..NOTE THEY ARE USING MATCHLESS AMPS AS WELL. 


From babel-list-owner  Wed Oct  1 13:49:17 1997
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From: "Lynch, Mary" <MLynch@ccsmtp.risd.edu>
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     Hi Naib :)

From babel-list-owner  Wed Oct  1 14:29:05 1997
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Date: Wed, 1 Oct 1997 14:12:20 -0700 (PDT)
From: Robert Byler <berto@uclink2.berkeley.edu>
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Hey didnt this also happen last year when Gone Again came out?
spooky huh?

robert...

also has a AOL account......maybe see ya in the chat room.   


From babel-list-owner  Wed Oct  1 15:20:44 1997
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From: DBaer@webtv.net (David Baer)
Date: Wed, 1 Oct 1997 18:20:31 -0400
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Subject: Patti's doing an interview on WFDU
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Hi everybody, I just heard that Patti is going to be doing an interview
on WFDU which is Fairleigh Dickinson University's (in northern New
Jersey)  radio station, 89.1 FM on Friday, October 3.  She's gonna be on
Carol Allen's show, but I don't know the exact time.  If you find out,
would you let ME know.
-David.

From babel-list-owner  Wed Oct  1 16:23:25 1997
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I wished Dave spent more time interviewing Patti than the Wonderbra model and
the guy off the street.  If I had 5 seconds of free speech (instead of the
guy off
the street)  I would hand it over to Patti.  Performance of 1959 was
mesmerizing.
This week has been great with Sessions, Letterman and Peace & Noise.


Nicki


From babel-list-owner  Wed Oct  1 17:02:19 1997
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Actually, although I would very much like to hear you have to say Jeffrey, I
have come to think of your blank postings as a running joke on the babel
list.  Even if you do post, send a few blanks every now and again, will you?
Love,Mary

From babel-list-owner  Wed Oct  1 17:03:12 1997
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Yana, welcome back!   Whirl Away is my favorite too. But the whole damn cd is
just 
well, great.
Let's be a gathering on aol tomorrow night.
Ciao, Mary

From babel-list-owner  Wed Oct  1 17:10:56 1997
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	  Wed, 1 Oct 1997 20:09:49 -0400 (EDT)
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Hi Folks,

I was wondering if anyone here is into Jane Siberry, and if so, do you know
if Oliver Ray is in any way related to Jane's pianist Tim Ray?  They have
similar features, but I've certainly seen much stranger coincidences.

Tim!

From babel-list-owner  Wed Oct  1 18:22:29 1997
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Ethiopium@aol.com wrote:
> 
> Yana, welcome back!   Whirl Away is my favorite too. But the whole damn cd is
> just
> well, great.

Heehehe. What is it about that song? That's the one that's been running
through my head all day too.  Its kind of...Aint is Strange-ish, in a
way. Musically, anyway.  Great vocals, lyrics, melody, etc.

And Don't Say Nothing is just...a classic. 

Other than lacking strong lead guitar, as I mentioned earlier, a few of
the songs are a bit ... melody-deprived...but they are growing on me. 

On Memento Mori, I kinda wish the band was as frenetic and energy-filled
as Patti is.  The music and the vocals don't quite merge together so
perfectly... for me...the way they did so perfectly on Land...


P.S.  Although 1959 isn't my favorite song on the album, I actually
loved last night's performance.  The song is growing on me.  If Patti
was flat..I didn't pick up on it (but then...if you heard me sing..you'd
understand. hehe).  Just loved the "hi mommy Hi daddy" thing.  After
all, she said hi to the kids last time, didn't she?

I also bought the Dylan and Stones albums.  I like the Dylan album, so
far. Very bluesy.  Can't say the Stones bowled me over yet (...but then,
I'm sick of Constant Craving...so..).

Finally, before I go enjoy the Kraft low fat macaroni and cheese I just
cooked (and added a huge handful of real cheese to in order to make
palatable), I should mention that Time Out NY also raved about P & N
this week, describing it as "like a letter out of the blue from a friend
you drefted apart from years ago." While crediting Patti and Lenny for
their "signature sound" the writer also credits young Oliver Ray with
bringing "Peace and Noise into the present with more direct chord
patterns and arrangements."  Go Ollie!!

From babel-list-owner  Wed Oct  1 19:10:41 1997
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Subject: "holy"
Date: Wed, 1 Oct 97 21:13:05 -0000
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From: "Alison Armstrong" <alikat@spacelab.net>
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Even though Patti didn't write it, Ginsberg's "holy, holy" chant on 
"Spell" becomes, through her voice, a therapeutic massage, a loofah 
sponge rubbing away culturally transmitted guilts, scrubbing away 
concepts of the body as filthy and sin as innate.  Patti's spirituality, 
everpresent in Peace and Noise and permeating all her work, reminds me 
somewhat of William Blake's.  I think that this may be what I had in mind 
when earlier today I compared listening to Peace and Noise with wandering 
through a "new" city.  Later, I wondered what I had meant by "new," and I 
guess I was thinking of it in the Blakean sense of seeing something with 
"new" eyes.  Maybe that's sort of what Christians mean when they talk of 
being "born again," only when they say this it often means seeing oneself 
as sinful before and washed by God into something spiritually 
presentable, unlike the idea in "Spell" that you were always "holy" and 
just may never have realized it before.  The idea of sin, as defined by 
some Christians, depresses me because it is so hopeless, whereas the 
message I get from Peace and Noise is that we can share in God or 
whatever this divine power is if we have hope and a belief in our 
oneness.  It's a blessing coming from within, in contrast to one being 
imposed by something external. 
     I'm thinking about this in connection with an incident that happened 
to me yessterday several hours before I finally got to listen to Peace 
and Noise.  Maybe I looked like a poster child of damnation  or something 
, but as I was walking through a Brooklyn subway station I was accosted 
for the second time by this woman who handed me a gloomy little religious 
pamphlet.  She said I must ask Christ into my heart because she wants to 
see me in heaven.  The pamphlet, of course, luridly depicted the 
alternative.  She said it wasn't enough to believe in Christ, which I do 
in a non-traditional way.  She said you had to acknowledge sin and 
helplessness.  All the time she was saying this, I was having conflicting 
feelings.  The impressionable, spongelike, conditioned -to-feel-guilty 
sie of me was kind of absorbing her guilts while another side of me was 
thinking that her beliefs actually promoted, rather than healed, despair 
and fostered a disregard for all physical creation.
Anyway, the woman got to me a bit and left me feeling rather scared and 
doomed, which was probably the intent, though she may not have 
consciously realized it.  So when I got home and listened to Peace and 
Noise, it was like an antidote to all that, an affirmation of a much more 
benign spirituality.  I think "Last Call" could be describing people like 
this woman whose teachings in the name of religion engender life-denying 
pessimism.
     Alison

From babel-list-owner  Wed Oct  1 20:05:22 1997
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In a message dated 97-09-30 14:16:57 EDT, you write:

<< Oh I just got the cd!
 But it was just stuck in with Patti Smith cds. No mention of a new release
>>
 
I found it on Tuesday in a Best Buys in Dallas - but also in the bins - not
in new releases.  Regardless - IT'S INCREDIBLE.  I'm gonna help the sales
because I've got to have one cd to keep in my pickup - so I don't have to
carry it back and forth!

P&N,
Al in Tx.

From babel-list-owner  Wed Oct  1 20:05:25 1997
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I went to Cocanuts on the 30th and there was no trace of the new Dylan
album!!!  
Is it worth getting?

From babel-list-owner  Wed Oct  1 20:56:28 1997
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Date: Wed, 1 Oct 1997 23:55:08 -0400 (EDT)
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wow..this is a great album.  I can't say it is as good as any of her work in
the 70's though.  I wish it was more like horses with the poetry breaks and
changes during the songs (ex. Land).  but o, well...I'm so glad she brought
back Johnny!!  I'd have to say Waiting Underground, 1959 or Memento Mori are
my favorites as of now.  
well...enjoy
~~mike

PS: someone mentioned this but you do have to have AOL to participate in the
AOL chat rooms...I don't know how many people will show but I'll give it a
try.
Thursday 9:00 est.  Members rooms, arts and entertainment, Peace and Noise

From babel-list-owner  Wed Oct  1 21:01:10 1997
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Subject: Re: P&N listening party in Philly
To: babel-list@postmodern.com
Date: Thu, 2 Oct 1997 00:00:15 -0400 (EDT)
In-Reply-To:   <970929.161057.EDT.MFINE@VM.TEMPLE.EDU> from "M.J. Fine" at Sep 29, 97 04:07:44 pm
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M.J. Fine wrote:
> 
> Pontiac Grille on South Street near Third is having a Peace and Noise
> release party on October 10, according to a calendar posted on the
> club's door.  I didn't catch the particulars, as it clashes with Yom
> Kippur.

Not anymore? An ad in the Philadelphia Weekly for the 
Pontiac Grille has the P&N party down for 10 PM on 
October 8, 21 and over only. 

The same night, there's an all-ages 
show earlier in the evening. 

++Tony "Free Shit!" Rzepela 

From babel-list-owner  Thu Oct  2 10:50:29 1997
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Subject: Wall of Sound likes "P&N"
To: babel-list@postmodern.com (babel-list)
Date: Thu, 2 Oct 1997 13:11:26 -0400 (EDT)
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The Wall of Sound website has a positive 
review of "P&N". The numeric rating it got 
was only 83 out of 100, but the final paragraph
gushes thusly:

   But Smith's delivery, which carries the yearning emotional heft of
   a master poet, makes these relatively simple sentiments seem
   freshly profound. So does the music, drawn in moody, nuanced
   arrangements that favor hypnotic drones, though in a couple of
   spots--"1959," "Dead City," and the ten-minute opus "Memento
   Mori"--Smith and her band show they can kick it, albeit with a
   different kind of energy than they did during the late seventies.
   But today's Smith is as vital as yesterday's, and with two very
   different albums in two years, she's covered a great deal of
   difficult ground with rare grace, humanity, and musical vision.


Wall of Sound Website: http://www.wallofsound.com/
Review URL:
        http://www.wallofsound.com/reviews/stories/3154_35index.html

From babel-list-owner  Thu Oct  2 11:14:20 1997
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Subject: Wall of Sound likes "P&N"
To: babel-list@postmodern.com (babel-list)
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The Wall of Sound website has a positive 
review of "P&N". The numeric rating it got 
was only 83 out of 100, but the final paragraph
gushes thusly:

   But Smith's delivery, which carries the yearning emotional heft of
   a master poet, makes these relatively simple sentiments seem
   freshly profound. So does the music, drawn in moody, nuanced
   arrangements that favor hypnotic drones, though in a couple of
   spots--"1959," "Dead City," and the ten-minute opus "Memento
   Mori"--Smith and her band show they can kick it, albeit with a
   different kind of energy than they did during the late seventies.
   But today's Smith is as vital as yesterday's, and with two very
   different albums in two years, she's covered a great deal of
   difficult ground with rare grace, humanity, and musical vision.


Wall of Sound Website: http://www.wallofsound.com/
Review URL:
        http://www.wallofsound.com/reviews/stories/3154_35index.html

From babel-list-owner  Thu Oct  2 11:14:54 1997
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Subject: PS in the Phila. City Paper
To: babel-list@postmodern.com (babel-list)
Date: Thu, 2 Oct 1997 14:12:34 -0400 (EDT)
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There's been Patti content in the Philadelphia
City Paper two weeks in a row now. Last week, she 
was subjected to 20 questions by Margit Ditweiler 
(sp?) in anticipation of the Camden show, and
the WW event was a pick of the week. 

Camden is reviewed this week by ad amorosi, 
and there's a photo from it. There's also a 
quarter-page ad for the album/P&N party, 
co-sponsored by the local independent store 
"Third Street Jazz" (the only store around 
here that had any of Arista's oversized
postcards back before GA was released.) 

The ad sez: "Win an original lithograph of
Patti Smith artwork autographed by Patti 
and pick up some free giveaways."

They've got the date and time as October 8, 9PM.

Location is the Pontiac Grille, address of which 
is nowhere to be found in the ad. However, the
PG is at 304 South Street.

From babel-list-owner  Thu Oct  2 11:28:44 1997
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From: OHIODECLAN@aol.com
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Date: Thu, 2 Oct 1997 12:02:14 -0400 (EDT)
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There is an ad in today's City Paper for a P&N listening party at the Pontiac
Grille at 3rd & South on Wednesday, October 8 at 9:00. Free giveaways and
drawing for lithograph are advertised.

Jeff

From babel-list-owner  Thu Oct  2 11:32:21 1997
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     Yeah, I must agree that I would like to hear a more upfront lead
     guitar.

From babel-list-owner  Thu Oct  2 11:32:51 1997
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     Personal opinion - the new Dylan album is worth getting, I like
     it more all the time.

From babel-list-owner  Thu Oct  2 12:18:55 1997
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Date: Thu, 2 Oct 1997 11:46:46 -0700 (PDT)
From: Robert Byler <berto@uclink2.berkeley.edu>
To: babel-list@postmodern.com
Subject: Re:  Wall of Sound/Peace and Noise
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sounds and review of album at this site
http://www.wallofsound.com/reviews/stories/3154_35index.html

robert


From babel-list-owner  Thu Oct  2 12:25:05 1997
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From: "Ron Jacobs" <rjacobs@thyme.uvm.edu>
Organization: University of Vermont
To: babel-list@postmodern.com
Date: Thu, 2 Oct 1997 09:24:35 EDT
Subject: Re: tower records PS ad in Voice
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> From:          TMPJAccas@aol.com
> Date:          Wed, 1 Oct 1997 23:04:33 -0400 (EDT)
> To:            babel-list@postmodern.com
> Subject:       Re: tower records PS ad in Voice
> Reply-to:      babel-list@postmodern.com

> I went to Cocanuts on the 30th and there was no trace of the new
> Dylan album!!!  Is it worth getting?

Absolutely.  This album begins with a guitar pluck, then an organ 
chord that interrupts the silence.  Bobby comes in with a plaintive 
voice of the  past.  "I'm sick of love..."he sings.  By the end of 
the song he asking her to stay because he knows that "Love is all 
there is, it makes the world go round...."  The next tune, "Dirt Raod 
Blues", is a blues piece that sounds like an extension of "Tombstone 
Blues" and just drives real real hard.  He gives us a bit of a break 
with the next tune "Standin the Doorway", but comes right back at you 
with the next one.  This album doesn't stop....I wish I could quit 
work and just go home and listen to Dylan and then Patti's new one 
and repeat it all again.

-
Ron Jacobs\\\\\\\\\\\\\\\\Let's be realistic,
Bailey/Howe Library,\\\\\\\\demand the impossible...
University of Vermont\\\\\\\\\\\\-Paris, May 1968
Reserve desk\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
rjacobs@thyme.uvm.edu\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Burlington,VT USA\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
http://moose.uvm.edu/~rjacobs/ronshome.html

From babel-list-owner  Thu Oct  2 12:27:35 1997
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Date: Thu, 2 Oct 1997 08:48:52 -0400
From: mg@inmet.com (Mitch Gart)
Message-Id: <199710021248.IAA24949@harp.camb.inmet.com>
To: babel-list@postmodern.com
Subject: MC5 MOVIE NEWS: RA RA SIS BOOM BA!
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I got this in the mail and thought others in babel-list would be
interested, it's about a movie about the MC-5.    - Mitch

--------------------------------------

From: economy@tezcat.com

ATTN: Friends of the MC-5 !!

Dig It! - and Rejoice! - WE DONE KICKED 'EM OUT!!

Tuesday, Sept 30, production of MC5 * A TRUE TESTIMONIAL took a giant leap 
forward!

Future/Now Films became recipients of the prestigious Roy W. Dean Grant
Award for documentary filmmakers -- to the tune of $35,000 in film goods
and services!!! YEAH!

Selected from 5 finalists amongst 200 entries, MC5 * A TRUE TESTIMONIAL
chewed up the competition and rocked the house!  Chicago nightclub
Excalibur was the scene of the event, with each of the finalists making
their final presentations for the judges.  Future/Now's David Thomas
channeled the Righteous Energies and RAN IT DOWN! with a chorus of support
from co-conspirators Laurel Legler and Jeff Economy. The audience loved it
and the preview/trailer BLEW THEM AWAY!

The Roy W. Dean Grant is sponsored by Studio Film & Tape, national
distributors of Fuji Motion Picture film, and the judges for the event
included Academy Award winning director Barbara Trent (THE PANAMA 
DECEPTION), award winning director Zeinabu Davis, and award winning 
director David Simpson. This award will go a long way towards keeping the 
production rolling and eventual realization of the full budget. It was a 
GREAT night and a GREAT HONOR, wish you ALL could have been there! ...but 
since you was busy elsewheres, here's the text of our presentation:

	"Good evening, and thank you. My name is David Thomas of Future/Now
Films. I am co-Director and co-Producer of MC5 * A True Testimonial. My  
co-conspirators in this adventure are producer, Laurel Legler, co-director 
and director of photography, Jeff Economy, and our editor, Greg Snider of 
The Looking Glass. We are thrilled to have had this project chosen as one 
of the finalists for the Roy W. Dean Grant; we consider it a great honor to 
be here tonight, our thanks to Studio Film & Tape for this opportunity.

	MC5 * A True Testimonial will be a feature-length examination of 
the life and times of the MC-5, a high-energy rock n roll band who came
blasting out of Detroit in the late 1960s, and their role in American
cultural, political, and musical History.  

	When we first began the preliminary research on this film we did
so because we are at heart, rock n roll fans. And when we first unearthed 
archival footage of the MC-5 we were overjoyed to see that they were every 
bit as exciting and riveting and visually stunning as we had heard. But as 
we dug deeper into the intricacies of their story and examined the events 
which they had been a part of, we became increasingly aware not only of how 
influential this group was, but we began to see their story as a metaphor 
for the entire 60s youth explosion. We began to see how their career had 
paralleled the rise and fall of the radical political and cultural 
movements of the period, and we saw that an in-depth examination of what 
had happened to this band could be used to tell a larger story about 
American History. 

	In the midst of the most turbulent years in our nation's history, 
the MC-5 embraced the promise and embodied the possibilities of a real 
American Revolution. During their brief career the MC-5 created a 
firestorm of controversy. They spearheaded the 60's only working class 
cultural scene; they were the only group with the courage to perform at 
the 1968 Democratic National Convention in Chicago in a show of solidarity 
with the Yippies and the anti-war Movement; and they attracted unparalleled
attention from state and Federal law enforcement when they formed the 
White Panther Party in support of their Black Panther brothers. When their 
first album KICK OUT THE JAMS was released, it was censored by radio, 
banned by retailers, and quickly pulled off the market. Store owners in 
the state of Michigan were arrested for selling it. The band's manager, 
John Sinclair, was jailed in one of the most controversial cases in 
Michigan History. And as the 60s ended and the political tides shifted, 
the MC-5 fell into obscurity.

	Or did they?
 
	For as we began our research in Michigan, we found that the 
legend of the MC-5 had reached the level of Urban Myth. That devotion 
bordering on fanaticism surrounded this group, and they had changed lives 
forever. For many, the MC-5 were a working model of limitless possibilities  
and the MC-5 experience a catalyst for their own personal and political
awakenings. 

	The issues that will be explored in MC5 * A TRUE TESTIMONIAL are
issues that are still with us -- the struggle against intolerance and
oppression, government surveillance, the ongoing battle against censorship, 
and the fight for freedom of expression...these are the same battles we all 
continue to fight, and there is much to be learned from the successes and 
failures of the MC-5.
 
	Excitement about this film continues to build, even in its early 
stages it has received extensive press coverage, and the trailer you are 
about to see was recently screened for a standing-room-only crowd at the 
Rock n Roll Hall of Fame and Museum in Cleveland.  A theatrical release of 
the finished film is our ultimate goal. 

	MC5 * A TRUE TESTIMONIAL will mirror the high-energy aesthetic of 
the MC-5 themselves. It will be a dynamic documentary full of never-before-
seen images, including rare archival footage, photos, posters, TV shows, 
interviews, news footage, and government surveillance films. It will be a 
high-energy history lesson, a celebration of the fire and the energy and 
the spirit that has always burned at the heart of the American Dream. We 
believe it is the last great untold story of the 1960s. We believe it is a 
story whose time has come, a unique story which we all deserve to know."

And then we rolled the trailer on the BIG SCREEN -- 2.5 minutes of SMOKING
relentless MC-5 History/Hysteria...there is NO resisting its TOTAL
ASSAULT!  We walked away with the Grant and the Trophy -- A FIVE POINTED 
STAR!!

Spread the word -- we're still fighting the GOOD FIGHT!  And MC5 * A TRUE
TESTIMONIAL is another step closer to reality!

Peace & Power, 
Your Brothers and Sister at Future/Now Films

From babel-list-owner  Thu Oct  2 13:04:37 1997
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        After a hard search, i've found "Babel" in a library, but Spanish
version: _(.
        At least, i'll read it ( as i wait to " Peace & noise ". )
        See you.
                < naib >
      


From babel-list-owner  Thu Oct  2 13:15:28 1997
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From: mg@inmet.com (Mitch Gart)
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Ron Jacobs wrote

> .I wish I could quit 
> work and just go home and listen to Dylan and then Patti's new one 
> and repeat it all again.

Me too!  But on the other hand, remembering that Bob's and Patti's
new albums are waiting at home is a comforting thought.

To Alison, who wrote about the old lady in the Brooklyn subway
with the religious views, now we can say to people like that,
or hum to ourselves, "don't be led away, don't be led away".

- Mitch

From babel-list-owner  Thu Oct  2 13:27:44 1997
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From: "Lynch, Mary" <MLynch@ccsmtp.risd.edu>
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     Hey, I downloaded the MAc PPC version of the Patti screensaver,
     and then couldn't open it. It did not expand itself. Anyone have
     any suggestions?
     Thanks, MAry

From babel-list-owner  Thu Oct  2 13:36:39 1997
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Date: Thu, 2 Oct 1997 13:31:25 -0700 (PDT)
From: Robert Byler <berto@uclink2.berkeley.edu>
To: babel-list@postmodern.com
Subject: Re:another review
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http: //www.ocregister.com/news/1997/0997/092697/lps.html



robert


From babel-list-owner  Thu Oct  2 14:49:34 1997
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From: "Lynch, Mary" <MLynch@ccsmtp.risd.edu>
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Subject: Re: MC5 MOVIE NEWS: RA RA SIS BOOM BA!
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     Wow that is really great news about the MC5 documentary.
     I can't wait to see it. I remember writing Kick out the Jams
     Motherfuckers on the wall of the Yale Divinity School about
     10 years ago in a fit of frustration over the tepid social
     activism that was so popular there.  I've mellowed - I must admit
     it, but I've still been known to scrawl it here and there.
     Unfortunately, no one knows what it means.

From babel-list-owner  Thu Oct  2 15:23:19 1997
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From: Robert Byler <berto@uclink2.berkeley.edu>
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god,
sometimes cut and paste works and sometimes it doesnt.
i will resend the review address later. sorry. now im the one with empty
posts.

Mary....u need a stuffitt or unstuffitt (wrong spelling) program.
someone who knows what i mean can help better. Or you should be able to do
it from your AOL account with their horrible web browser.

robert


From babel-list-owner  Thu Oct  2 17:04:46 1997
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Subject: Wall Of Noise review
Date: Thu, 2 Oct 97 17:06:36 -0000
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I lifted this review from today's Wall Of NOise. They also have  a bunch 
of soundfiles up at the site for people to download, of songs from teh 
album. Hope it comes through ok. The URL is 
http://www.wallofsound.com/reviews/stories/3154_35index.html

Patti Smith's 1975 utterance "outside of society is where I want to be" 
is a difficult
     declaration to live down. Few lyrics are soclear in purpose, and 
those wordsinextricably defined Smith's stature as rock-and-roll rebel 
and punk priestess
     supreme. But things change in
     twenty-two years, and Smith has been
     through the full cycle of birth and death--
     from marrying and becoming a mother to
     losing both her husband, former MC5
     guitarist Fred "Sonic" Smith, and her
     brother Todd during 1994. Last year,
     Smith mourned her departed family and
     friends (including former bandmate Richard Sohl and famed 
photographer and
     her former lover Robert Mapplethorpe) on the beautifully somber Gone 
Again,
     her first album in eight years. Then she picked up her kids, moved 
from
     suburban Detroit back to New York, and began what's clearly a new 
phase in
     her career. 

     Now, barely a year after the release of Gone Again, Smith has issued 
the first
     statement on her new mission. Peace and Noise finds Smith not just 
firmly
     inside society, but yearning for as much of it as she can get. In 
the ambient
     opening track, "Waiting Underground," she sings of a "gathering" 
transpiring
     beneath the earth. The reggae-styled "Whirl Away," reminds us that 
"all men are
     brothers" and on it she asks--sounding nearly stricken by the 
concept--"Who
     stands guard for each other?/ Why must we guard anything at all?" 
Even
     "Spell," one of the two Allen Ginsberg poems she sets to music on 
Peace and
     Noise, forwards the notion that "everything is holy/ everybody's 
holy." These are
     timeless themes, of course, older than the Dust Bowl imagery of 
"Blue Poles"
     and as modern as the AIDS victims of "Death Singing" or the Heaven's 
Gate
     suicides detailed in "Last Call," which features guest vocals from 
R.E.M.'s
     Michael Stipe. 

     But Smith's delivery, which carries the yearning emotional heft of a 
master poet,
     makes these relatively simple sentiments seem freshly profound. So 
does the
     music, drawn in moody, nuanced arrangements that favor hypnotic 
drones,
     though in a couple of spots--"1959," "Dead City," and the ten-minute 
opus
     "Memento Mori"--Smith and her band show they can kick it, albeit 
with a
     different kind of energy than they did during the late seventies. 
But today's
     Smith is as vital as yesterday's, and with two very different albums 
in two
     years, she's covered a great deal of difficult ground with rare 
grace, humanity,
     and musical vision. --Gary Graff 

From babel-list-owner  Thu Oct  2 17:09:00 1997
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Well, I went to the Patti party on Leonard Street tonight.  It seemed
pretty much as people described the ones in other citys, except here
they had autographed cds for sale.  They also gave out the posters, and
Peace and Noise buttons.  They were also giving away a lithograph.

 
We were kind of hoping that the 'ol girl herself would show up to sign
the cds, but..nope.

Nice people there though.  How could you go wrong with Patti people?

Still, I can't figure out whether this was a really dumb marketing idea
(spending the $$ on people who would have bought the album anyway) or if
it was Patti's idea and her way of giving something back to us (free
food!).  Who knows.  Maybe, if she has any say in it at all, she figured
that a few more ads wouldn't sell any more records anyway and wanted to
make this nice gesture.

From babel-list-owner  Thu Oct  2 18:10:41 1997
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Date: Thu, 2 Oct 1997 21:09:50 -0400 (EDT)
Message-ID: <971002210650_-662225101@emout19.mail.aol.com>
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Subject: Re:  Re: MC5 MOVIE NEWS: RA RA SIS BOOM BA!
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Mary sez:

>I remember writing Kick out the Jams
>     Motherfuckers on the wall of the Yale Divinity School about
>     10 years ago in a fit of frustration over the tepid social
>     activism that was so popular there.

I guess they had their fill of it during the May Day rally of 1970, eh? It's
interesting now, though, to find out some of what went on behind the scenes
then, like how Yale kept a busload of Weather Underground from reaching New
Haven by getting them stranded on a desolate stretch of the Mass Pike. Or how
another WU member, having second thoughts, revealed that there was a case of
grenades making its way up from down south. Or how the bomb that went off in
the rink might actually have been planted by the Nixon administration to help
discredit the activists . . .

--Bob Farace

From babel-list-owner  Thu Oct  2 19:00:08 1997
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Hi,

I've been reviewing the concert clips of patti that aired last week on
TLC's history of r&r punk episode. I'm curious as to the origin of these
clips, were they tv specials or released for home video? I'm sure you've
probably discussed this when this episode first aired. Does this list
have keyword searchable archives?

I was pleased to see patti's hair wasn't dyed for letterman, I've always
pictured her as being satisfied with her natural appearance and the
sessions show(with no gray) seemed odd to me. I'm not even sure exactly
how long she has had gray hair but everytime I've seen her with it she
looked so wise.
-- 

Dan Witt
MInneapolis, MN USA

From babel-list-owner  Thu Oct  2 20:17:11 1997
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hey...just wanted to say sorry to all of you who tried to find the room that
didn't exist.  I'm very sorry, i was watching the Yankee game and lost track
of time.  But it was scheduled for the same place same time next week so I
hope to see you all there

~~Mike

From babel-list-owner  Thu Oct  2 20:18:22 1997
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hey...just wanted to say sorry to all of you who tried to find the room that
didn't exist.  I'm very sorry, i was watching the Yankee game and lost track
of time.  But it was scheduled for the same place same time next week so I
hope to see you all there

~~Mike

From babel-list-owner  Thu Oct  2 21:56:45 1997
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i bet Fred is grinning from ear to ear.....somewhere.

i really dug his vocals on "It Takes Time" with Patti on the  "Until the End
of the Word" soundtrack.....

noah

From babel-list-owner  Thu Oct  2 22:21:17 1997
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0117 EDT // Fri 3 Oct 97 // BklnNYC
                                                          
A *Very* Valuable Collector's Item...
                                                             
**************************************************************
>From: NoahSeven@aol.com
>Date: Fri, 3 Oct 1997 00:55:13 -0400 (EDT)
>To: babel@postmodern.com
>Subject: Re: babel-digest V2 #343
                                             
>...
                                                 
>i really dug his vocals on "It Takes Time" with Patti on the  
"Until the End of the Word" soundtrack.....
>
>noah
**************************************************************
                                             
--//
eLTyger
--//
/*RESPECT FOR THE ELECTRON(S)*/
--//
/*SACRED LIGHTNING/ DANCE THE WORLD*/


From babel-list-owner  Thu Oct  2 22:51:52 1997
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From: Mark Faigenbaum <maf@well.com>
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For 2 days now I've been listening to nothing but Bob and Patti.

For anyone hesitating getting the Dylan record, get off it, bop
down to your local compact digital retailer and buy this puppy.

I am simply blown away by both of these records. On P&N Momento Mori
and Dont Say Nothing are the standouts for me. What a great album.

Dylans Time Out of Mind is dark, blusey, swampy, mystical, resigned,
magical and multi layered. All about love, broken hearts, heaven, love
and heaven.

As for lack of promotion, today I was at Tower and asked if they had any 
extra promo stuff for the Patti Smith CD. The woman told me "We don't
have ANY promo materials for that."

So have we started a campaign yet to call our local radio stations
and start requesting songs? I think Don't Say Nothing is the best
choice for a single.

Be a WOOLgathering
Mark

From babel-list-owner  Thu Oct  2 23:06:07 1997
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From: Robert Byler <berto@uclink2.berkeley.edu>
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I did see that the SF Bay Guardian
list 4 places where you can buy Peace and Noise and register to win one of
the signed lithographs everyone is talking about. glad i only bought the
tape...now i can register to win when i buy the cd.... and then theres the
vinyl.....

robert.

....yea, but Mark....what station will play Patti Smith? KFOG didnt even
feature Peace and Noise on the new releases Thursday. I have written them
on their web site...but...nothing....





From babel-list-owner  Thu Oct  2 23:37:44 1997
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Is it too early to wonder if there might be a video, for which song, and who
might direct it? I don't suppose anyone has heard anything?

--Bob Farace

From babel-list-owner  Fri Oct  3 00:31:36 1997
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0326 EDT // Fri 3 Oct 97 // BklnNYC
                                                   
       Yes.
                                                   
***************************************************************
>From: Bluemuse@aol.com
>Date: Fri, 3 Oct 1997 02:36:51 -0400 (EDT)
>To: babel-list@postmodern.com
>Subject: Re:  Re: Patti and Dylan
                                               
...
                                        
>Is it too early to wonder if there might be a video, for which 
>song, and who might direct it? I don't suppose anyone has 
>heard anything?
>
>--Bob Farace
***************************************************************
                                                     
       HehHehHeh,
                                      
              (No! Stop! Halp! I Swear I Don't Know Nothin'...)
                                       
--//
eLTyger
--//
/*RESPECT FOR THE ELECTRON(S)*/
--//
/*SACRED LIGHTNING/ DANCE THE WORLD*/


From babel-list-owner  Fri Oct  3 01:13:09 1997
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0326 EDT // Fri 3 Oct 97 // BklnNYC
                                                   
       Yes.
                                                   
***************************************************************
>From: Bluemuse@aol.com
>Date: Fri, 3 Oct 1997 02:36:51 -0400 (EDT)
>To: babel-list@postmodern.com
>Subject: Re:  Re: Patti and Dylan
                                               
...
                                        
>Is it too early to wonder if there might be a video, for which 
>song, and who might direct it? I don't suppose anyone has 
>heard anything?
>
>--Bob Farace
***************************************************************
                                                     
       HehHehHeh,
                                      
              (No! Stop! Halp! I Swear I Don't Know Nothin'...)
                                       
--//
eLTyger
--//
/*RESPECT FOR THE ELECTRON(S)*/
--//
/*SACRED LIGHTNING/ DANCE THE WORLD*/


From babel-list-owner  Fri Oct  3 05:18:32 1997
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Date: 3 Oct 1997 08:12:24 -0800
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Subject: Re: MC5 MOVIE NEWS: RA RA S
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>>>I remember writing Kick out the Jams Motherfuckers on the wall of the Yale
Divinity School about 10 years ago in a fit of frustration over the tepid
social activism that was so popular there.  I've mellowed - I must admit it,
but I've still been known to scrawl it here and there<<<

GoMaryGo !!!  



From babel-list-owner  Fri Oct  3 05:23:51 1997
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Date: 3 Oct 1997 08:17:33 -0800
From: "Steve Kenney" <STEVEN.H.KENNEY@cpmx.saic.com>
Subject: Re: Babel
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looks like naib has been hangin' out with jeffrey .....  : )



From babel-list-owner  Fri Oct  3 05:31:30 1997
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